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In a decade that featured such legendary hurlers as Sandy Koufax, Bob Gibson, Don Drysdale, and other Hall of Famers, no pitcher won more games than Juan Marichal in the 1960s. His unique, high-kick pitching style was imitated by kids from New York to San Francisco to Santo Domingo, and it is immortalized in a bronze statue outside of the Giants’ current ballpark. Marichal was the first Dominican-born player to play in an All-Star Game and the first elected to the Baseball Hall of Fame, and he won more games than any of his countrymen. And while Dominican and other Latino players have come to dominate many aspects of baseball in recent years, Marichal was a trailblazer in his day, entering the league at a time when Latin American players were routinely discriminated against, underpaid, and presented with numerous obstacles on their journey to the big leagues.In Juan Marichal, Marichal tells the story of his rise from living on a rural farm as a young boy in the Dominican Republic to his status as one of the great pitchers of all time. Along the way, he was enlisted by the son of the country’s dictator to play for the national team, was threatened at gunpoint to throw a game during a tournament in Mexico, fought homesickness as a minor leaguer in rural Indiana, and went head-to-head with some of the greatest pitchers and hitters the game has ever seen.For the first time, Marichal gives his perspective on life as a Latino ballplayer in the 1960s, describes the highs and lows of a 16-year major league career, and explores what the recent influx of Dominicans in the majors has meant to baseball and to his home country. He offers reflections on lingering stereotypes, the impact of steroids, and the general state of the game in the 21st century. 

One Sunday afternoon in August 1965, on a day when baseball’s most storied rivals, the Giants and Dodgers, vied for the pennant, the national pastime reflected the tensions in society and nearly sullied two men forever. Juan Marichal, a Dominican anxious about his family’s safety during the civil war back home, and John Roseboro, a black man living in South Central L.A. shaken by the Watts riots a week earlier, attacked one another in a moment immortalized by an iconic photo:  Marichal’s bat poised to strike Roseboro’s head.     The violent moment–uncharacteristic of either man–linked the two forever and haunted both. Much like John Feinstein’s The Punch, The Fight of Their Lives examines the incident in its context and aftermath, only in this story the two men eventually reconcile and become friends, making theirs an unforgettable tale of forgiveness and redemption.     The book also explores American culture and the racial prejudices against blacks and Latinos both men faced and surmounted. As two of the premiere ballplayers of their generation, they realized they had more to unite them than keep them apart.

The incredible performances of Juan Marichal and Warren Spahn on July 2, 1963, would forever link their names together in baseball history, and this dual biography of these athletes weaves that 1963 contest throughout the narrative in a book that is sure to be a home run with baseball fans everywhere. Even before their epic pitching duel, Marichal and Spahn already had a lot in common. Future Hall of Famers with high-kicking deliveries, they were shaped into winners by character-building experiences in the military. Spahn had been baseball's most winning pitcher in the 1950s, and Marichal would be equally dominant in the 1960s. The Braves' Spahn and the Giants' Marichal began their duel in San Francisco's cold and windy Candlestick Park. Four hours later, the two pitching legends were deadlocked in a scoreless tie when Willie Mays hit a walk-off home run to end the greatest game ever pitched. In between, Marichal and Spahn each threw more than 200 pitches and went 16 innings without relief. Considering today's culture of pitch counts and coddled arms, it was proved to be a legendary night that won't be repeated ever again.

Carlos Marichal contends that the boom-and-bust cycles of Latin American foreign loans result mainly from the fluctuations of the world economy, rather than from errors made in Latin America itself. Marichal shows that the present debt crisis is only a part of an overall pattern in Latin American history--cycles of loan boom and subsequent debt crisis that are heavily influenced by fluctuations of international trade and capital flows. He also reveals the significant role played by those who implement debt policies. Examining the strategies of both lenders and borrowers, he makes it clear that foreign loan negotiations are not only financial tools but also political instruments with broad economic and social consequences.The book analyzes in detail the four major debt crises that took place in Latin America during the nineteenth and early twentieth centuries. Marichal's focus is comparative, since the contracting of foreign loans and their repayment were problems common to virtually all nations of the region. He devotes special attention to explaining the links of these debt crises to the international financial panics of 1825, 1873, 1890, and 1929. The epilogue compares the debt crises of the past with the contemporary Latin American debt crisis.

In 1958, San Francisco welcomed its first major league baseball team when the Giants left New York and journeyed across the country to the Bay Area. Steeped in tradition, the orange-and-black team has captivated fans for decades with rosters including Willie Mays, Willie McCovey, Orlando Cepeda, Juan Marichal, Gaylord Perry, Will Clark, Barry Bonds, and Tim Lincecum. This book provides a look into the team’s history, highlighting the players and other notables who were instrumental in shaping the Giants organization.