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The most important architects of his time entrusted Jean Marot with their designs, and he knew how to give their ethereal ideas lasting tangibility. Which is precisely why Jean Marot's prints, documenting 17th century French architecture, are of immense value to architectural history. And until today, his work has mainly been reduced to the role of a service rendered. Kristina Deutsch's monograph is the first attempt to shift focus to the creative side of his work and sheds light on Marot's sometimes extraordinarily free interpretations of drawings by other artists. Based on his most significant series of prints -and especially his etchings regarding the Louvre - Deutsch makes a detailed presentation of the parameters that characterize the aesthetic presentation of a structure.

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Renowned translator Norman R. Shapiro here presents fresh English versions of poems by three of Western literature’s most gifted and prolific poets—the French Renaissance writers Clément Marot, Joachim Du Bellay, and Pierre de Ronsard. Writing in the rhymed and metered verse typical of the original French poems (which appear on facing pages), Shapiro skillfully adheres to their messages but avoids slavishly literal translations, instead offering creative and spirited equivalents. Hope Glidden’s accessible introduction, along with the notes she and Shapiro provide on specific poems, will increase readers’ enjoyment and illuminate the historical and linguistic issues relating to this wealth of more than 150 lyric poems. “A marvelous micro-anthology of sixteenth-century French letters. Representing the pinnacle of French Renaissance verse, the poems singled out here are sensitively interpreted in rhymed English versions. . . . There is a pleasant and inspiring craftsmanship in these interpretations.”—Virginia Quarterly Review

Renowned translator Norman R. Shapiro here presents fresh English versions of poems by three of Western literature’s most gifted and prolific poets—the French Renaissance writers Clément Marot, Joachim Du Bellay, and Pierre de Ronsard. Writing in the rhymed and metered verse typical of the original French poems (which appear on facing pages), Shapiro skillfully adheres to their messages but avoids slavishly literal translations, instead offering creative and spirited equivalents. Hope Glidden’s accessible introduction, along with the notes she and Shapiro provide on specific poems, will increase readers’ enjoyment and illuminate the historical and linguistic issues relating to this wealth of more than 150 lyric poems. “A marvelous micro-anthology of sixteenth-century French letters. Representing the pinnacle of French Renaissance verse, the poems singled out here are sensitively interpreted in rhymed English versions. . . . There is a pleasant and inspiring craftsmanship in these interpretations.”—Virginia Quarterly Review

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT122996Londres: imprimé par A. Pearson, pour l'auteur, 1737. [396]p., plate: music; 8°

*** Aux pages d’anthologie de la poésie française se rencontrent les cinquante-deux meilleurs poètes de l’histoire de la literature française. Les poètes: Eustache Deschamps (1346-1406) Charles d' Orleans (1394-1465) François Villon (1431 - 1463) Clément Marot (1496-1544) Maurice Scève (1510-1564) Joachim Du Bellay (1522-1560) Pierre de Ronsard (1524-1585) Louise Labè (1526-1566) Philippe Desportes (1546 -1606) Théodore Agrippa d'Aubigné (1552 –1630) François de Malherbe (1555 - 1628) Jean de Sponde (1557 – 1595) Mathurin Régnier (1573 – 1613) François Maynard (1582 - 1646) Honorat de Bueil, seigneur (dit marquis) de Racan (1589- 1670) Théophile de Viau (1590 –1626) Marc-Antoine Girard, sieur de Saint-Amant, (1594- 1661) Vincent Voiture ( 1597 – 1648) Tristan L'Hermite (1601-1655). Pierre Corneille (1606 -1684) Paul Scarron (1610- 1660) Jean de La Fontaine (1621 - 1695) Nicolás Boileau-Despréaux (1636 - 1711) Jean Racine (1639 - 1699) Jean-Baptiste Rousseau (1671- 1741) François Marie Arouet, Voltaire (1694 – 1778) Jacques Delille (1738-1813) Nicolás Gilbert (1751-1780) André Marie Chénier (1762 - 1794) Marceline Desbordes-Valmore (1786 – 1859) Alphonse de Lamartine (1790 – 1869) Alfred Victor de Vigny (1797 – 1863) Victor Hugo (1802 - 1885) Auguste Barbier (1805-1882) Gérard de Nerval (1808 1855) Alfred de Musset (1810-1857) Théophile Gautier ( 1811-1872) Leconte de Lisle (1818 –1894) Charles Baudelaire (1821 1867) Théodore de Banville (1823 - 1891) Sully Prudhomme (1839 -1907) José María de Hérédia Girard (1842 –1905) Stéphane Mallarmé (1842 – 1898) Paul Verlaine (1844 – 1896) Tristan Corbière (1845 – 1875) Arthur Rimbaud (1854 – 1891) Émile Verhaeren (1855 - 1916) Jean Moréas (1856 - 1910) Jules Laforgue (1860 – 1887) Paul-Jean Toulet (1867 - 1920) Charles Péguy (1873 1914) Guillaume Apollinaire (1880 – 1918)

*** Aux pages d’anthologie de la poésie française se rencontrent les cinquante-deux meilleurs poètes de l’histoire de la literature française. Les poètes: Eustache Deschamps (1346-1406) Charles d' Orleans (1394-1465) François Villon (1431 - 1463) Clément Marot (1496-1544) Maurice Scève (1510-1564) Joachim Du Bellay (1522-1560) Pierre de Ronsard (1524-1585) Louise Labè (1526-1566) Philippe Desportes (1546 -1606) Théodore Agrippa d'Aubigné (1552 –1630) François de Malherbe (1555 - 1628) Jean de Sponde (1557 – 1595) Mathurin Régnier (1573 – 1613) François Maynard (1582 - 1646) Honorat de Bueil, seigneur (dit marquis) de Racan (1589- 1670) Théophile de Viau (1590 –1626) Marc-Antoine Girard, sieur de Saint-Amant, (1594- 1661) Vincent Voiture ( 1597 – 1648) Tristan L'Hermite (1601-1655). Pierre Corneille (1606 -1684) Paul Scarron (1610- 1660) Jean de La Fontaine (1621 - 1695) Nicolás Boileau-Despréaux (1636 - 1711) Jean Racine (1639 - 1699) Jean-Baptiste Rousseau (1671- 1741) François Marie Arouet, Voltaire (1694 – 1778) Jacques Delille (1738-1813) Nicolás Gilbert (1751-1780) André Marie Chénier (1762 - 1794) Marceline Desbordes-Valmore (1786 – 1859) Alphonse de Lamartine (1790 – 1869) Alfred Victor de Vigny (1797 – 1863) Victor Hugo (1802 - 1885) Auguste Barbier (1805-1882) Gérard de Nerval (1808 1855) Alfred de Musset (1810-1857) Théophile Gautier ( 1811-1872) Leconte de Lisle (1818 –1894) Charles Baudelaire (1821 1867) Théodore de Banville (1823 - 1891) Sully Prudhomme (1839 -1907) José María de Hérédia Girard (1842 –1905) Stéphane Mallarmé (1842 – 1898) Paul Verlaine (1844 – 1896) Tristan Corbière (1845 – 1875) Arthur Rimbaud (1854 – 1891) Émile Verhaeren (1855 - 1916) Jean Moréas (1856 - 1910) Jules Laforgue (1860 – 1887) Paul-Jean Toulet (1867 - 1920) Charles Péguy (1873 1914) Guillaume Apollinaire (1880 – 1918)

Fans of Hofstadter's Le Ton beau de Marot will be delighted to see his meticulous theories of translation put into practice in what seems destined to become the definitive English-language version of Eugene Onegin. It is sure to bring new and deserving readers to this neglected literary jewel.

Sub-urbanism: a subversion of urbanism, a new approach to shaping territory that recognizes the suburb as the setting for most people's daily lives.This book is a sub-urbanist manifesto. Its author, Sebastien Marot, is editor of Le Visiteur, the Paris journal of 'city, territory, landscape and architecture'. Challenging the dominant role of the programme in regulating the design project, Marot argues that instead attention should be redirected towards the site -- the site read in depth, with an active regard for memory.Exploring this analysis, he considers in turn Frances Yates's book on the art of memory as practised by ancient civilizations, Sigmund Freud's analogy between the past of a city and the workings of memory, Robert Smithson's account of a tour of his suburban birthplace, and Georges Descombes' design for a small park in the Geneva suburb where he spent his childhood. His conclusion brings these different strands together and highlights, in memory, a precept that is essential to the renewal of current architecture.