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In every age of history, darkness has threatened to extinguish the light. But also in every age of history, heroes and heroines of the faith rose up to hold high the torch of their testimony--witnesses to the truth of the gospel of Jesus Christ. On a fateful spring day at Columbine High, others lifted up their torch and joined the crimson path of the martyrs' way. We cannot forget their sacrifice. A call is sounding forth from Heaven: "Who will take up the martyrs' torch which fell from these faithful hands?" Will you?

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Hailed as "entertaining" and "nuanced" by The Economist, Martyrs and Murderers tells the story of three generations of treacherous, bloodthirsty power-brokers. One of the richest and most powerful families in sixteenth-century France, the House of Guise played a pivotal role in the history of Europe. Among the staunchest opponents of the Reformation, they whipped up religious bigotry throughout France. They overthrew the king, ruled Scotland for nearly 20 years through Mary Queen of Scots, plotted to invade England and overthrow Elizabeth I, and ended the century by unleashing the bloody Wars of Religion, before succumbing in a counter-revolution that made them martyrs for the Catholic cause. The history of the Guise family is sensational but true. Though parts of the story are familiar--such as their crucial role in the murder of 4,000 Protestants in the infamous Massacre of Saint Bartholomew--the full scope of their influence has never before been told. Stuart Carroll unravels the legends about this cultivated, charismatic, and violent dynasty, and challenges traditional assumptions about one of Europe's most turbulent eras.

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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.27

Paperback. The Martyrs, The Lovers circles the mysteries surrounding Jutta Carroll's death--probing her origin story, the rise to personal political stardom, and the fall into anxiety and public decline--all the while exploring the forces and motivations that drive political passion and activism, and the counterforces, material and psychological, that constantly threaten progress.The Martyrs, The Lovers is loosely based on the life and 1992 death of the German Green Party founder and activist Petra Kelly with her partner Gerd Bastien. The challenges to environment, peace, justice, and feminism that informed these lives and deaths--in the world of the fiction and in reality--challenge us more than ever today.Exquisitely written, in thoughtful and poetic language, The Martyrs, The Lovers is a book whose characters and contemplations will stay with you long after you have finished reading. The Martyrs, The Lovers circles the mysteries surrounding Jutta Carroll's death, all the while exploring the forces and motivations that drive political passion and activism, and the counterforces, material and psychological, that constantly threaten progress. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Twenty acclaimed writers, including Julia Alvarez, Ron Hansen, and Kathleen Norris, offer a thoughful meditation of what it means to live and die in the name of faith, profiling such modern martyrs as Dietrich Bonhoeffer, Archbishop Oscar Romero, and Steven Biko. 12,500 first printing.

Classic graphic accounts of more than 4,000 Christians who endured suffering, torture, and a martyr’s death because of their simple faith in the gospel of Christ. Includes more than 50 finely detailed etchings by noted Dutch artist Jan Luyken. Songs, letters, prayers, and confessions appear with the stories of many “defenseless Christians” who were able to love their enemies and return good for evil.This gigantic book calls believers to follow Jesus in all areas of life, even unto death. Come what may, true Christian commitment demands supreme discipleship and steadfast adherence to the teachings modeled by Jesus and his apostles.Written and published in 1659 by a Dutch Mennonite, Thieleman J. van Braght, to strengthen the faith of his fellow believers, and translated into German in 1748 at the time of the French and Indian War for the same reason. In 1886 Martyrs Mirror was translated into English to challenge generations of Christians in North America.Free downloadable study guide available here.

Hailed as "entertaining" and "nuanced" by The Economist, Martyrs and Murderers tells the story of three generations of treacherous, bloodthirsty power-brokers. One of the richest and most powerful families in sixteenth-century France, the House of Guise played a pivotal role in the history of Europe. Among the staunchest opponents of the Reformation, they whipped up religious bigotry throughout France. They overthrew the king, ruled Scotland for nearly 20 years through Mary Queen of Scots, plotted to invade England and overthrow Elizabeth I, and ended the century by unleashing the bloody Wars of Religion, before succumbing in a counter-revolution that made them martyrs for the Catholic cause. The history of the Guise family is sensational but true. Though parts of the story are familiar--such as their crucial role in the murder of 4,000 Protestants in the infamous Massacre of Saint Bartholomew--the full scope of their influence has never before been told. Stuart Carroll unravels the legends about this cultivated, charismatic, and violent dynasty, and challenges traditional assumptions about one of Europe's most turbulent eras.

Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.

The Martyr's Conviction is about the linkage between convictions and the individual's willingness to die for them. Sociologists, theologians, and historians will find this an interesting and useful text.

This book explores the late medieval English cults which evolved around 'political martyrs'. By examining these cults the richness of political culture is revealed, and insights offered into the ways in which belief, worship, social and civic identities, and political language and practice were continuously constructed and re-constructed.

"Have you grace to be a martyr?" D.L. Moody was once asked."No," he replied, "I have not. But if God wanted me to be one, he would give me a martyr's grace."They came from around the world. Administrators, teachers, doctors and nurses, church planters and pilots. Regular people in the prime of life.United by their love for Christ and their studies at the Moody Bible Institute of Chicago, these twenty-one men and women set out with the gospel. From the jungles of South America to the parched African plain, and from the dark cloud of communist China to the dangers of the Middle East, they displayed God through service and love.In A Martyr’s Grace, Marvin Newell tells the individual stories of these faithful men and women who made a difference in the places they served. He also describes—in many cases for the very first time—how Jesus called them home. Their legacies live on in the rainforests, villages, churches, and cities where they died.What is it that compels ordinary people to sacrifice their lives in this way? Only Christ. They didn’t go expecting to die. But they went—having already given their lives. 

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Approximately 2,500 Anabaptists were martyred in sixteenth- and early seventeenth-century Europe. Their surviving brethren compiled stories of those who suffered and died for the faith into martyr books. The most historically and culturally significant of these, The Bloody Theater―more commonly known as Martyrs Mirror―was assembled by the Dutch Mennonite minister Thieleman van Braght and published in 1660. Today, next to the Bible, it is the single most important text to Anabaptists―Amish, Mennonites, and Hutterites. In some Anabaptist communities, it is passed to new generations as a wedding or graduation gift.David L. Weaver-Zercher combines the fascinating history of Martyrs Mirror with a detailed analysis of Anabaptist life, religion, and martyrdom. He traces the publication, use, and dissemination of this key martyrology across nearly four centuries and explains why it holds sacred status in contemporary Amish and Mennonite households. Even today, the words and deeds of these martyred Christians are referenced in sermons, Sunday school lessons, and history books.Weaver-Zercher argues that Martyrs Mirror was designed to teach believers how to live a proper Christian life. In van Braght’s view, accounts of the martyrs helped to remind readers of the things that mattered, thus inspiring them to greater faithfulness. Martyrs Mirror remains a tool of revival, offering new life to the communities and people who read it by revitalizing Anabaptist ideals and values. Meticulously researched and illustrated with sketches from early publications of Martyrs Mirror, Weaver-Zercher’s ambitious history weaves together the existing scholarship on this iconic text in an accessible and engaging way.

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