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With seventeen prince hearts in her possession, Lira is one of the most revered sirens in the sea. But a slip-up prompts her mother, the Sea Queen, to transform Lira into what she most loathes—a human. Lira has until the winter solstice to deliver Prince Elian’s heart to the Sea Queen or remain a human forever. Although he is heir to the largest kingdom on Earth, Prince Elian calls the ocean his only home. Hunting sirens is more than a hobby—it’s his life. When he rescues a drowning woman, she promises to help him find the key to exterminating all sirens, but can he trust her?

En una ciudad del sur de los Estados Unidos, en la época de la Gran Depresión, una mujer blanca acusa de violación a un hombre negro. Aunque la inocencia del hombre resulta evidente, el resultado del juicio es tan previsible que ningún abogado haría nada para evitarla... excepto Atticus Finch, el ciudadano más respetable de la ciudad. Su compasiva defensa le cuesta muchas amistades, pero le otorga el respeto y la admiración de sus dos hijos, huérfanos de madre. ENGLISH DESCRIPTIONThis story follows three years in the life of eight-year-old Scout Finch, her brother, Jem, and their father, Atticus. The three years are punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. The result is a tough and tender novel of race, class, justice, and the pain of growing up, all through the eyes of a young girl.

Set in the small Southern town of Maycomb, Alabama, during the Depression, this story follows three years in the life of eight-year-old Scout Finch, her brother, Jem, and their father, Atticus. The three years are punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. The result is a tough and tender novel of race, class, justice, and the pain of growing up, all through the eyes of a young girl. Robert Mulligan directed the film adaptation, which won an Oscar for best script (Horton Foote) and best actor (Gregory Peck).

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Tú puedes destruir lo que roba tu fuerza. Igual que Superman, que puede saltar sobre cualquier obstáculo y derrotar a todos los enemigos, los seguidores de Cristo tienen la habilidad sobrenatural para conquistar los desafíos que enfrentamos. Pero el problema para Superman y nosotros es que hay una kriptonita que roba nuestra fuerza. Por supuesto, ambos Superman y la kriptonita son ficticios. Pero la kriptonita espiritual no lo es. Este libro responde por qué tantos de nosotros somos incapaces de experimentar la fuerza divina que era evidente entre los cristianos del primer siglo. En Matar la Kriptonita, John Bevere revela cuál es esta kriptonita, por qué está comprometiendo nuestras comunidades, y cómo liberarte de su atadura. No apto para los débiles de corazón, Matar la Kriptonita es todo menos un "alza en azúcar" espiritual. Esta es verdad seria para cualquier seguidor de Cristo que anhela abrazar el desafiante, pero gratificante camino de la transformación. You can destroy what steals your strength. Just like Superman, who can leap over any hurdle and defeat every foe, followers of Christ have the supernatural ability to conquer the challenges we face. But the problem for both Superman and us is there's a kryptonite that steals our strength. Of course, both Superman and kryptonite are fictional. But spiritual kryptonite is not.This book offers answers to why so many of us are unable to experience the divine strength that was evident among the first-century Christians. In Killing Kryptonite, John Bevere reveals what this kryptonite is, why it's compromising our communities, and how to break free from its bondage.Not for the faint of heart, Killing Kryptonite is anything but a spiritual sugar high. This is serious truth for any Christ-follower who longs to embrace the challenging but rewarding path of transformation.

Tú puedes destruir lo que roba tu fuerza. Igual que Superman, que puede saltar sobre cualquier obstáculo y derrotar a todos los enemigos, los seguidores de Cristo tienen la habilidad sobrenatural para conquistar los desafíos que enfrentamos. Pero el problema para Superman y nosotros es que hay una kriptonita que roba nuestra fuerza. Por supuesto, ambos Superman y la kriptonita son ficticios. Pero la kriptonita espiritual no lo es. Este libro responde por qué tantos de nosotros somos incapaces de experimentar la fuerza divina que era evidente entre los cristianos del primer siglo. En Matar la Kriptonita, John Bevere revela cuál es esta kriptonita, por qué está comprometiendo nuestras comunidades, y cómo liberarte de su atadura. No apto para los débiles de corazón, Matar la Kriptonita es todo menos un "alza en azúcar" espiritual. Esta es verdad seria para cualquier seguidor de Cristo que anhela abrazar el desafiante, pero gratificante camino de la transformación. You can destroy what steals your strength. Just like Superman, who can leap over any hurdle and defeat every foe, followers of Christ have the supernatural ability to conquer the challenges we face. But the problem for both Superman and us is there's a kryptonite that steals our strength. Of course, both Superman and kryptonite are fictional. But spiritual kryptonite is not.This book offers answers to why so many of us are unable to experience the divine strength that was evident among the first-century Christians. In Killing Kryptonite, John Bevere reveals what this kryptonite is, why it's compromising our communities, and how to break free from its bondage.Not for the faint of heart, Killing Kryptonite is anything but a spiritual sugar high. This is serious truth for any Christ-follower who longs to embrace the challenging but rewarding path of transformation.

In today’s world of endless photographing, tagging and posting images online, what is a pre-teen girl’s relationship to the camera? Upending assumptions of contemporary digital image-making practices, photographer Rania Matar (born 1964) reframes these young women through her poignant portraits of them, revealing in L’Enfant-Femme how girls between the ages of 8 and 13 interact with the camera and in so doing depicts them in deeply personal and poetic ways. Addressing themes of representation, voyeurism and transgression, these images remind us of the fragility of youth while also gesturing toward its unbridled curiosity and joy. Photographing girls in the Middle East and the United States, Matar makes us examine our universality, a beauty that transcends place, background and religion. Candidly capturing her subjects at a critical juncture in the early stages of adolescence, Matar conveys the confluence of angst, sexuality and personhood that defines the progression from childhood into adulthood.

Gretchen and her stepbrother, Clark have a little problem. Their grandparents left them home alone. Home alone with the monster who lives in the room upstairs!Gretchen Allen y su hermanastro, Clark, pasan unos días con sus abuelos en el parque Everglades de Florida. Gretchen se divierte mucho tratando de asustar a Clark con cuentos sobre monstruos que viven en el pantano. Una noche, los chicos escuchan aullidos que salen del pantano. ¿Qué es eso? ¿Qué sucederá?

Subtitle: Realmente murio el Fuhrer...como, cuando, donde.

Gretchen and her stepbrother, Clark have a little problem. Their grandparents left them home alone. Home alone with the monster who lives in the room upstairs!Gretchen Allen y su hermanastro, Clark, pasan unos días con sus abuelos en el parque Everglades de Florida. Gretchen se divierte mucho tratando de asustar a Clark con cuentos sobre monstruos que viven en el pantano. Una noche, los chicos escuchan aullidos que salen del pantano. ¿Qué es eso? ¿Qué sucederá?

Argues that many criminals are using past abuse to excuse their crimes, suggesting that as victims they should not be held legally accountable, and discusses the impact on our legal system

Madrid. 23 cm. 270 p. il. Encuadernación en tapa blanda de editorial ilustrada. Villar, Ernesto 1972-. Bibliografía: p. 269-270. Carrero Blanco, Luis. 1903-1973. Asesinato. ETA. Servicio secreto. España. 1939-1975 .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 978-84-92654-73-4

Vamos a Matar, Compaeros (Compaeros) (Original Soundtrack) (IMPORT) Ennio Morricone - CD 8018163043309

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May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.7

En el Madrid de la posguerra, un bullicioso enjambre humano se afana en comer caliente, esquivar el frio, saciar el deseo sexual, librarse de la tuberculosis, matar el tiempo..., ir tirando. Seguramente la obra mas valiosa de Cela. Un testimonio fiel de la vida cotidiana en las calles, cafes y alcobas del Madrid de 1943, pero tambien una amarga cronica existencial.

The Chronicles retold--from evil's point of view.The story starts in Neraka, where Kitiara uth Matar and Emperor Ariakas hatch a plan to retrieve a dragon orb and thereby destroy Solamnia and the Companions in one fell swoop. But the guardian of the dragon orb, Highlord Feal-Thas, disagrees with this plan. Kitiara must go to Ice Wall to force him to accept Ariakas' will, but her journey does not end there. Thrown out of favor, she conceives a daring plan to enlist the aid of the most feared beings on Krynn--Lord Soth and the Dark Queen. Meanwhile, Laurana and the Companions retrieve the dragon orb and take it back to Solamnia--not knowing that they bring their allies' doom with them.The second volume of a new trilogy from celebrated authors Margaret Weis and Tracy Hickman, The Lost Chronicles details the famed War of the Lance from the perspective of the evil that menaces Krynn. The books are written in such a way that they will be marvelous complements to the original Chronicles, while at the same time accessible and exciting to new readers.

Vi lo que es el poder: una mirada de tigre que te hace bajar los ojos y sentir miedo y vergüenza. -Carlos Fuentes- ¿Por qué si hay cinco tigres en una jaula cuatro se alían para matar a uno? Esta novela iniciática de Carlos Fuentes, espesa como el corazón de las tinieblas, propone algunas respuestas. Lamida por mansas olas nocturnas en una playa del Pacífico, la cabeza cortada de Josué Nadal cuenta, recuerda, divaga. Sabe que es la número mil en lo que va del año y que gobierna la delincuencia (traficante o corporativa), con tal cinismo que incluso se celebra el mal como si fuera el gran bien de la voluntad y la fortuna. En México no hay tragedia: todo se vuelve telenovela. Josué aspiró a entender el mundo en tanto Jericó, su amigo entrañable, llegó a admirar a Caín. Ambas voluntades chocan tras recabar agravantes en la premeditación y alevosía de Asunta Jordán, mujer indómita. En cambio, Lucha Zapata representa el peligro de la generosidad y el amor. El vasto reparto de esta obra incluye a Filopáter, el cura rebelde; el magnate Max Monroy; el abogado Antonio Sanginés, intermediario entre estado y empresa; Miguel Aparecido, encarcelado por propia voluntad, y por encima (o por debajo) la matriarca, la Antigua Concepción.

This book examines the impact of Islam on early modern Britain. Christian-Muslim interaction at this time was not, as is often thought, primarily adversarial; rather, there was extensive cultural, intellectual and missionary engagement with Islam. Professor Matar investigates the impact of the Qur'an and sufism on the people of Britain, showing that the British interacted widely with Islamic religion, culture and people through travel, in London coffee houses, in church, among converts to and from Islam, in sermons and in plays.