9 products were found matching your search for maxxi in 4 shops:

Drop-the-Hammer. The first few pedal strokes with the holeshot. The holeshot wins the race. The Maxxis DTH tire is super-light allowing it to accelerate like no other BMX tire, yet holds up tio the abuse you dish out. Its dual compound tread corners incomparably on hardpack tracks and rolls fast on the straights. Max pressure rating: 65 psi ###section### Product Specs WHEEL SIZE: 20" MAX PRESSURE: 65 PSI WEIGHT: 540g (19oz) - 683g (24oz) PACK SIZE: Single

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The Maxxis Torch is designed as an all-out race tire that delivers low weight and maximum performance on the BMX track. It boasts a refined tread pattern for optimal grip on hard surfaces and Silkworm technology under the tread that provides additional puncture protection. Created using a dua compound rubber that offers low rolling resistance with enhanced cornering traction. Max pressure rating: ###section### Product Specs WHEEL SIZE: 20" MAX PRESSURE: 65 PSI WEIGHT: 449g (15.8oz) PACK SIZE: Single

The Maxxi 35 wet/dry vac features a unique filter system; the Maxxi II series offers 1 solution for both wet and dry filtration. Designed with 3-durable components, the filter completely seals entry to the motor, protecting the motor from dust, debris, water or other liquids. Once the job is complete, the filter can be easily lifted out of the vacuum for a simple rinse, then replaced and ready for the next job in a matter of minutes. Color: Blues.

Roma, GNAM GALLERIA NAZIONALE D'ARTE MODERNA, 11 marzo - 2 maggio 2010.Roma, Galleria Nazionale d'Arte Moderna & MAXXI, 11 marzo - 2 maggio 2010.Milano, 2009; br., 1350 ill. col., cm 17x24.(Cataloghi maxxi).

LP version. After their respective releases on Spectrum Spools, Italian techno masterminds Donato Dozzy (Sintetizzatrice (SP 038 CD/LP, 2015)) and Neel (Phobos (SP 037 CD, 2014)) return as the duo Voices from the Lake with Live at MAXXI on the motherlabel Editions Mego. A marvelous, organic live set of hypnotic, ambient techno that proves the outstanding and elegant craftsmanship of the pair's renowned sonic sculpture work. As expected, they stay true to their polyphonic topography of liquid sca

Fiona Tan is highly adept in the use of cinematic language, and her artistic perspective is profoundly impacted by her own narrative. This catalogue is published on the occasion of the world premiere of Tan s most recent work, Inventory , at the MAXXI. Presented is a new reflection on the concept and history of art collecting and the museum, with respect to the private house and museum of Sir John Soane, an 18th-century British architect and collector. Three video installations by Tan are also shown: Correction , Disorient and Cloud Island . Installation images accompany an essay by the artist, plus contributions by Anna Mattirolo, Monia Trombetta, Andrea Lissoni and others.

The DARC (Direction General for architecture and contemporary art) and the MAXXI (National Museum of the XXI-century Arts) of Rome with the Sandretto Re Rebaudengo Foundation of Turin assembled an exhibition dedicated to Stefano Arienti, curated by Anna Mattirolo and highlighted in this book. Active for the past twenty years and one of the more well-known contemporary Italian artists, Arienti is a point of reference for the latest generation of artists, as well as a firm link with the preceding generation. The exhibition was from November 4, 2004 through February 6, 2005 at the MAXXI, and presented a vision of the artist's oeuvre, from his first works in 1986 to the latest examples, several of which were expressly made for the show.

Drago is delighted to feature Letizia Battaglia for the second time following the success of her Anthology. The Sicilian photographer’s new book, Just For Passion, catalogues her exhibition at Rome’s MAXXI National Museum of the 21st Century Arts. The book explores the incredible breadth of scope and character of Letizia Battaglia’s work. With over one hundred photographs, including previously unpublished work, the collection captures an intimate insight into the ambivalence of Italian life, from harrowing images of the Mafia to beautiful portraits of the women and children of Palermo. In a recent interview with The Daily Beast, Battaglia explained that through the duality of her work, she aimed “to denounce corruption and to exalt beauty”. Contributors include the Dean of the International Centre of Photography in New York, Fred Ritchin; curator, Paolo Falcone; journalist, Attilio Bolzoni; photography critic, Giovanna Calvenzi; the Mayor of Palermo, Leoluca Orlando; Palermo’s Anti-Mafia Magistrate, Franca Imbergamo; the President of the MAXXI Museum, Giovanna Melandri and the Museum’s Director of Architecture, Margherita Guccione.