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Here is the first English translation based on the new critical edition of The Flowing Light of the Godhead, the sole mystical visionary work of Mechthild, a 13th-century (c. 1260-c. 1282/94) German Beguine. This challenging work of deep religious insight reflects Mechthild's inner life, and God's as well, employing a great variety of traditional medieval literary forms and genres in prose and verse.

"I was warned against writing this book. People said: If one did not watch out, It could be burned. So I did as I used to do as a child. When I was sad, I always had to pray... At once God revealed himself to my joyless soul, held this book in his right hand and said: 'My dear One, do not be overly troubled. No one can burn the truth.'" "I do not know how to write nor can I, unless I see with the eyes of my soul and hear with the ears of my eternal spirit and feel in all the parts of my body the power of the Holy Spirit." Mechthild of Magdeburg (c.1260-c.1282/94) These quotations taken from Mechthild's sole writing, The Flowing Light of the Godhead, written over several decades, reflect both the intensity of her consciousness of God and the tension under which she wrote. As a beguine with no authority to teach n a church in which women were being increasingly marginalized, Mechthild speaks out despite warnings, convinced of the validity of her divine mission. To accomplish the task of articulating her revelations and spiritual insights, Mechthild makes use of an astonishing multiplicity of literary and rhetorical means. The more mystical passages, often lyrical in expression, show her familiarity with bride mysticism and other Christian expressions found in Meister Eckhart, as well. This is the first English translation to be based on the new critical edition of Mechthild's book. The introduction and notes are intended to provide a theological, literary and historical context for capturing the spirituality of her remarkable and independent spirit.

Winner of the 2006 First Book Prize of the Society for Medieval Feminist Scholarship Winner of the 2008 John Nicholas Brown Prize from the Medieval Academy of America. Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, The Flowing Light of the Godhead, the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender.In Mechthild of Magdeburg and Her Book, Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female authorship, the significance of her choice to write in the vernacular, and the continued, if submerged, presence of her writings in a variety of contexts from the thirteenth through the nineteenth century. Rather than explaining Mechthild's absence from literary canons, Poor's close examination of medieval and early modern religious literature and of contemporary scholarly writing reveals her subject's shifting importance in a number of differently defined traditions, high and low, Latin and vernacular, male- and female-centered.While gender is often a significant factor in this history, Poor demonstrates that it is rarely the only one. Her book thus corrects late twentieth-century arguments about women writers and canon reform that often rest on inadequate notions of exclusion. Mechthild of Magdeburg and Her Book offers new insights into medieval vernacular mysticism, late medieval women's roles in the production of culture, and the construction of modern literary traditions.

"I was warned against writing this book. People said: If one did not watch out, It could be burned. So I did as I used to do as a child. When I was sad, I always had to pray... At once God revealed himself to my joyless soul, held this book in his right hand and said: 'My dear One, do not be overly troubled. No one can burn the truth.'" "I do not know how to write nor can I, unless I see with the eyes of my soul and hear with the ears of my eternal spirit and feel in all the parts of my body the power of the Holy Spirit." Mechthild of Magdeburg (c.1260-c.1282/94) These quotations taken from Mechthild's sole writing, The Flowing Light of the Godhead, written over several decades, reflect both the intensity of her consciousness of God and the tension under which she wrote. As a beguine with no authority to teach n a church in which women were being increasingly marginalized, Mechthild speaks out despite warnings, convinced of the validity of her divine mission. To accomplish the task of articulating her revelations and spiritual insights, Mechthild makes use of an astonishing multiplicity of literary and rhetorical means. The more mystical passages, often lyrical in expression, show her familiarity with bride mysticism and other Christian expressions found in Meister Eckhart, as well. This is the first English translation to be based on the new critical edition of Mechthild's book. The introduction and notes are intended to provide a theological, literary and historical context for capturing the spirituality of her remarkable and independent spirit.

Here is the first English translation based on the new critical edition of The Flowing Light of the Godhead, the sole mystical visionary work of Mechthild, a 13th-century (c. 1260-c. 1282/94) German Beguine. This challenging work of deep religious insight reflects Mechthild's inner life, and God's as well, employing a great variety of traditional medieval literary forms and genres in prose and verse.

Winner of the 2006 First Book Prize of the Society for Medieval Feminist Scholarship Winner of the 2008 John Nicholas Brown Prize from the Medieval Academy of America. Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, The Flowing Light of the Godhead, the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender.In Mechthild of Magdeburg and Her Book, Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female authorship, the significance of her choice to write in the vernacular, and the continued, if submerged, presence of her writings in a variety of contexts from the thirteenth through the nineteenth century. Rather than explaining Mechthild's absence from literary canons, Poor's close examination of medieval and early modern religious literature and of contemporary scholarly writing reveals her subject's shifting importance in a number of differently defined traditions, high and low, Latin and vernacular, male- and female-centered.While gender is often a significant factor in this history, Poor demonstrates that it is rarely the only one. Her book thus corrects late twentieth-century arguments about women writers and canon reform that often rest on inadequate notions of exclusion. Mechthild of Magdeburg and Her Book offers new insights into medieval vernacular mysticism, late medieval women's roles in the production of culture, and the construction of modern literary traditions.

In the passionate poetry of a bride to her bridegroom, thirteenth-century German mystic Mechthild of Magdeburg recorded thirty years of her most intimate conversations with God. The selections in this edition offer a glimpse into Mechthild's vision of God and her constant longing to be in his heart. Through Mechthild's rich imagery, the reader finds an exposed soul consumed by the perfect love of God. Her spiritual passion penetrates both her divine ecstasies and the trials of her temporal life. An exceptional writer, Mechthild recounts her mystical union with God in an unusual combination of literary genres ranging from a rich, allegorical style to poetic verse incorporating the luminous imagery of the Song of Songs.

A digital copy of "Mechthild of Magdeburg and Her Book: Gender and the Making of Textual Authority" by Sara S. Poor. Download is immediately available upon purchase!

Print on Demand. This book is an insightful exploration of a female mystic's revelations, written in the 13th century and discovered in a handwritten manuscript. The author, a Dominican sister known as Mechthild of Magdeburg, details her profound spiritual experiences and offers a unique perspective on the nature of love, suffering, and the human soul's connection to the divine. Through her vivid imagery and deeply personal accounts, Mechthild provides a glimpse into the rich mystical tradition of medieval Christianity, examining themes of divine love, the struggle against sin, and the importance of humility and compassion. Her writings offer a timeless message about the transformative power of faith and the search for spiritual fulfillment, resonating with readers seeking a deeper understanding of their own spiritual journeys. Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. The digital edition of all books may be viewed on our website before purchase.

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The great German mystic Meister Eckhart remains one of the most fascinating figures in Western thought. Revived interest in Eckhart's mysticism has been matched, and even surpassed, by the study of the women mystics of the late13th century. This book argues that Eckhart's thought cannot be fully be understood until it is viewed against the background of the breakthroughs made by the women mystics who preceded him.

A digital copy of "Parliamentary Roots Of European Social Policy" by Mechthild Roos. Download is immediately available upon purchase!

A digital copy of "Informal Construction of Europe" by Lennaert van Heumen and Mechthild Roos. Download is immediately available upon purchase!

A digital copy of "Wege in die generalistische Pflegeausbildung" by Mechthild Löwenstein. Download is immediately available upon purchase!

A digital copy of "Diversity, Social Justice, and Inclusive Excellence: Transdisciplinary and Global Perspectives" by Seth N. Asumah and Mechthild Nagel. Download is immediately available upon purchase!

A digital copy of "Akten zur Ausw?rtigen Politik der Bundesrepublik Deutschland 1954" by Mechthild Lindemann. Download is immediately available upon purchase!

A digital copy of "Dancing With Iris: The Philosophy of Iris Marion Young (Paperback)" by Ann Ferguson and Mechthild Nagel. Download is immediately available upon purchase!

A digital copy of "Physical Therapy Examination and Assessment" by Antje Hüter-Becker; Mechthild Dölken. Download is immediately available upon purchase!

A digital copy of "Der arabische Bahrm-Roman" by Mechthild Pantke. Download is immediately available upon purchase!