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Hardcover without dustjacket as issued, 64 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cooper, Harry, Hecker, Sharon, Rosso, Medardo, Arthur M. Sackler Gallery (Smithsonian Institution)

The book compiles sculptures, photographs, drawings, writings and a selection of letters by Italian sculptor Medardo Rosso (1858–1928), a pioneer of modern sculpture hailed as a precursor to Italian futurism.

The book compiles sculptures, photographs, drawings, writings and a selection of letters by Italian sculptor Medardo Rosso (1858–1928), a pioneer of modern sculpture hailed as a precursor to Italian futurism.

60 pages. Paperback exhibition catalogue, bound in stiff illustrated paper covers. Text in English. Illustrated. Published on the occasion of the exhibition held from November 11, 2016-May 13, 2017.

Cooper, Harry, Hecker, Sharon, Rosso, Medardo, Arthur M. Sackler Gallery (Smithsonian Institution)

Testo in italiano e inglese. Esito dei decennali studi di Paola Mola e delle ricerche archivistiche di Fabio Vittucci, il Catalogo è anche una lunga riflessione storica da cui esce la sorprendente attualità di un lavoro senz'argini sulla materia fluida al suo incontro con la luce, dalle trasparenze della cera, all'oscurità del bronzo, al sottile della fotografia. Preceduto da un'introduzione di Paola Mola, il volume comprende le schede di tutte le opere (33) nel loro evolversi attraverso la serie delle varianti, da un materiale all'altro (dal bronzo al gesso, alla cera, alla fotografia), corredate da un ampio apparato di note e con fotografie originali dell'artista. Seguono le schede dei circa 90 esemplari documentati (con storia del singolo pezzo e l'elenco dei documenti che ne attestano l'autenticità), un elenco di opere originali ma giunte senza documentazione e l'elenco delle fusioni postume commissionate dal figlio Francesco e conservate in collezioni pubbliche. Chiudono il volume gli apparati comprendenti biografia, bibliografia, elenco delle fonti e indice dei nomi. cm.24x28, pp.408, ill.bn. Milano, Skira cm.24x28, pp.408, ill.bn. legatura ed.copertina figurata a colori. Museo Medardo Rosso. legatura ed.copertina figurata a colori.

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso’s art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment’s Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

pp. 157 - cm 28 x 21 * in brossura editoriale *Catalogo della Mostra tenutasi a Milano presso il Museo Minguzzi dal 26 marzo al 12 luglio 1998*rif. libr. arte 800 

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso’s art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment’s Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

Elevate your wardrobe with the Max Mara Studio Medardo Overcoat. This stunning belted coat for women features a beautiful blue color and is crafted from a luxurious blend of 54% polyester and 46% wool. Designed with cuffs adorned with a strap and jewel buckle, side pockets for convenience, and gathering and pleats on the back for added style. The removable belt fastening allows for a customizable fit. Made in Italy with exceptional craftsmanship, this elegant piece is a must-have addition to your collection from MAX Mara Studio...

Elevate your wardrobe with the Max Mara Studio Medardo Overcoat. This stunning belted coat for women features a beautiful blue color and is crafted from a luxurious blend of 54% polyester and 46% wool. Designed with cuffs adorned with a strap and jewel buckle, side pockets for convenience, and gathering and pleats on the back for added style. The removable belt fastening allows for a customizable fit. Made in Italy with exceptional craftsmanship, this elegant piece is a must-have addition to your collection from MAX Mara Studio...

La bizzarra storia del visconte Medardo di Terralba che, colpito al petto da una cannonata turca, torna a casa diviso in due metà (una cattiva, malvagia, prepotente, ma dotata di inaspettate doti di umorismo e realismo, l'altra gentile, altruista, buona, o meglio "buonista").

A triptych of moral tales, including, Viscount Medardo who is bisected by a Turkish cannonball on the plains of Bohemia; Baron Cosimo, who at the age of twelve retires to the trees for the rest of his days and Charlemagne's knight, Agnulf, who is an empty suit of armour. By the author of MR PALOMAR and INVISIBLE CITIES.

"El árbol del bien y del mal", de Medardo Ángel Silva. Medardo Ángel Silva fue un poeta ecuatoriano perteneciente a la llamada Generación decapitada (1898-1919)