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Shelf and handling wear to cover and binding, with general signs of previous use. Pages free of markings; Secure packaging for safe delivery. 1.25

After some turbulent times, prog-rock legend NEKTAR is back ! Now it's called NEW NEKTAR! The new album 'Megalomania' takes stock of the current state of the world and is shaped by shared experiences and events unfolding over the past years. Contemporary and critical of its time, it remains conscious of NEW NEKTAR's extensive and great history, with the new tracks continuing effortlessly along this path. Drummer Che Albrighton (son of original member Roye Albrighton), Klaus Henatsch (keyboards)

Explore the economic and political thought of the Roman Catholic Church, which more than ever is directing social thought and human freedom around the world. Learn how Roman Church-State power justifies the welfare state, corporativism, and feudalism all by the Vatican's official pronouncements. A chilling book for anyone interested in the coming end-time crisis.

2013 reissue. Mirumir presents the first vinyl reissue of legendary Russian metal band Aria's 1985 debut album, Mania Velichiya (Megalomania). Heavily influenced by Iron Maiden, Aria's heavy sound was largely unprecedented in the USSR at the time, and the band would go on to become one of the most popular Russian metal bands.

“Reads as much like a novel as it does a work of medical scholarship.”—Patrick McGrath, New York Times Book Review Madhouse revealsa long-suppressed medical scandal, shocking in its brutality and sobering in its implications. It shows how a leading American psychiatrist of the early twentieth century came to believe that mental illnesses were the product of chronic infections that poisoned the brain. Convinced that he had uncovered the single source of psychosis, Henry Cotton, superintendent of the Trenton State Hospital, New Jersey, launched a ruthless campaign to “eliminate the perils of pus infection.” Teeth were pulled, tonsils excised, and stomachs, spleens, colons, and uteruses were all sacrificed in the assault on “focal sepsis.” Many patients did not survive Cotton’s surgeries; thousands more were left mangled and maimed. Cotton’s work was controversial, yet none of his colleagues questioned his experimental practices. Subsequent historians and psychiatrists too have ignored the events that cast doubt on their favorite narratives of scientific and humanitarian progress. In a remarkable feat of historical detective work, Andrew Scull exposes the full, frightening story of madness among the mad-doctors. Drawing on a wealth of documents and interviews, he reconstructs in vivid detail a nightmarish, cautionary chapter in modern psychiatry when professionals failed to police themselves.

Madhouse reveals a long-suppressed medical scandal, shocking in its brutality and sobering in its implications. It shows how a leading American psychiatrist of the early twentieth century came to believe that mental illnesses were the product of chronic infections that poisoned the brain. Convinced that he had uncovered the single source of psychosis, Henry Cotton, superintendent of the Trenton State Hospital, New Jersey, launched a ruthless campaign to eliminate the perils of pus infection.” Teeth were pulled, tonsils excised, and stomachs, spleens, colons, and uteruses were all sacrificed in the assault on focal sepsis.”Many patients did not survive Cotton’s surgeries; thousands more were left mangled and maimed. Cotton’s work was controversial, yet none of his colleagues questioned his experimental practices. Subsequent historians and psychiatrists too have ignored the events that cast doubt on their favorite narratives of scientific and humanitarian progress.In a remarkable feat of historical detective work, Andrew Scull exposes the full, frightening story of madness among the mad-doctors. Drawing on a wealth of documents and interviews, he reconstructs in vivid detail a nightmarish, cautionary chapter in modern psychiatry when professionals failed to police themselves.

Book in dark red illustrated wraps has minor shelf-wear, tight, bright, and unmarked. Black and white plates. A nice copy.

By early in the 20th century Nuremberg was regarded as the most anti-Semitic city in Europe. By 1929 Hitler had decided to make it the "City of the Party Rallies" and a symbol representing the greatness of the German Empire. Includes rare color amateur footage shot in 1936. Witnesses report on the atmosphere during the party rallies, of fanatical anti-Semitism and the unprecedented "Fnhrer" cult.

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor's megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. Here is the first of a new two-volume edition of Seneca's tragedies, with a fully annotated translation facing the Latin text. Seneca's plays depict intense passions and interactions in an appropriately strong rhetoric. Their perspective is much bleaker than that of his prose writings. In this new translation John Fitch conveys the force of Seneca's dramatic language and the lyric quality of his choral odes.

The sensational story of the rise and fall of one of the most notorious families in history, by the author of The Medici.The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice and vicious cruelty - all have been associated with their name. But the story of this remarkable family is far more than a tale of sensational depravities, it also marks a decisive stage in European history. During this crucial period when the Renaissance was coming into its own, it was the rise and fall of the Borgia dynasty which held centre stage. These were leading players at the very moment when our modern world was creating itself. By relating this influential family to their time, together with the world which enabled them to flourish, Paul Strathern tells the story of this great dynasty as never before.

If the team behind it is successful, its members will be rich beyond the wildest dreams of even the most ambitious pharaoh. Sunday TelegraphMillions of people will buy these bricks? BBC World ServiceThe idea could be read as a democratization of megalomania. Süddeutsche ZeitungMega-Pyramid set to save Germany. ORFSolution 9: The Great Pyramid is the first in the forthcoming Solution series where authors will be asked to develop an abundance of compact and original ideas for other countries and regions, contradicting the widely held assumption that, after the end of socialism, human advancement is only possible technologically or requires a yet-to-be-established world order. This book also documents the architectural proposals for the Great Pyramid, selected by a jury composed of Rem Koolhaas, Omar Akbar, Stefano Boeri, and Miuccia Prada. It also contains critical texts and voices from the press on this exceptional project.ContributorsHeiko Holzberger, Till Huber, Rem Koolhaas, Christian Kracht, Zak Kyes, Chus Martínez, Hans Ulrich Obrist, Madelon Vriesendorp, David Woodard. Projects by Atelier Bow-Wow (Tokyo), Fake/ Ai Weiwei (Beijing), Nikolaus Hirsch/Wolfgang Lorch/Markus Miessen (Frankfurt am Main), and MADA s.p.a.m. (Shanghai)

At the age of six, Salvador Dalí (1904–1989) wanted to be a cook. At the age of seven, he wanted to be Napoleon. “Since then,” he later said, “my ambition has steadily grown, and my megalomania with it. Now I want only to be Salvador Dalí, I have no greater wish.” Throughout his life, Dalí was out to become Dalí: that is, one of the most significant artists and eccentrics of the 20th century.This weighty volume is the most complete study of Dalí’s painted works ever published. After years of research, Robert Descharnes and Gilles Néret located painted works by the master that had been inaccessible for years―so many, in fact, that almost half the featured illustrations appear in public for the first time in this book.More than a catalogue raisonné, this book contextualizes Dalí’s oeuvre and its meanings by examining contemporary documents, from writings and drawings to material from other facets of his work, including ballet, cinema, fashion, advertising, and objets d’art. Without these crutches to support analysis, the paintings would simply be a series of many images.The study is divided into two parts: the first examines Dalí’s beginnings as an unknown artist. We witness how the young Dalí deployed all the isms―Impressionism, Pointillism, Cubism, Fauvism, Purism and Futurism―with playful mastery, and how he would borrow from prevailing trends before ridiculing and abandoning them. The second part unveils the conclusions of Dalí’s lifelong inquiries, as well as the great legacy he left in works such as Tuna Fishing (1966/67) or Hallucinogenic Toreador (1970). It includes previously unpublished homages to Velázquez or Michelangelo, painted to the same end as the variations on past masters done by his contemporary, Picasso.We discover how, motivated by the desire to tease out the secrets of great works and become a Velázquez of the mid-20th century, Dalí became Dalí.

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor's megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. This volume completes the Loeb Classical Library's new two-volume edition of Seneca's tragedies. John Fitch's annotated translation, which faces Latin text, conveys the force of Seneca's dramatic language and the lyric quality of his choral odes. Seneca's plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected here, in an obsessive concern with power and dominion over others. The "Octavia" is our sole surviving example of a Roman historical play; set at Nero's court, it was probably written by an admirer of Seneca as statesman and dramatist.

The sensational story of the rise and fall of one of the most notorious families in history, by the author of The Medici.The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice and vicious cruelty - all have been associated with their name. But the story of this remarkable family is far more than a tale of sensational depravities, it also marks a decisive stage in European history. During this crucial period when the Renaissance was coming into its own, it was the rise and fall of the Borgia dynasty which held centre stage. These were leading players at the very moment when our modern world was creating itself. By relating this influential family to their time, together with the world which enabled them to flourish, Paul Strathern tells the story of this great dynasty as never before.

Originally formed in 1984 in Stockholm, Mefisto were forerunners of the early Swedish death metal scene. Following hot on the heels of Bathory, Mefisto influenced a whole generation of extreme Scandinavian metal bands. Mefisto released two cassette only demo tapes; "Megalomania" in May 1986, and "The Puzzle" in November 1986. However, after these two releases, Mefisto disbanded in 1987. The band has since gained cult status all over the world, being acknowledged as one of the main originators of

Fiction. Robert Kloss's THE ALLIGATORS OF ABRAHAM is a fever dream built from the fly strewn corpses of armies, the megalomania of generals, the madness of widows, the fires of mourning, the fury of the poor, the indifference of the wealthy, and the ravenous hissing of those alligators who have ever plagued the shores of our national nightmares. With a cover design and interior illustrations by Matt Kish (author of Tin House's Moby-Dick in Pictures), this is a Civil War epic unlike any other. "In The Alligators of Abraham, Robert Kloss drops us into the darkness of the Civil War, showing a culture perpetually on the edge of extinction. Yet out of that murky world, hazed and fogged, rise the clear and distinct shapes of a people not ready to surrender to their own haunting. A novel as lyrical as it is precise in its depiction of the struggle to maintain dignity." - Adam Braver, author of Mr. Lincoln's Wars and November 22, 1963 "Robert Kloss's words gnaw into the collective-dark-underbelly-unconsciousness of the 19th century which, in many ways, we've never entirely gotten over in America. They get how the 'you' of America is both masculine and tender, how it's powered by craziness and wounds, and how it longs to liberate and yet remains enslaving and enslaved. They understand how war roils in the guts. There is a terrible, terrible movie in which Shirley Temple meets Abraham Lincoln. This book is a gristly bloody opposite of that; it reeks of the truth." - Rebecca Brown, author of American Romances

Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.

One consequence of the triumph of the political left is the proliferation of fanciful psychiatric diagnoses for all manner of conservatives. Now Kerry Bolton has written a factually based account of the pathology of the left - the vanity of Rousseau, the narcissistic personality of Karl Marx, the megalomania of Trotsky, the father-hating hedonist Mao Zedong, through to the paedophile promoting Allen Ginsberg, and the Oedipus complex of Louis Althusser who on release from a mental hospital strangled his wife. Kerry Bolton’s The Psychotic Left not only makes fascinating reading, but it provides an insight into the hypocrisy of many of the leading figures on the political left, who despite their rhetoric were totally devoid of compassion or empathy for their fellow man.A common thread of many of the personalities discussed in this book is an overwhelming narcissism - the arrogance of people who are absolutely confident in their prescriptions for redesigning society and absolutely ruthless in putting their ideas into action - whatever the cost in human lives and suffering.

Illustrated with photographs, woodcuts and line-drawings, this study is an insight into the complex relationship between what a society believes and how it behaves. Driven by envy, idolatry, greed, racism, megalomania or lust, there is no end to the creativity of sinners and no greater challenge than to understand sin. Oliver Thomson's provocative theme is that morality is as subject to fashion and the whims of the rich and powerful in society as any other aspect of human life. What else links the Victorians' disdain for communal swimming to the stoning of grey-haired Zulu kings? What made it a capital offence to see the King of Dahomey eating his meals? How can one account for the Inquisition and the Holocaust, or the brutality of totalitarian regimes or the mass suicide of Jonestown? The common thread is the existence at certain times of moral codes which allow, and often encourage such actions and beliefs. The author's analysis encompasses an amazing breadth of information. Taking examples from virtually every culture and through every historical era. It is, in places, a catalogue of unrestrained evil, touching upon the careers of Attila the Hun, Gengh is Khan, Caligula, the early Popes, the Marquis de Sade, King Henry VIII, Adolf Hitler and Idi Amin, among many others.