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Japanese language. 6.22x4.49x0.63 inches. In Stock.

Color/pattern: black Design details: cutout back, logo detailing, removable soft cups 74% nylon, 26% spandex Machine wash Made in Canada

CRAIG'S POV:The 2012 Michi Matsuda 7 string acoustic is a remarkable instrument that showcases Michi Matsuda's exceptional craftsmanship and innova...

Michi Cream

Michi Cream

The Tail Women's Michi Sleeveless Golf Top is crafted with lightweight, breathable performance jersey fabric to keep you cool and comfortable throughout your round. It showcases a stylish all-over print for the perfect spring look and is finished with UPF 50+ to help protect your skin from the sun's harmful rays.� Tail Women's Michi Sleeveless Golf Top Features: Performance jersey� Added stretch for comfortable movement� Moisture-wicking� Lightweight and breathable� Quarter-zip placket Funnel neck Side inserts Sleeveless All-over print UPF 50+ sun protection Machine washable Length from shoulder: 25" Size M 91% Polyester � 9% Spandex Style Number: GE8365 Authorized Tail Retailer Buy Tail Women's Sleeveless Golf Shirts

About the brand: Italian artisanship crafted into beautifully confident intimates. Michi Mini Dress in black Body: 50% cotton 50% modal Hand wash Imported

Traces in the Way is simultaneously a critical interpretation of the writings of noh playwright and thinker Komparu Zenchiku (1407–1470); a refutation of received views of Japanese traditional arts (michi); and an analysis of medieval Japanese uses of texts. The disciplinary approach is broadly that of cultural studies, combining close reading, social contextualization, and drawing on multiple fields. The study is organized through the five elements that Konishi Jin'ichi's identified as essential to michi: specialization, transmission, conformity, universality and authority. Each of these is examined critically and revised, providing a basis from which Zenchiku's works can be elucidated. This new approach makes it possible to solve much that in conventional studies has remained puzzling about Zenchiku's works including the principles behind the works of classification, the purposes that resulted in the rokurin ichiro works, and the ideology present in the fragmentary work: Meishukushu. It becomes clear that Zenchiku, far from being a docile recipient of his teacher Zeami's legacy, combined Zeami's texts with those of other michi to radically reposition his own practice in the cultural fields of his day. Zenchiku drew on a range of legitimating styles to fashion a new rationale for performance, one adequate to changing patronage requirements, and appropriate to the circumstances of his troupe. In this position-taking, Zenchiku was strikingly successful, as is witnessed by the survival of the Komparu line through the chaotic century after his death. With this book we come to know a good deal about sarugaku's transmission in the fifteenth century; enough to remedy a facile idealization of Japanese michi.

Traces in the Way is simultaneously a critical interpretation of the writings of noh playwright and thinker Komparu Zenchiku (1407–1470); a refutation of received views of Japanese traditional arts (michi); and an analysis of medieval Japanese uses of texts. The disciplinary approach is broadly that of cultural studies, combining close reading, social contextualization, and drawing on multiple fields. The study is organized through the five elements that Konishi Jin'ichi's identified as essential to michi: specialization, transmission, conformity, universality and authority. Each of these is examined critically and revised, providing a basis from which Zenchiku's works can be elucidated. This new approach makes it possible to solve much that in conventional studies has remained puzzling about Zenchiku's works including the principles behind the works of classification, the purposes that resulted in the rokurin ichiro works, and the ideology present in the fragmentary work: Meishukushu. It becomes clear that Zenchiku, far from being a docile recipient of his teacher Zeami's legacy, combined Zeami's texts with those of other michi to radically reposition his own practice in the cultural fields of his day. Zenchiku drew on a range of legitimating styles to fashion a new rationale for performance, one adequate to changing patronage requirements, and appropriate to the circumstances of his troupe. In this position-taking, Zenchiku was strikingly successful, as is witnessed by the survival of the Komparu line through the chaotic century after his death. With this book we come to know a good deal about sarugaku's transmission in the fifteenth century; enough to remedy a facile idealization of Japanese michi.

Ikebana and tea ceremony, karate and calligraphy--what do these traditional Japanese arts have in common? All represent different forms of training and practice, but all stem from shared principles of spiritual practice, moving meditation, and beauty. With practical examples and easy-to-follow exercises, this book concisely introduces 45 living concepts of the Way, from "wabi" and the "immovable mind" to "respect" and "duty," explaining their traditional Japanese roots and also how to incorporate them into our daily lives for greater serenity, concentration, and creativity.Living the Japanese Arts & Ways is now out of print, but the entire book is included in The Japanese Way of the Artist (Stone Bridge Press), which also contains Brush Meditation and The Japanese Way of the Flower. Get three popular books by H. E. Davey for the price of one. Order The Japanese Way of the Artist from Amazon.com and discover the secrets of Japan's ancient arts, crafts, and forms of meditation. H. E. Davey is Director of the Sennin Foundation Center for Japanese Cultural Arts. He has decades of training in Japanese yoga, healing arts, martial arts, and fine arts.

Mint condition with original LTD case

For almost four decades, from 1890 to 1924, many European immigrants came to the Gogebic Iron Range of Michigan and Wisconsin to work in the iron mines, farm, and to establish businesses. Among them was a sizable group of Italian immigrants from various regions and provinces of Italy. This book is a history of a particular group of Italian immigrants that came from the Asiago Plateau in northern Italy. Their lives and experiences are given meaning in this book, bringing their families, friends and the general public, knowledge of their origins and background in northern Italy and the contributions they made on the Gogebic Iron Range. A thirty year research project, this book is a resource of information for families of the Asiago Plateau immigrants throughout the United States who wish to do historical or genealogical work. Furthermore, this book is a link with the people of the Asiago Plateau today and hopefully will be an aid for them to discover their

Iwai Michi (IMPORT) Tomoka Naniwatei - CD 4988008991239

Miriways Michi Gaigg - CD 761203775224

Blair Thomas lives in the friendly, lakeside town of Lainey, Michi- gan, on the beautiful shores of Lake Huron. Lainey boasts superb hunt- ing opportunities and offers visitors miles of sandy shoreline and weekend tours of the historic Tesla Lighthouse. It's the beginning of the fall, duck hunting season, and Blair and her dad are busy preparing for her very first duck hunt. The forecast is calling for extremely high winds and rain, absolutely perfect weather for duck hunting it doesn't get any better than this! Excitement mounts as Blair, her dad, and their faithful chocolate lab, Mac, head in their johnboat toward Edmond Island, four miles offshore. But things start to spiral out of control quickly as two massive storms collide, creating an historic storm directly overhead. Storms like this are dangerous, and this one turns out to be much worse than Blair or her dad could ever have imagined. The storm takes control of the lake, hammering them with huge waves, and changes what was to be an exciting duck hunt into a desperate struggle for survival. Amidst all the chaos, however, the storm has a special gift for Blair. But will she survive long enough to get it?

Betulia Liberata Michi Gaigg - CD 608917259025

Compelled to seek something more than what modern society has to offer, Robert Sibley turned to an ancient setting for help in recovering what has been lost. The Henro Michi is one of the oldest and most famous pilgrimage routes in Japan. It consists of a circuit of eighty-eight temples around the perimeter of Shikoku, the smallest of Japan's four main islands. Every henro, or pilgrim, is said to follow in the footsteps of Kōbō Daishi, the ninth-century ascetic who founded the Shingon sect of Buddhism. Over the course of two months, the author walked this 1,400-kilometer route (roughly 870 miles), visiting the sacred sites and performing their prescribed rituals.Although himself a gaijin, or foreigner, Sibley saw no other pilgrim on the trail who was not Japanese. Some of the people he met became not only close companions but also ardent teachers of the language and culture. These fellow pilgrims’ own stories add to the author’s narrative in unexpected and powerful ways. Sibley’s descriptions of the natural surroundings, the customs and etiquette, the temples and guesthouses will inspire any reader who has longed to escape the confines of everyday life and to embrace the emotional, psychological, and spiritual dimensions of a pilgrimage.

40 S. Gebrauchtes Exemplar in sehr gutem Zustand. KEINE Eintragungen/Markierungen. Viele Meilen unter der Meeresoberfläche haben Käpt'n Sharky und Michi die Überreste einer versunkenen Stadt entdeckt. Ein Vulkanausbruch soll sie vor langer Zeit in die Tiefe gerissen haben und mit ihr unermesslich wertvolle Schätze. Klar, dass die beiden Piraten noch einmal zurückmüssen, um sich diese Schätze zu holen! Zusammen mit Kapitän Ramirez und seinem Unterseeboot tauchen sie erneut hinab in die geheimnisvolle Welt der Tiefsee. Aber sind sie dort unten wirklich allein? Ist Ramirez so freundlich, wie er sie glauben lassen will? Und was hat es mit der seltsamen Statue aus blauem Gold auf sich, die sie in einer Pyramide entdecken ? Ein neues spannendes Tiefseeabenteuer für alle Fans unseres kleinen Piraten. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Deutsch Gewicht in Gramm: 430

"In 1942 110,000 West Coast residents, many of them United States citizens, were placed in concentration camps for no reason other than that they were of Japanese origin. One of them, Michi Weglyn, a teenager at the time, recounts their experience, drawing on Government documents and on her own memories of one of the camps. An appalling story of neglect and even brutality."―New York Times Book Review"Weglyn writes with a compelling mixture of passion, thorough research, and a fierce tough-mindedness. Her book should be of immense value to anyone interested in minority experience, World War II, or the squirmings of public policy under pressure."―James D. Houston, Harper's Bookletter"Certainly the most thoroughly documented account of World War II Japanese American internment. . . . Formidable."―Kirkus Reviews

As direct descendants of the great courtier-poets Fujiwara no Shunzei (1114–1204) and his son Teika (1162–1244), the heirs of the noble Reizei house can claim an unbroken literary lineage that spans over eight hundred years. During all that time, their primary goal has been to sustain the poetic enterprise, or michi (way), of the house and to safeguard its literary assets.Steven D. Carter weaves together strands of family history, literary criticism, and historical research into a coherent narrative about the evolution of the Reizei Way. What emerges from this innovative approach is an elegant portrait of the Reizei poets as participants in a collective institution devoted more to the continuity of family poetic practices and ideals than to the concept of individual expression that is so central to more modern poetic culture.In addition to the narrative chapters, the book also features an extensive appendix of one hundred poems from over the centuries, by poets who were affiliated with the Reizei house. Carter’s annotations provide essential critical context for this selection of poems, and his deft translations underscore the rich contributions of the Reizei family and their many disciples to the Japanese poetic tradition.