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Mary Midgley argues in her powerful new book that far from being the opposite of science, myth is a central part of it. In brilliant prose, she claims that myths are neither lies nor mere stories but a network of powerful symbols that suggest particular ways of interpreting the world.

Feared and admired in equal measure, Mary Midgley has carefully yet profoundly challenged many of the scientific and moral orthodoxies of the twentieth century. The Essential Mary Midgley collects for the first time the very best of this famous philosopher's work, described by the Financial Times as 'common sense philosophy of the highest order'. This unrivalled introduction to a great philosopher and brilliant writer incorporates carefully selected excerpts from Mary Midgley's bestselling books, including Wickedness, Beast and Man, Science and Poetry, and The Myths We Live By. With a specially written foreword by James Lovelock, this classic text presents a superb and eminently readable insight into questions she has returned to time and again in her renowned sharp prose. This anthology discusses major topics, such as the roots of human nature, reason and imagination, the myths of science and the importance of holism in thinking about science and the environment.

241 Pages, Usual Ex-Lib Marks O/W Sound

Midgley Books, Halifax, 2007. Hard cover. Book condition : Near fine, like new, appears unread. Superb photographs throughout. Fold out maps at rear of book. Heavy book may incur extra postage. Book will be sent by UK postal service. Inventory #AF018871

Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.9

Originally released in 1971 on John Peel's Dandelion Records, Creation is the second album by underground folk troubadour Trevor Beau Midgley. Influenced by Tom Paxton, Lead Belly, and Dylan, Beau started to write his own songs in the late '60s. After trying to secure a contract with Elektra Records with no success, he was approached by Clive Selwood (Elektra) and Peel as they were launching Dandelion Records. Beau signed with them and released his eponymous debut album in 1969. For his second e

One of the UK’s foremost living moral philosophers, Mary Midgley recounts her remarkable story in this elegiac and moving account of friendships found and lost, bitter philosophical battles and of a profound love of teaching. In spite of her many books and public profile, little is known about Mary’s life. Part of a famous generation of women philosophers that includes Elizabeth Anscombe, Philippa Foot, Mary Warnock and Iris Murdoch, Midgley tells us in vivid and humorous fashion how they cut a swathe through the arid landscape of 1950s British Philosophy, writing and arguing about the grand themes of character, beauty and the meaning of rudeness. The mother of three children, her journey is one of a woman who during the 1950s and 1960s was fighting to combine a professional career with raising a family. In startling contrast to many of the academic stars of her generation, we learn that Midgley nearly became a novelist and started writing philosophy only when in her fifties, suggesting that Minerva’s owl really does fly at dusk. Charting the highs and lows of philosophy and academia in Britain, this publication sheds light on Mary’s close friends, her moral philosophy and her meetings with major philosophers, including Wittgenstein and Isaiah Berlin.  

The South African law of delict engages primarily with "the circumstances in which one person can claim compensation from another for harm that has been suffered."[1] JC Van der Walt and Rob Midgley define a delict "in general terms [...] as a civil wrong," and more narrowly as "wrongful and blameworthy conduct which causes harm to a person."[2] Importantly, however, the civil wrong must be an actionable one, resulting in liability on the part of the wrongdoer or tortfeasor.[3]

A scholarly edition of The Miscellaneous Works of John Bunyan: The Poems by Graham Midgley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Why do the big philosophical questions so often strike us as far-fetched and little to do with everyday life? In Utopias, Dolphins and Computers Mary Midgley shows us that there is a need for philosophy in the real world.

One of the UK's foremost moral philosophers, Mary Midgley recounts her remarkable story in this elegiac and moving account of friendships found and lost, bitter philosophical battles and of a profound love of teaching. In spite of her many books and public profile, little is known about Mary's life. Part of a famous generation of women philosophers that includes Elizabeth Anscombe, Philippa Foot, Mary Warnock and Iris Murdoch, Midgley tells us in vivid and humorous fashion how they cut a swathe through the arid landscape of 1950s British Philosophy, writing and arguing about the grand themes of character, beauty and the meaning of rudeness. As the mother of three children, her journey during the 1950s and 1960s was one of a woman fighting to combine a professional career with raising a family. In startling contrast to many of the academic stars of her generation, we learn that Midgley nearly became a novelist and started writing philosophy only when in her fifties, suggesting that Minerva’s owl really does fly at dusk. Charting the highs and lows of philosophy and academia in Britain, this publication sheds light on Mary’s close friends, her moral philosophy and her meetings with major philosophers, including Wittgenstein and Isaiah Berlin.

What is the role of scientists in society? What should we think when they talk about more than just science? Mary Midgley discusses the high spiritual ambitions which tend to gather around the notion of science.

With a new Introduction by the author 'An elegant and sane little book. – The New Statesman Myths, as Mary Midgley argues in this powerful book, are everywhere. In political thought they sit at the heart of theories of human nature and the social contract; in economics in the pursuit of self interest; and in science the idea of human beings as machines, which originates in the seventeenth century, is a today a potent force. Far from being the opposite of science, however, Midgley argues that myth is a central part of it. Myths are neither lies nor mere stories but a network of powerful symbols for interpreting the world. Tackling a dazzling array of subjects such as philosophy, evolutionary psychology, animals, consciousness and the environment in her customary razor-sharp prose, The Myths We Live By reminds us of the powerful role of symbolism and the need to take our imaginative life seriously. Mary Midgley is a moral philosopher and the author of many books including Wickedness, Evolution as a Religion, Beast and Man and Science and Poetry. All are published in Routledge Classics.

A scholarly edition of The Miscellaneous Works of John Bunyan: Barren Fig-Tree; Strait Gate; Heavenly Footman by Graham Midgley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Science, according to the received wisdom of the day, can answer any question we choose to put to it – even the most fundamental about ourselves, our behaviour and our cultures. But for Mary Midgley it can never be the whole story, as it cannot truly explain what it means to be human. In this typically crusading work, universally acclaimed as a classic on first publication, she powerfully asserts her corrective view that without poetry (or literature, or music, or history, or even theology) we cannot hope to understand our humanity. In this remarkable book, the reader is struck by both the simplicity and power of her argument and the sheer pleasure of reading one of our most accessible philosophers.

One of the UK’s foremost living moral philosophers, Mary Midgley recounts her remarkable story in this elegiac and moving account of friendships found and lost, bitter philosophical battles and of a profound love of teaching. In spite of her many books and public profile, little is known about Mary’s life. Part of a famous generation of women philosophers that includes Elizabeth Anscombe, Philippa Foot, Mary Warnock and Iris Murdoch, Midgley tells us in vivid and humorous fashion how they cut a swathe through the arid landscape of 1950s British Philosophy, writing and arguing about the grand themes of character, beauty and the meaning of rudeness. The mother of three children, her journey is one of a woman who during the 1950s and 1960s was fighting to combine a professional career with raising a family. In startling contrast to many of the academic stars of her generation, we learn that Midgley nearly became a novelist and started writing philosophy only when in her fifties, suggesting that Minerva’s owl really does fly at dusk. Charting the highs and lows of philosophy and academia in Britain, this publication sheds light on Mary’s close friends, her moral philosophy and her meetings with major philosophers, including Wittgenstein and Isaiah Berlin.  

A scholarly edition of The Miscellaneous Works of John Bunyan: Barren Fig-Tree; Strait Gate; Heavenly Footman by Graham Midgley. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Philosophers have traditionally concentrated on the qualities that make human beings different from other species. In Beast and Man Mary Midgley, one of our foremost intellectuals, stresses continuities. What makes people tick? Largely, she asserts, the same things as animals. She tells us humans are rather more like other animals than we previously allowed ourselves to believe, and reminds us just how primitive we are in comparison to the sophistication of many animals. A veritable classic for our age, Beast and Man has helped change the way we think about ourselves and the world in which we live.

Crude materialism, reduction of mind to body, extreme individualism. All products of a 17th century scientific inheritance which looks at the parts of our existence at the expense of the whole.Cutting through myths of scientific omnipotence, Mary Midgley explores how this inheritance has so powerfully shaped the way we are, and the problems it has brought with it. She argues that poetry and the arts can help reconcile these problems, and counteract generations of 'one-eyed specialists', unable and unwilling to look beyond their own scientific or literary sphere.Dawkins, Atkins, Bacon and Descartes all come under fire as Midgely sears through contemporary debate, from Gaia to memes, and organic food to greenhouse gases. After years of unquestioned imperialism, science is finally forced to take a step back and acknowledge the arts.

Why should anybody take an interest in philosophy? Is it just another detailed study like metallurgy? Or is it similar to history, literature and even religion: a study meant to do some personal good and influence our lives?Mary Midgley addresses these provocative questions in her most up-to-date statement on the various forms of our current intellectual anxieties and confusions and how we might deal with them. In doing so, she provides a robust, yet not uncritical, defence of philosophy and the life of the mind.This defence is expertly placed in the context of contemporary debates about science, religion, and philosophy. It asks whether, in light of rampant scientific and technological developments, we still need philosophy to help us think about the big questions of meaning, knowledge, and value.