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Vinyl LP pressing. Miscellany is a new box set of Chris Carter's early work, collating remastered (and mastered for the first time) solo albums alongside a disc of unreleased archival recordings from 1973-1977. It consists of 6-pieces of vinyl and a 12-page, 12"-sized booklet featuring rare and unseen images, synthesizer schematics and ephemera from Carter's archive. Both Disobedient and Small Moon will be available here for the first time on vinyl. As a founding member of Throbbing Gristle alon

Angelo Poliziano (1454–1494) was one of the great scholar-poets of the Italian Renaissance and the leading literary figure of Florence in the age of Lorenzo de’ Medici, “il Magnifico.” The poet’s Miscellanies, including a “first century” published in 1489 and a “second century” unfinished at his death, constitute the most innovative contribution to classical philology of the Renaissance. Each chapter is a mini-essay on some lexical or textual problem which Poliziano, drawing on the riches of the Medici Library and Lorenzo’s collection of antiquities, solves with his characteristic mixture of deep learning, analytic skill, and brash criticism of his predecessors. Volume 1 presents a new Latin edition of The First Century of the Miscellanies, and these volumes together present the first translation of both collections into any modern language.

Miscellanies (Stomata) is a compilation exactly as it sounds: of miscellaneous topics, written by Clement of Alexandria. Enjoy this classic work! Produced by Beloved Publishing.

This book begins the publication of Jonathan Edwards's personal theological notebooks, called collectively the "Miscellanies." The entries in Volume 13 span the early years of Edwards's ministry, (1722-1731) and range widely in subject matter. They record Edwards's initial thoughts on some of his most characteristic ideas, such as original sin, free will, the Trinity and God's end in creation. However, many entries relate to doctrinal and polemical subjects not included in the corpus of Edwards's published writings. The volume also contains Edwards's own alphabetical index to the entire "Miscellanies"; this "Table" is a theological document in its own right that reveals the interrelationship among the various components of Edwards's theological system. The editor's introduction includes an interpretive essay that relates Edwards's growing body of entries in the "Miscellanies" to the main events in his life and progressing career. It also explores how even before the beginning of his tutorship at Yale in 1724 Edwards had developed both within and outside of the "Miscellanies" certain fundamental positions that constitute the truly distinctive elements in his theology. The introduction ends with an explanation of the methodology used to establish for the first time the chronology of the early miscellanies. The conclusions of this research are summarized in a comprehensive chronological chart that locates by date not only entry nos. a-500, but also the sermons, essays and other manuscripts Edwards composed prior to 1731.

Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The history of the Life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the `thief-taker' and gang-leader of that name who was hanged in 1725, but in Fielding's hands, the history of Wild is transformed into a mock-hostorical work of sustained irony aimed at all who would be `great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volumes of the Weslyan Edition, this provides critical, unmodernized text, based on the Greg-Bowers `Rationale of Copy-text'. The version is that of the first edition, with an appendix giving all variants in wording and presentation in the 1754 revision. In his introduction the textual editor lays out the rationale for his choice of version. This volume also includes, for the first time in modern edition, Fielding's list of subscribers to the Miscellanies, along with detailed biographical notes and an analysis of the subscription list by the textual editor.

Book by Garner Bryan A. Megarry Sir Robert

First edition. Excellent book with essays by Robert Taylor, Robert Nikirk, Leonard Schlosser, Otto Penzler and others. With a chapter on identifying and classifying fine bindings by Jamie Shalleck Kamph . This copy bears the following presentation "For Mary with affection from Bob" with Mary being Mary Hyde and Bob being Bob Nikirk, who authored a chapter in this book. xvi, 303 pages. cloth.. 8vo..

Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The History of the life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the 'thief-taker' and gangleader of that name who has hanged in 1725, but in Fielding's hands the history of Wild is transformed into a mock-historical work of sustained irony aimed at all who would be 'great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common and since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volum

Volume Three of Henry Fielding's Miscellanies, first published as a three-volume set in 1743, consists in its entirety of a major work of fiction, The History of the life of the Late Mr. Jonathan Wild the Great. Jonathan Wild takes its title from the 'thief-taker' and gangleader of that name who has hanged in 1725, but in Fielding's hands the history of Wild is transformed into a mock-historical work of sustained irony aimed at all who would be 'great men'. The general introduction to this edition sets the novel against its historical and biographical background and argues against the view, common and since the mid-nineteenth century, that it is a personal satire directed at the figure of Sir Robert Walpole. In both the general and the textual introductions, the editors also offer a fresh view on questions about the date and history of the work's composition. Full explanatory notes and commentary place Fielding's allusions and details in their contemporary context. As in previous volum

William Shenstone, 18th-century poet and landscape architect, was also an important arbiter of English literary taste. His ideals of poetry were simplicity, pastoral elegance, and an accent on the innocent pleasures of country life. Shenstone's Miscellany was carefully chosen to illustrate his theories of poetry. It contains the verse of Horace Walpole, Jonathan Swift, and many members of Shenstone's circle.

Stromata was the third in the trilogy of Clement of Alexandria and continues with the individual cases of conduct began in Paedagogus. Protrepticus, the first in the trilogy, deals with the religious basis of Christian morality and lays a foundation in the knowledge of divine truth. Paedagogus, the second and Stromata, third with the individual cases of conduct. As with Epictetus, true virtue shows itself with him in its external evidences by a natural, simple, and moderate way of living. Titus Flavius Clemens, known as Clement of Alexandria, was a Christian theologian who taught at the Catechetical School of Alexandria. A convert to Christianity, he was an educated man who was familiar with classical Greek philosophy and literature. Clement was influenced by Hellenistic philosophy to a greater extent than any other Christian thinker of his time, and in particular by Plato and the Stoics.

Number 48 of a limited edition of 150. Signed by Ken Cowley, Ramsey Campbell, and David Bezzina. Corners bumped, especially lower right corner which is also creased on the front cover. Bottom of the spine bumped. Seemingly unread and internally clean.

Text: English, German (translation) Original Language: Latin

A Miscellany of Men By G. K. Chesterton

Book is in good condition and cared for in a professional library.

Ships same day or next. Damage to one or two corners from handling. Unread copy. Text is like-new. Expedited shipping available at checkout for domestic orders.

Miscellany of the South Seas: A Chinese Scholar's Chronicle of Shipwreck and Travel through 1830s Vietnam 0.54

A Miscellany, confined to a private edition for decades, sheds further light on the prodigious vision and imagination of the most inventive poet of the twentieth century: E.E. Cummings.Formally fractured and yet gleefully alive and whole, E. E. Cummings’s groundbreaking modernist poetry expanded the boundaries of language. In A Miscellany, originally released in a limited run in 1958, Cummings lent his delightfully original voice to “a cluster of epigrams,” a poem, three speeches from an unfinished play, and forty-nine essays―most of them previously written for or published in magazines, anthologies, or art gallery catalogues. Seven years later, George J. Firmage―editor of much of Cummings’s work, including Complete Poems―broadened the scope of this delightfully eclectic collection, adding seven more poems and essays, and many of Cummings’s unpublished line drawings.Together, these pieces paint a distinctive portrait of Cummings’s eccentric, yet precise, genius. Like his poetry, Cummings’s prose is lively; often witty, biting, and offbeat, he is an intelligent observer and critic of the modern. His essays explore everything from Cubism to the circus, equally quick to analyze his poetic contemporaries and satirize New York society. As Cummings wrote in his original foreword, A Miscellany contains “a great deal of liveliness and nothing dead.” This remains true today, more than fifty years after its original publication.