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A very good copy of the presumed first hard cover edition (no explicit edition or printing statement), lacking a dust-jacket. The text is wholly unmarked, pristine, and the binding bright and fresh in appearance. A sharp copy.

Jacob-Abraham-Camille Pissarro (1830-1903) was a French Impressionist painter whose landscapes and French scenes both rural and urban have always been a favorite of the viewing audience. Pissarro was not only a pivotal figure in the emergence of the French Impressionist but also mentored four of the great Post-Impressionists including Georges Seurat Paul Czanne Vincent van Gogh and Paul Gauguin. Boulevard Montmartre on a Winter Morning is one painting in a series of street scenes that Pissarro painted after returning to Paris in 1897. The series includes 14 scenes of the boulevard Montmartre as seen from his lodgings at Grand Hotel de Russie. This beautiful piece has been carefully recreated and is the perfect opportunity to bring the work of this influential artist into your home. Frame Description Studio Black Wood Frame. Color: Orange.

Framed painting art print on canvas Grecian Wine Frame Classic image measures 20in x 24in Frame measures 25in x 29in Arrives ready to hang Spot Clean Imported

Crafted from chocolate brown silk and deadstock fabric, the Montmartre Mini Skirt features silk mini shorts under it and a ruched waistband detail for a sophisticated yet playful silhouette. The luxurious fabric, tailored design, and adjustable belt give you the perfect piece to pair as a set with the Marais Top. Limited edition. Made in Los Angeles Due to the dying process, there may be slight variation in color across silk in pieces. Main: 65% Polyester 30% Viscose 5% Spandex Contrast: 95% Silk 5% Spandex Dry Clean Only

Crafted from violet silk and lavender deadstock fabric, the Montmartre Mini Skirt features silk mini shorts under it and a ruched waistband detail for a sophisticated yet playful silhouette. The luxurious fabric, tailored design, and adjustable belt give you the perfect piece to pair as a set with the Marais Top. Limited edition. Made in Los Angeles Due to the dying process, there may be slight variation in color across silk in pieces. Main: 97% Viscose 3% Spandex Contrast: 100% Silk Dry Clean Only

Crafted from violet silk and lavender deadstock fabric, the Montmartre Mini Skirt features silk mini shorts under it and a ruched waistband detail for a sophisticated yet playful silhouette. The luxurious fabric, tailored design, and adjustable belt give you the perfect piece to pair as a set with the Marais Top. Limited edition. Made in Los Angeles Due to the dying process, there may be slight variation in color across silk in pieces. Main: 97% Viscose 3% Spandex Contrast: 100% Silk Dry Clean Only

Crafted from violet silk and lavender deadstock fabric, the Montmartre Mini Skirt features silk mini shorts under it and a ruched waistband detail for a sophisticated yet playful silhouette. The luxurious fabric, tailored design, and adjustable belt give you the perfect piece to pair as a set with the Marais Top. Limited edition. Made in Los Angeles Due to the dying process, there may be slight variation in color across silk in pieces. Main: 97% Viscose 3% Spandex Contrast: 100% Silk Dry Clean Only

Overstock Art is an art manufacturer of framed hand painted oil reproductions and canvas art prints. overstock Art was among the earliest online galleries of hand painted oil paintings and the first to focus on art reproductions of great masters such as Van Gogh, M1-t and Klimt. From Impressionist art to Modern Art, overstock Art has the perfect framed canvas art for your home. At overstock Art, we live and breathe the oil paintings that surround us and feel we have a special connection with our customers. Put simply, we are art lovers serving art lovers. Color: Multi-Colored.

Montmartre Live Paul Bley - CD 716043701926

Located on the fringes of Paris, Montmartre attracted artists such as Toulouse-Lautrec, Picasso, Steinlen, and Jules Chéret. By the beginning of the twentieth century, the artists in the quarter began to create works blurring the boundaries between fine art and popular illustration, the artist and the audience, as well as class and gender distinctions. The creative expression that ensued was an exuberant mix of high and low-a breeding ground for what is today termed popular culture. The carefully interlocked essays in Montmartre and the Making of Mass Culture demonstrate how and why this quarter was at the forefront of such innovation. The contributors bring an unprecedented range of approaches to the topic, from political and religious history to art historical investigations and literary analysis of texts. This project is the first of its kind to examine fully Montmartre's many contributions to the creation of a mass culture that reigned supreme in the twentieth century.

Light wear to cover. Shipped from the U.K. All orders received before 3pm sent that weekday.

Live at Montmartre Stan Getz - LP 716043107315

With the Chat Noir cabaret (1881-1897) and the Quat'z 'Arts cabaret (1893-1910) as its main focus, and concentrating on individuals who participated in the group activities of the Hydropathes (1878-1881) and the Incoherents (1882-1896), this collection of five essays documents and explores the development of the Montmartre cabaret from 1875 to 1905. Montmartre is revealed as the primary promoter, catalyst, and often, site for the collaboration of artists, writers, composers, and performers in the production of illustrated journals, books, dramatic pieces, music, puppet shows, and the protocinema invention of shadow theater. The contributors reveal the essence of Montmartre's artistic, intellectual environment and analyze its inextricable relations with an important, multidisciplinary body of avant-garde, fin-de-siecle art, literature, and music.The Spirit of Montmartre is the story of Paris's earliest, original, avant-garde groups - an essential part of the cultural context for Impressionist and Post-Impressionist painters and for such important writers and composers as Mallarme, Zola, Huysmans, Debussy and Satie. Relying on Rabelaisian humor, this ephemeral avant-garde group phenomenon anticipates twentieth-century Dada, Surrealism fluxus, and Performance Art. In addition to the editors, the contributors are Olga Anna Dull, Daniel Grojnowski, and Steven Moore Whiting.

During the late nineteenth and early twentieth century, popular music was considered nothing but vulgar entertainment. Today, jazz and rock music are seen as forms of art, and their practitioners are regularly accorded a status on par with the cultural and political elite. To take just one recent example, Bono, lead singer and lyricist of the rock band U2, got equal and sometimes higher billing than Pope John Paul II on their shared efforts in the Jubilee 2000 debt-relief project. When and how did popular music earn so much cultural capital? To find out, Bernard Gendron investigates five key historical moments when popular music and avant-garde art transgressed the rigid boundaries separating high and low culture to form friendly alliances. He begins at the end of the nineteenth century in Paris's Montmartre district, where cabarets showcased popular music alongside poetry readings in spaces decorated with modernist art works. Two decades later, Parisian poets and musicians "slumming" in jazz clubs assimilated jazz's aesthetics in their performances and compositions. In the bebop revolution in mid-1940s America, jazz returned the compliment by absorbing modernist devices and postures, in effect transforming itself into an avant-garde art form. Mid-1960s rock music, under the leadership of the Beatles, went from being reviled as vulgar music to being acclaimed as a cutting-edge art form. Finally, Gendron takes us to the Mudd Club in the late 1970s, where New York punk and new wave rockers were setting the aesthetic agenda for a new generation of artists. Between Montmartre and the Mudd Club should be on the shelves of anyone interested in the intersections between high and low culture, art and music, or history and aesthetics.

Stan Getz/Kenny Barron "Caf Montmartre" The famous Caf Montmartre in Copenhagen, Denmark was the site of these live recordings, made between 1987 and 1997. Bassist Rufus Reid and drummer Ben Riley join Barron and Getz in the earlier sessions, Victor Lewis takes over for Riley in the later sessions. A wonderful survey of Getz late, live performances.

During the years between the world wars, a small but dynamic community of African American jazz musicians left the United States and settled in Paris, creating a vibrant expatriate musical scene and introducing jazz to the French. While the Harlem Renaissance was taking off across the Atlantic, entertainers in Montmartre, the epicenter of the Parisian scene, contributed enthusiastically to a culture that thrived for two decades, until the occupation of the city by German troops on June 18, 1940. In Harlem in Montmartre, William Shack takes a fascinating look at this extraordinary cultural moment, one in which African American musicians could flee the racism of the United States to pursue their lives and art in the relatively free context of bohemian Europe. His book is the first comprehensive treatment of the rise and decline of the African American music community in Paris; in it, he considers the international dimensions of black experience in the modern era and explores the similarities and differences of Harlem-style jazz and culture in Europe and America. Shack focuses on some of the principal actors who played critical roles in shaping the jazz scene in Montmartre--Josephine Baker, Sidney Bechet, and Bricktop--but he also discusses others who opened clubs, underwrote loans, and contributed their musical talents to this unparalleled experiment. As an anthropologist, Shack pays particular attention to the club culture. He describes the musicians' experiences, the settings in which they performed, and the response of French audiences. Shack's meticulous research and encyclopedic knowledge of Montmartre's jazz culture, including the people and places involved, make this a riveting, authoritative work. Seamlessly fusing biographical, sociological, and historical details, he brings this unique era to life and demonstrates how the Paris jazz scene played a crucial role in legitimizing jazz--both in Europe and the United States.

This is the story of Valadon, artist, model, friend and comtemporary of some of France's greatest artists. She gained notoriety with her earthy nudes and her sexual adventures among the painters of Montmatre, including Renoir and Toulouse Lautrec.

Aimée’s childhood friend, Laure, is a policewoman. Her partner, Jacques, has set up a meeting in Montmartre with an informer. When Laure reluctantly goes along as backup, Jacques is lured to an icy rooftop, where he is shot to death. Laure’s gun has been fired, gunpowder residue is found on her hands, and she is charged with her partner’s murder. The police close ranks against the alleged cop killer. Aimée is determined to clear Laure. In doing so, she encounters separatist terrorists, Montmartre prostitutes, a surrealist painter’s stepdaughter, a crooked Corsican bar owner, and learns of “Big Ears”—the French “ear in the sky” that records telephonic and electronic communications—which the Security Services monitor. Identifying Jacques’ murderer brings her closer to solving her own father’s death in an explosion in the Place Vendôme years earlier. It still haunts her. She cannot rest until she finds out who was responsible.

Between 1860 and 1920 artists flocked to Montmartre, transforming it into a cultural mecca that left an everlasting impression on the world of art. Over 150 full-color photos, paintings, drawings and posters tell the amazing story of such celebrated artists as Degas, Picasso, Gauguin, Van Gogh, and others, emphasizing their creativity and how it evolved in the magical atmosphere of Montmartre.

First Edition, First Printing. Not price-clipped ($16.95 price intact). Published by Grossman, 1972. Octavo with red stain to the top page ends. Book is very good with light toning to the page ends. Dust jacket is very good with light toning to the flaps and light creasing to the spine. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.