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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1

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This book provides a wonderful look at the work of the private, enigmatic Bolognese painter and engraver. The text traces Morandi's many influences, from Giotto to Cezanne and the Metaphysical painters to the Cubists, and discusses the manner in which his life and work have influenced the critical interpretations of his art. Many color reproductions illustrates every phase of Morandi's career, including his signature still lifes and landscapes with their serene groupings of muted objects.

italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso bruniture Condizioni dell'interno: Discrete con Difetti, bruniture

8°, 23,5 x 18 cm. Brochure originale de 159 (1) pages, richement illustrée en couleurs et en une seule couleur. En bonne condition. --- Originalbroschur mit 159 (1) Seiten, reich farbig und einfarbig bebildert. In gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! -- Genießen Sie den Frühlingsanfang mit einem guten Buch ! KuPs

384 Seiten Das Buch ist in gutem, sauberen Zustand. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9788886158367 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Italienisch Gewicht in Gramm: 1454

Three essays on the artist and a collection of some 100 of Giorgio Morandi's paintings, sketches, watercolors and drawings suffer from the elusiveness of the art. Morandi (1890-1964), an Italian contemporary of the futurists, but independent of them and all movements, depicted the same objectsvases and flowers, bowlsrepeatedly, with the exception of a few lyrical landscapes, the minority in this book's representation of his paintings. As such, his images lack human and social content. At best enigmatic, at worst dull, the still lifes have a restrained, academic impulse. Accompanying the pictures are two vague critical essays and a brief biography, a record of exhibitions and photographs of the artist, but the book does not effectively coordinate its text with the reproductions. The essays are restricted to the front and back, with the paintings hanging forlornly in the middlefine for browsers, but unhelpful to those searching for a better understanding of each work's meaning and its part in the artist's development. And the inclusion of redundant essays by three art historians prevents the book from reaching a cogent, single view of its subject. Copyright 1988 Reed Business Information, Inc.

In the history of 20th-century figurative art, the Italian painter Giorgio Morandi stands out as a highly individual artist who captured the simple beauty of light on forms through deft brushwork and the use of subtle coloration. This richly illustrated volume brings together 109 of Morandi's most important works, executed in a variety of techniques.

One year before Galileo's, another trial was the talk of Rome. The city's most notorious astrologer--Orazio Morandi, abbot of the monastery of Santa Prassede--was brought before the governor's court on charges of possessing prohibited books, fortune telling, and political chicanery. His most serious crime was to have predicted the death of Pope Urban VIII and allowed news of this to spread as far as Spain, where cardinals quickly embarked for Italy to attend a conclave that would not occur for fourteen years. The pope, furious at such astrological and political effrontery, personally ordered the criminal inquiry that led to Morandi's arrest, trial, and death in prison, probably by assassination. Based on new evidence, this book chronicles Morandi's fabulous rise and fall against the backdrop of enormous political and cultural turmoil that characterized Italy in the early seventeenth century. It documents a world in which occult knowledge commanded power, reveals widespread libertinism behind monastery walls, and illuminates the arduous metamorphosis of intellectual culture already underway. It also sets the stage for, and lends new understanding to, the trial of Galileo that would follow shortly. The mystery of Morandi concerns the basic compulsion to advance in a status-drenched society and the very nature of knowledge at the birth of science. Told here in colorful detail, Morandi's story is fascinating in its own right. Beyond that, it allows us to glimpse the underside of early modern high society as never before.

This volume showcases 116 masterpieces arranged into the four major themes that characterize Giorgio Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition organized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of photographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.

This survey of the work of 20th-century Italian artist Giorgio Morandi, an increasingly popular subject of exhibits around the world, examines his still lifes, landscapes, and engravings and compares his work to those of similar subject matter. Cézannian concepts, metaphysics, and introspection are among the themes that reveal his boundless affection for domesticity and his desire to surpass it. This retrospective provides insight into Morandi's work and how his aesthetic differs from other 20th-century artists.

One year before Galileo's, another trial was the talk of Rome. The city's most notorious astrologer--Orazio Morandi, abbot of the monastery of Santa Prassede--was brought before the governor's court on charges of possessing prohibited books, fortune telling, and political chicanery. His most serious crime was to have predicted the death of Pope Urban VIII and allowed news of this to spread as far as Spain, where cardinals quickly embarked for Italy to attend a conclave that would not occur for fourteen years. The pope, furious at such astrological and political effrontery, personally ordered the criminal inquiry that led to Morandi's arrest, trial, and death in prison, probably by assassination. Based on new evidence, this book chronicles Morandi's fabulous rise and fall against the backdrop of enormous political and cultural turmoil that characterized Italy in the early seventeenth century. It documents a world in which occult knowledge commanded power, reveals widespread libertinism behind monastery walls, and illuminates the arduous metamorphosis of intellectual culture already underway. It also sets the stage for, and lends new understanding to, the trial of Galileo that would follow shortly. The mystery of Morandi concerns the basic compulsion to advance in a status-drenched society and the very nature of knowledge at the birth of science. Told here in colorful detail, Morandi's story is fascinating in its own right. Beyond that, it allows us to glimpse the underside of early modern high society as never before.

Three essays on the artist and a collection of some 100 of Giorgio Morandi's paintings, sketches, watercolors and drawings suffer from the elusiveness of the art. Morandi (1890-1964), an Italian contemporary of the futurists, but independent of them and all movements, depicted the same objectsvases and flowers, bowlsrepeatedly, with the exception of a few lyrical landscapes, the minority in this book's representation of his paintings. As such, his images lack human and social content. At best enigmatic, at worst dull, the still lifes have a restrained, academic impulse. Accompanying the pictures are two vague critical essays and a brief biography, a record of exhibitions and photographs of the artist, but the book does not effectively coordinate its text with the reproductions. The essays are restricted to the front and back, with the paintings hanging forlornly in the middlefine for browsers, but unhelpful to those searching for a better understanding of each work's meaning and its part in the artist's development. And the inclusion of redundant essays by three art historians prevents the book from reaching a cogent, single view of its subject. Copyright 1988 Reed Business Information, Inc.

Hardcover with dustjacket, 278 pages, in Italian; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

This book provides a wonderful look at the work of the private, enigmatic Bolognese painter and engraver. The text traces Morandi's many influences, from Giotto to Cezanne and the Metaphysical painters to the Cubists, and discusses the manner in which his life and work have influenced the critical interpretations of his art. Many color reproductions illustrates every phase of Morandi's career, including his signature still lifes and landscapes with their serene groupings of muted objects.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.44

Unread book in perfect condition.

, 136 pages, frontispiece and illustrations throughout with some in colour, published in the occasion of an exhibition held at the art gallery of new south wales 9 may to 13 may 1997

The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.