14 products were found matching your search for myshkin in 3 shops:

Returning to St. Petersburg from a Swiss sanatorium, the gentle and naive Prince Myshkin - known as 'the idiot' - pays a visit to his distant relative General Yepanchin and proceeds to charm the General, his wife and his three daughters. But his life is thrown into turmoil when he chances on a photograph of the beautiful Nastasya Filippovna. Utterly infatuated with her, he soon finds himself caught up in a love triangle and drawn into a web of blackmail, betrayal and, finally, murder. In Prince Myshkin, Dostoyevsky set out to portray the purity of 'a truly beautiful soul' and to explore the perils that innocence and goodness face in a corrupt world.

A digital copy of "On-line Condition Monitoring In Industrial Lubrication And Tribology" by Myshkin. Download is immediately available upon purchase!

In The Idiot, the saintly Prince Myshkin returns to Russia from a Swiss sanatorium and finds himself a stranger in a society obsessed with wealth, power, and sexual conquest. He soon becomes entangled in a love triangle with a notorious kept woman, Nastasya, and a beautiful young girl, Aglaya. Extortion and scandal escalate to murder, as Dostoevsky’s “positively beautiful man” clashes with the emptiness of a society that cannot accommodate his innocence and moral idealism. The Idiot is both a powerful indictment of that society and a rich and gripping masterpiece. From award-winning translators, a masterful new translation–never before published–of the novel in which Fyodor Dostoevsky set out to portray a truly beautiful soul.

New Orleans' own gypsy-torch-punk diva Myshkin has relocated to the West coast, revamped the Ruby Warblers and put out the best record of her critically lauded catalog. Myshkin, called by Folk Roots Magazine 'one of the best songwriters around', is perhap. Double Salt.2004.

In The Idiot, Prince Myshkin, a saintly man, is thrust into the heart of a society obsessed with wealth, power, and sexual conquest. He soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, as Dostoevsky's "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism.This wonderfully fresh and faithful translation—never before published—is sure to become the definitive edition in English.

“The Idiot” is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868–9. The title is an ironic reference to the central character of the novel, Prince (Knyaz) Lev Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the worldlier characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the center of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

One of the towering figures of Russian literature, Fyodor Dostoyevsky depicted with remarkable insight the depth and complexity of the human soul. In this literary classic, he focuses on Prince Myshkin — a nobleman whose gentle, child-like nature, and refusal to be offended by anything has earned him the nickname of "the idiot."Returning to Russia from Switzerland, where he underwent medical treatment for a number of years, Myshkin learns of his benefactor's death, finds himself heir to a large fortune, and without instigation, becomes entangled in the intrigues of a corrupt ruling class.A superb, panoramic view of 19th-century Russian manners, morals, and philosophy, The Idiot remains a provocative example of psychological realism.

An introduction by Agnes Cardinal, Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

Prince Lyov Nikolaevich Myshkin, a good yet simple man, is out of place in the corrupt world created by Russia's ruling class.

In the character of Prince Myshkin, Dostoevsky, master of the philosphical novel, set himself the task of depicting "the positively good and beautiful man." The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result is, according to A.C. Grayling,  "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

In The Idiot, Prince Myshkin, a saintly man, is thrust into the heart of a society obsessed with wealth, power, and sexual conquest. He soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, as Dostoevsky's "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism.This wonderfully fresh and faithful translation—never before published—is sure to become the definitive edition in English.

Prince Myshkin, a good yet simple man, is out of place in the corrupt world created by Russia's ruling class.

An introduction by Agnes Cardinal, Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

First published serially between 1868 and 1869, “The Idiot” is Dostoevsky’s most deeply personal work, which he remarked was his own personal favorite. It follows the journey of the title character, Prince Lev Nikolayevich Myshkin, who is actually intelligent but is cynically referred to as an “idiot” by his fellow characters for his moralistic purity. Prince Myshkin is a young man from an ancient noble Russian family who is returning home after a two year stay at a Swiss clinic for treatment of his epilepsy, a condition that Dostoevsky himself suffered from. On his train journey home he meets the darkly passionate and reckless young man Rogozhin, and is drawn into a love triangle with the beautiful, but flawed and destructive, Nastasya Filippovna. Upon returning to Russia, Prince Myshkin stands out as the exact opposite of the society around him. He is thoughtful, deliberate, deeply compassionate, and selfless; while his contemporaries are greedy, impulsive, materialistic, manipulative, and self-absorbed. They cannot understand the Prince and mistakenly interpret his naivete as idiocy. “The Idiot” is a tragic, haunting, and deeply moving examination of a wholesome and idealistic man’s struggle to cope with the changes being brought on by a modernizing Russia during the second half of the 19th century. This edition is printed on premium acid-free paper and follows the translation of Eva M. Martin.