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A digital copy of "Mysticism and Architecture" by Raden. Download is immediately available upon purchase!

Tony Newton (born 1948) is a multi-instrumentalist from Detroit, MI who began his professional career at the age of thirteen, playing bass guitar with blues legends like John Lee Hooker and T-Bone Walker. Discovered by Motown executive Hank Cosby while playing the Detroit blues circuit at the age of 18, he became the touring bassist with Smokey Robinson and the Miracles on the famed 1965 European Motown Review tour. Within two years, Newton became the Miracles musical director. Tony Newton al

In this book Underhill outlines her own view of the mystic's journey into five parts: "Awakening of Self," "Purgation of Self," "Illumination," "the Dark Night of the Soul," and "the Unitative life." Underhill is focussed on mysticism in Christianity but she also mentions Sufism, Hinduism, Buddhism. This semnial work has long been considered a crucial treatise on the subject of Mysticism, and continues to be so even today.

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Scholarly comparative study, essays by ten specialists. wide range of perspectives, balanced. seminar proceedings

Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe—and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882–1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved not only by those interested in Sufism but by musicians of all kinds.

Mysticism is a controversial topic that all too frequently receives one-sided coverage. On the one hand there are many enthusiasts who are willing to defend mysticism at almost any cost, including sacrificing logical and theological integrity. On the other hand there are philosophers and theologians who see mysticism as not much more than an evil to be stamped out. This book takes a careful look at the philosophical and theological questions involved and attempts to locate a modest place for mysticism within a genuine evangelical framework.Questions addressed in this book include such matters as: Is mysticism a perennial philosophy that appears in different guises but is always the same underneath? Can we argue for an objective reality behind all mystical experience? How can we understand the fact that mystics talk about something that they say is beyond language? How has mysticism shown up in various Christian traditions? Can we reconcile mysticism with the New Testament?The conclusion of this book is based on an understanding of mysticism as an unmediated link to an absolute. In that sense there is a form of mysticism taught in the New Testament, but it is a mysticism that does not require ecstatic experience and does not constitute a separate source of revelation. Nevertheless, this New Testament mysticism describes an integral part of biblical spirituality.

The rich and varied heritage of Dominican spirituality is here portrayed in the lives and teaching of three outstanding reprentatives - the positive way of Thomas Aquinas, the negative way of Meister Eckhart and the mystical-prophetic way of Catherine of Siena. By concentrating on these figures, who perhaps most clearly embody the outstanding features of Dominican spirituality, Richard Woods makes the lives and contibutions of their many sisters and brothers stand out in sharper relief.

Essays examine the relationship between consciousness and reality, the structure of space-time, and philosophical questions raised by new discoveries in physics

Mysticism and the Early South German - Austrian Anabaptist Movement 1525 - 1531 0.97

Powerful New work by a modern master.You must listen, listen, listen.Tired springs breathe under water.At four in the morningthe last, lonely bolt of lightningscribbles something quickly in the sky.It says "No." Or "Never."Or "Take courage, the fire's not dead."-from "The Last Storm"Mysticism for Beginners is the third and most beautiful of Adam Zagajewski's collections to appear in English. The poems are about nature, history, the life of cities, the transformations of art, the spiritual essence of everyday life. Their remarkable staying power derives from the gentle meditative authority of Zagajewski's voice, here expertly rendered into English by Clare Cavanagh. Zagajewski's committed, compassionate poems offer access to the mysteries at the heart of experience.

The Ramayana is one of the most significant spiritual texts of India and its vivid stories have enchanted young and old for centuries. In this book, Swami Jyotirmayananda brilliantly reveals the subtle allegorical underpinnings behind the colorful tales from the life of Lord Rama. When the mystical implications of these stories are understood and reflected upon, the Ramayana becomes not just an engaging epic, but a powerful catalyst for spiritual transformation and a treasured guide on the path to Self-Realization. Contents: Introduction (11)Balakanda Kanda (37)Ayodhya Kanda (117)Aranya Kanda (161)Kishkindha Kanda (189)Sundara Kanda (215)Lanka Kanda (255)Uttara Kanda (289)

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In this much-anticipated book, acclaimed art historian Andrew Hemingway overturns orthodox views of Precisionist art and, more generally, of American Modernism. A trio of neglected artists--Stefan Hirsch, Louis Lozowick, and George C. Ault--are finally accorded in-depth analysis; and, drawing on an unrivaled knowledge of left-leaning politics, Hemingway connects Precisionism to a milieu in which experimental theater, a wave of "little magazines," and engagement with communist politics stirred debate and conflict. Ault, Lozowick, and Hirsch, though exhibited and reviewed during the 1920s, were relegated to the margins of history in the wake of efforts to restrict Modernism to the development of an asocial, apolitical formalism that provided a complement to the anti-communism of the Cold War years. By contrast, Hemingway demonstrates that in the 1920s, before Stalin had fully consolidated his power, various strains of socialism attracted US intellectuals and activists from Sherwood Anderson to John Dos Passos and artists such as Lozowick. The dehumanizing impact of the capitalist system was the chief target of critique that, in some of the most memorable passages in this book, is shown to inform Lozowick’s as well as Hirsch’s and Ault’s choice and handling of industrial and city scenes. Based on meticulous scholarship, broad understanding of twentieth-century history, and brilliant insight into art’s surfaces and structures,The Mysticism of Money is a masterwork that will be consulted and discussed for decades. It opens new pathways for the study of American Modernism even as it corrects our skewed understanding of a momentous alliance of art and politics.

This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music.Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre.The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.

This book charts the borderline between the nocturnal side of mysticism and the luminous side of death and it illuminates their paradoxical affinities. Within a culture of both denial and despair, it affirms the reality but not the finality of death. If what the generations have called the mystery of death is “the last enemy,” a still more mysterious mysticism would anticipate, illuminate and disarm it, issuing in what “eyes have not seen, ears have not heard.” This work is contemporary in that it represents a creative and original appropriation of tradition, is spiritually more mystical than devotional―and is ecumenically conversant with and sensitive to the great religious traditions.

Without the theologians of the eleventh and twelfth centuries, without the anchoritic writings of the thirteenth century, Richard Rolle, Julian of Norwich, Walter Hilton, Margery Kempe could not have written as they did. Likewise, those who followed them - the Wycliffites, the Bridgeittines, the writers of religious lyrics -responded to those who had gone before. The articles presented here identify major themes and the web of influence that links them; new but solid interpretations are offered of the key figures and their background, and the emphasis is on the rich variety of mysticism these authors and texts embody.WILLIAM F. POLLARD is Professor of English at Huntingdon College; ROBERT BOENIGis Associate Professor of English at Texas A & M University. Contributors: THOMAS H. BESTUL, ROBERT BOENIG, RITAMARY BRADLEY, SUSAN DICKMAN, DOUGLAS GRAY, ROGER ELLIS, MICHAEL P. KUCZYNSKI, WILLIAM F. POLLARD, DENIS RENEVEY, ELLEN M. ROSS, ANNE SAVAGE, RENÉ TIXIER.

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Augustine's vision at Ostia is one of the most influential accounts of mystical experience in the Western tradition, and a subject of persistent interest to Christians, philosophers and historians. This book explores Augustine's account of his experience as set down in the Confessions and considers his mysticism in relation to his classical Platonist philosophy. John Peter Kenney argues that while the Christian contemplative mysticism created by Augustine is in many ways founded on Platonic thought, Platonism ultimately fails Augustine in that it cannot retain the truths that it anticipates. The Confessions offer a response to this impasse by generating two critical ideas in medieval and modern religious thought: firstly, the conception of contemplation as a purely epistemic event, in contrast to classical Platonism; secondly, the tenet that salvation is absolutely distinct from enlightenment.