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"It's no mystery why he is regularly hired by the New York Times Magazine ... Kander strives to reveal something in his subjects that has not been seen before, and to humanize rather than flatter or ingratiate." –Los Angeles Review of BooksRegardless of his sitter―whether family member or influential celebrity―the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness―to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter.” This collection, the first book dedicated to his portraiture, shows the range and nuance of Kander’s work. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders―from Barack Obama, John le Carré and Alexander McQueen to Tracey Emin, Robert Plant and Prince Charles―are layered and penetrating, revealing unexpected moments of reverie and vulnerability.Born in 1961, Nadav Kander lives and works in London. His work is held in collections including the National Portrait Gallery, London; the Museum of Contemporary Photography, Chicago; and the Statoil Collection, Norway. His exhibitions include those at the Museum of Photographic Arts, San Diego; the Museum of Applied Arts, Cologne; and Somerset House, London.

Nadav Kander (born 1961) is an Israeli-born, London-based artist, director and photographer, internationally renowned for his landscapes and portraiture. His latest photographic series, Bodies, consists of nudes painted white against a black backdrop, their faces tuned away from the viewer. Accessories are minimal, as is the aesthetic; yet, at the same time, the arrangement makes the sitters’ mostly voluptuous bodies seem baroque. Despite the abundance of flesh on display, however, the images lack a superficial sense of the erotic; the white makeup and lack of eye contact function as barriers, and the massiveness of the limbs recalls the work of Hans Bellmer and Lucian Freud. Like Bellmer and Freud, Kander presents us with a simulacrum of sensuality, questioning our images of the human body as well as the concept of beauty itself.

Whether depicting desolate landscapes, the homeless, or the bodies of Cuban prostitutes, Kander’s photos illuminate the fragile, the ephemeral, and the disconcerting. Whatever the subject, Kander’s work shuns traditional categories.

Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today's most successful photographers. Upon learning of the existence of two "closed" cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.

Whether depicting desolate landscapes, the homeless, or the bodies of Cuban prostitutes, Kander’s photos illuminate the fragile, the ephemeral, and the disconcerting. Whatever the subject, Kander’s work shuns traditional categories.

Nadav Kander's work is a varied interplay of influences.His restrained and articulate compositionshave a clarity and calm that draw the viewer intozen-like states. The London-based photographer'sexceptional talent has been rewarded with majorsuccess, and his work is featured in the SundayTimes Magazine, Rolling Stone, and Esquire amongother publications. His unique skill is especiallymanifest in his spare and muted landscapes andhis straight portraits. The Yangtze, The LongRiver work was awarded the second Prix Pictet.His Obama's People feature--which he createdfor The New York Times Magazine in 2009--have a haunting complexity few contemporaryphotographers could equal.

Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today's most successful photographers. Upon learning of the existence of two "closed" cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.

Nadav Kander (born 1961) is an Israeli-born, London-based artist, director and photographer, internationally renowned for his landscapes and portraiture. His latest photographic series, Bodies, consists of nudes painted white against a black backdrop, their faces tuned away from the viewer. Accessories are minimal, as is the aesthetic; yet, at the same time, the arrangement makes the sitters’ mostly voluptuous bodies seem baroque. Despite the abundance of flesh on display, however, the images lack a superficial sense of the erotic; the white makeup and lack of eye contact function as barriers, and the massiveness of the limbs recalls the work of Hans Bellmer and Lucian Freud. Like Bellmer and Freud, Kander presents us with a simulacrum of sensuality, questioning our images of the human body as well as the concept of beauty itself.

The Yangtze river flows 4,100 miles across China, traveling from its furthest westerly point in the Qinghai province to Shanghai in the east. The river is embedded in the consciousness of the Chinese, and plays a significant role in both the spiritual and physical life of the people. Using the river as a metaphor for constant change, Nadav Kander (born 1961) has photographed the landscape and people along its banks from mouth to source. "After several trips to different parts of the river, it became clear that what I was responding to and how I felt whilst being in China was permeating into my pictures," he records; "a formalness and unease, a country that feels both at the beginning of a new era and at odds with itself."

Nadav Kander's work is a varied interplay of influences.His restrained and articulate compositionshave a clarity and calm that draw the viewer intozen-like states. The London-based photographer'sexceptional talent has been rewarded with majorsuccess, and his work is featured in the SundayTimes Magazine, Rolling Stone, and Esquire amongother publications. His unique skill is especiallymanifest in his spare and muted landscapes andhis straight portraits. The Yangtze, The LongRiver work was awarded the second Prix Pictet.His Obama's People feature--which he createdfor The New York Times Magazine in 2009--have a haunting complexity few contemporaryphotographers could equal.

Throughout the past three decades, Nadav Na’aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na’aman always has brought to his work.Collected here are 25 essays that focus particularly on ancient Israel’s relations with its neighbors and the forces inside the ancient nation that governed those relationships. Subjects range from the battle of Qarqar to the archaeology of the monarchy to the status of governors during the Persian Period.

Hadara Bar-Nadav’s radiant new collection of poetry, The New Nudity, shocks everyday objects to life. In these chiseled, electrically-charged poems, a ladder, wineglass, and spine ignite into being. With a nod to Francis Ponge, Gertrude Stein, and Pablo Neruda, Bar-Nadav’s poems have a heartbeat all their own, small miracles that haunt and heave.

Throughout the past three decades, Nadav Na’aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na’aman always has brought to his work.This final volume in the 3-volume set of Na’aman’s collected essays contains 29 essays. Among the topics addressed are: the sources available to Israel’s historians late in the first millennium B.C.E.; the reality behind the narratives relating to the history of the United Monarchy; the effect of the author’s own time on the composition of the histories of Saul, David, and Solomon; and the contributions of archaeology to the study of the tenth century B.C.E. In the course of covering these themes, Na’aman touches on topics such as history and historiography, textual and literary problems, historical geography, society, administration, cult, and religion.

Throughout the past three decades, Nadav Na’aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na’aman always has brought to his work.This final volume in the 3-volume set of Na’aman’s collected essays contains 29 essays. Among the topics addressed are: the sources available to Israel’s historians late in the first millennium B.C.E.; the reality behind the narratives relating to the history of the United Monarchy; the effect of the author’s own time on the composition of the histories of Saul, David, and Solomon; and the contributions of archaeology to the study of the tenth century B.C.E. In the course of covering these themes, Na’aman touches on topics such as history and historiography, textual and literary problems, historical geography, society, administration, cult, and religion.

Nadav leads a relatively normal life--until war strikes Eretz Yisrael and his missile-devastated hometown of Kiryat Shemona must be evacuated. An amateur journalist, Nadav seeks to unravel the mysteries around him, discovering more than he ever thought possible. This is a well-written, gripping tale to captivate readers from the first page until its triumphant finish.A perfect blend of realistic characters, mystery, adventure, and even a healthy dose of humor make this a very satisfying, sophisticated read for young adults.

Throughout the past three decades, Nadav Na'aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na'aman always has brought to his work. Collected here are 23 essays on the Hurrians, the Egyptians and their presence in the Levant during the second millennium B.C.E., Canaanite city-states, the Amarna Letters, and the neighbors of Canaan in the north, such as Alalakh and Damascus. The essays range over such topics as scribes and language, archaeology, cultural influences, and the interrelations of the great powers during this period. The volume includes indexes of ancient personal names, place-names, and biblical references.

Throughout the past three decades, Nadav Na'aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na'aman always has brought to his work. Collected here are 23 essays on the Hurrians, the Egyptians and their presence in the Levant during the second millennium B.C.E., Canaanite city-states, the Amarna Letters, and the neighbors of Canaan in the north, such as Alalakh and Damascus. The essays range over such topics as scribes and language, archaeology, cultural influences, and the interrelations of the great powers during this period. The volume includes indexes of ancient personal names, place-names, and biblical references.

Throughout the past three decades, Nadav Na'aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na'aman always has brought to his work. Collected here are 23 essays on the Hurrians, the Egyptians and their presence in the Levant during the second millennium B.C.E., Canaanite city-states, the Amarna Letters, and the neighbors of Canaan in the north, such as Alalakh and Damascus. The essays range over such topics as scribes and language, archaeology, cultural influences, and the interrelations of the great powers during this period. The volume includes indexes of ancient personal names, place-names, and biblical references.

Throughout the past three decades, Nadav Na’aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na’aman always has brought to his work.Collected here are 25 essays that focus particularly on ancient Israel’s relations with its neighbors and the forces inside the ancient nation that governed those relationships. Subjects range from the battle of Qarqar to the archaeology of the monarchy to the status of governors during the Persian Period.

Throughout the past three decades, Nadav Na'aman has repeatedly proved that he is one of the most careful historians of ancient Canaan and Israel. With broad expertise, he has brought together archaeology, text, and the inscriptional material from all of the ancient Near East to bear on the history of ancient Israel and the land of Canaan during the second and first millenniums B.C.E. Many of his studies have been published as journal articles or notes and yet, together, they constitute one of the most important bodies of literature on the subject in recent years, particularly because of the careful attention to methodology that Na'aman always has brought to his work. Collected here are 23 essays on the Hurrians, the Egyptians and their presence in the Levant during the second millennium B.C.E., Canaanite city-states, the Amarna Letters, and the neighbors of Canaan in the north, such as Alalakh and Damascus. The essays range over such topics as scribes and language, archaeology, cultural influences, and the interrelations of the great powers during this period. The volume includes indexes of ancient personal names, place-names, and biblical references.