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Nairy Baghramian: Mod�le Vivant 2.7

Born in Iran and based in Berlin, German artist Nairy Baghramian explores and reflects on formal languages of both modernism and post-minimalism. Over the past two decades, Baghramian has become known for her reflections on minimalism and her contextual approaches to exhibition via sculpture and site-responsive installations. Her work marks boundaries, transitions, and gaps in the museum space and the urban space, referencing interior and exterior, fashion and design, theatre and dance, form and meaning, and context and discourse. This beautifully produced book with colored edges and a gatefold is a lavishly illustrated overview of the work of Nairy Baghramian and includes illuminating texts that explore the sculptor's creative process.

Born in Iran and based in Berlin, German artist Nairy Baghramian explores and reflects on formal languages of both modernism and post-minimalism. Over the past two decades, Baghramian has become known for her reflections on minimalism and her contextual approaches to exhibition via sculpture and site-responsive installations. Her work marks boundaries, transitions, and gaps in the museum space and the urban space, referencing interior and exterior, fashion and design, theatre and dance, form and meaning, and context and discourse. This beautifully produced book with colored edges and a gatefold is a lavishly illustrated overview of the work of Nairy Baghramian and includes illuminating texts that explore the sculptor's creative process.

Neuware - On the levels of both form and content, 'Breath Holding Spell' unmistakably harks back to Bruce Nauman's 1970 artist's book LA AIR, whose eight monochrome pages present photographs of the atmosphere, illustrating the widely varying hues of the air over L.A. It inspired this artist's book by Nairy Baghramian, which features variations on a single photographic motif: no more than a cropped detail of a tightly packed standing crowd of people is visible in Tight Sluice. Monochrome pages that reprise the colors of their attire appear in rhythmical alternation with the pictures.The artist has autographed the books on the back cover, again quoting Nauman, though his signature was a printed facsimile.