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A New copy of "What Is Narrative Therapy?" by Alice Morgan. Ships directly from Textbooks.com

George Eliot wrote that “man cannot do without the make-believe of a beginning.” Beginnings, it turns out, can be quite unusual, complex, and deceptive. The first major volume to focus on this critical but neglected topic, this collection brings together theoretical studies and critical analyses of beginnings in a wide range of narrative works spanning several centuries and genres. The international and interdisciplinary scope of these essays, representing every major theoretical perspective—including feminist, cognitive, postcolonial, postmodern, rhetorical, ethnic, narratological, and hypertext studies—extends from classic literary fiction to nonfictional discourse to popular culture. The authors, respected scholars and emerging critics, ask what conventions structure our understanding of beginnings before we encounter them; how best to analyze and comprehend beginnings in historical, traditional, and postmodern works; and how endings are (often unexpectedly) related to beginnings. The contributors use historical, political, narratological, and psychological frameworks to pursue these and related questions in works by Laurence Sterne, James Joyce, Virginia Woolf, Samuel Beckett, Manuel Puig, Salman Rushdie, Julia Alvarez, and feminist hypertext fiction. Together their essays comprise the single most important volume for theorizing about and understanding narrative beginnings.

Fully functional compressor with stock connectors included. Great for enhancing mono signals.From the manufacturer:"(NAT) Nuru is a light based com...

Brand from South Korea: hince. Size: 9.8gBenefits:An eyeshadow palette with 10 shades of clear and glittery colors to offer an easy layering color system for various gorgeous fancy eye makeups.Formulated with skin-fit color pigments that seep into the skin naturally for a long-lasting application.Elegant signature package with hince's design motif that connects the line and the surface.Colors available:#03 Like A Scene: Soft beige and muted green#04 The Narrative: Sophisticated ash brown and muted grey#05 New Beginning: Warm and vibrant coral tones meet muted yellow#06 Chance On: Sheer nudes meet mystical muted redHow to use:Apply directly on eyelids or under eye areas with fingertips or eye shadow brush, blends well to create the look.

Giant Art - Prints / Paintings - TWUFOR164_CFB3030 - You can never go wrong with a bold framed canvas. They blend effortlessly with any room decor. This ready to hang framed Canvas Print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on an artist quality grade cotton canvas; Stretched on North American wooden bars; Expertly framed in-house according to your size and format; Hand made by a team of specialist; Please note, product photo shows largest size available for this product.

Giant Art - Prints / Paintings - TWUFOR164_CFB2020 - You can never go wrong with a bold framed canvas. They blend effortlessly with any room decor. This ready to hang framed Canvas Print is rendered on exquisite, eco-friendly materials with fade resistant archival inks and bold imagery that makes a dramatic statement in any space.Printed on an artist quality grade cotton canvas; Stretched on North American wooden bars; Expertly framed in-house according to your size and format; Hand made by a team of specialist; Please note, product photo shows largest size available for this product.

The artist explains: "The songs on Narratives are exploring themes that are consistently woven through my life. Obviously, life and death and love, but there's also less direct stuff going on like wasting time and how to handle complacency when the world is changing- both personally and around me. That's probably a more serious version of how I see the songs now, but the record itself came together in a pretty distinct Traditionist sort of way. As in the past, we start with the bare songs as dem

This book provides a perceptive analysis of the "narrative turn" that led Paul Ricoeur to his magisterial work Time and Narrative. Ricoeur has for many years explored the intersections of diverse strands of European philosophy, but it is his recent work that has attracted the most discussion and engendered the most debate in Europe and America. The Narrative Path explores the roots and meaning of that work. Two of the book's five essays reach back to Ricoeur's earlier work to clarify his themes: Richard Kearney concentrates on the role of imagination in hermeneuties, and Maria Villela Petit explores the development of Ricoeur's concept of history from History and Truth to Time and Narrative. Two essays analyze the significance of Ricoeur's reflections on metaphoric and narrative language: Serge Mellinger looks at the relationship between time and poetry from the point of view of Ricoeur's discussions of the connection between time and narrative, and T. Peter Kemp extends Ricoeur's analysis to argue that narration is indispensable to ethics. The book concludes with a reflection by Ricoeur himself on the linguistic, practical, and ethical dimensions of human beings, and with a bibliography of Ricoeur's work in English. T. Peter Kemp teaches in the Department of Philosophy at the University of Copenhagen. The Narrative Path is based on a special issue of the journal Philosophy and Social Criticism, edited by David Rasmussen, who is Professor of Philosophy at Boston College.

From setting up the fieldwork to writing up the research, this volume takes readers through the narrative approach to qualitative research with a focus on organization studies. Inspired by the work of Bakhtin, Eco, Rorty and Silverman, the author demonstrates that narratives are still the main carriers of knowledge in all societies.

Has a sturdy binding with some shelf wear. May have some markings or highlighting. Used copies may not include access codes or Cd's. Slight bending may be present.

There is often an unfortunate division between the technical work of biblical scholars and the practical work of preachers who construct sermons each week. These two fields of study, which ought to be mutually informed and supportive, are more often practically divided by divergent methods, interests, and goals. Narrative Reading, Narrative Preaching aims to bridge that divide. Using narrative as an organizing theme, the contributors work through the New Testament offering examples of how interpretation can rightly inform proclamation. Three pairs of chapters feature an exemplary reading by a New Testament scholar followed by a sermon informed by that reading. Introductory and concluding chapters provide guidance for application of the model. Pastors and seminarians will find here a uniquely practical work that will help them with both the reading and preaching of Scripture.

Since Aristotle, there has been an assumption that narrative is a representation of actions or sequences of events, that this representation aims to elicit emotions, and that well-formed narratives constitute a whole, with a beginning, a middle, and an end. The nature, role, and relative importance of constituent notions like “sequence of events” and “plot” have been discussed repeatedly and, as a result, have become rather slippery. While recent developments in contemporary narrative theory, such as unnatural, transmedial, cognitive, and functionalist narratology, shed new light on these notions, Narrative Sequence in Contemporary Narratology goes beyond specific approaches to narrative, illuminating sequence and plot in all the diversity of their manifestations, forms, and functions. This volume, edited by Raphaël Baroni and Françoise Revaz, includes contributions from some of the most influential scholars in narrative studies: Alain Boillat, Peter Hühn, Emma Kafalenos, Franco Passalacqua, James Phelan, Federico Pianzola, John Pier, Gerald Prince, Brian Richardson, Marie-Laure Ryan, Eyal Segal, and Michael Toolan. Essays range in focus from musical narrativity and rhetorical narrative theory to comic strips and re-examinations of classical and postclassical narratology. All of the essays contribute fresh understandings of foundational concepts in the field of narratology.

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At war against Napoleon's army with the famous duke This is an invaluable first hand account of a British officer who served under both Moore and Wellington against Napoleon's invading French forces in the Iberian peninsula. A Scot, he joined the army as an ensign in the 72nd Foot and but went to the peninsula as an aide-de-camp to his uncle, General Sir James Leith. He also spent a considerable period gathering intelligence and communicating with other commanders in the British, Portuguese and Spanish armies. As he travelled Leith Hay made sketches of the terrain through which he passed and these were incorporated into the two volume account of his Peninsular War experiences which have been gathered together in this special single volume Leonaur edition. In 1808, he joined the 29th Regiment of Foot and as a lieutenant in he saw much action at the sharpest end of war. An exceptional observer he combined this with the talent to communicate well in both images and words. In this respect his activities as a gatherer of military intelligence would have made him an asset. Fortunately for modern readers he brought those same talents to his literary endeavours and all manner of detail is more finely and intimately described here than might be expected in memoirs of this kind. Leith Hay's descriptions of the engagements in which he took part-particularly as a regimental officer-are particularly finely crafted. His depiction of the Battle of Talavera is particularly noteworthy as are his observations on the storming of San Sebastian. Leith Hay served with Charles Leslie in the 29th Foot and Leslie's book, 'With the 29th Regiment in the Peninsula,' is also published by Leonaur-the two volumes are ideal companions for historical researchers. Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

Identity, family, and community unite three autobiographical texts by New World crypto-Jews, or descendants of Jews who were forced to convert to Christianity in 17th-century Iberia and Spanish America. Ronnie Perelis presents the fascinating stories of three men who were caught within the matrix of inquisitorial persecution, expanding global trade, and the network of crypto-Jewish activity. Each text, reflects the unique experiences of the author and illuminates their shared, deeply rooted attachment to Iberian culture, their Atlantic peregrinations, and their hunger for spiritual enlightenment. Through these writings, Perelis focuses on the social history of transatlantic travel, the economies of trade that linked Europe to the Americas, and the physical and spiritual journeys that injected broader religious and cultural concerns into this complex historical moment.

David Nye's Narratives and Spaces examines how photography, the railroad, electricity, space flight and the computer became central, yet often contradictory, parts of the way Americans construct and narrate their culture, whether as western settlers, consumers or tourists. The book provides an interdisciplinary perspective on topics at the centre of contemporary debate and draws on a wide range of cultural media. This is a significant contribution to American cultural history, and like David Nye's previous award-winning books, is written to be accessible to a wide audience. It is the first volume in a new UEP series, Representing American Culture. This series exists to publish lively, accessible and up-to-date studies of the culture of the United States. Whether devoted to topics in popular, middlebrow or high culture, books in the series explore the ways in which ideological assumptions may be seen to be represented. The series is edited by Mick Gidley, Professor of American Literature at the University of Leeds.

Book by Stedman, Professor John Gabriel

The first book to look architectural narrative in the eye Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development. Authored by Nigel Coates, a foremost figure in the field of narrative architecture, the book is one of the first to address this subject directly Features architects as diverse as William Kent, Antoni Gaudí, Eero Saarinen, Ettore Sottsass, Superstudio, Rem Koolhaas, and FAT to provide an overview of the work of NATO and Coates, as well as chapters on other contemporary designers Includes over 120 colour photographs Signposting narrative's significance as a design approach that can aid architecture to remain relevant in this complex, multi-disciplinary and multi-everything age, Narrative Architecture is a must-read for anyone with an interest in architectural history and theory.

In Narratives Unsettled, Samuel Frederick proposes a new conception of narrativity that can accommodate unwieldy forms of digression. By way of close readings of three German-language writers from different historical periods, Frederick demonstrates that digression, far from being a non- or anti-narrative interruption, contributes to what makes these writers' works fundamentally narrative. In the process, the author counters several foundational assumptions of classical narratology, including the conviction--rooted in Aristotle--that narrative without plot is logically impossible, and that anything deviating from narrative's teleological imperative is either destructive or insignificant. Frederick's readings of the narrative experiments, utopian moments, and obsessions with the trivial in works by Walser, Bernhard, and Stifter point to new ways of approaching the ostensibly antinarrative as a productive element of narrativity. As a work that explores the often neglected crossroads of German studies and postclassical narratology, Narratives Unsettled will be of great interest to scholars in both of these fields, as well as to those working on literature and theory in general.

This book features essays by the major supporters of the narrative metaphor. They approach the subject from philosophical, religious, anthropological, and historical perspectives as well as from the psychological point of view. Psychologists, psychiatrists, and literary theorists will find the book provocative and a convenient reference source to the narrative approach.