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"Michael Cisco is of a different kind and league from almost anyone writing today, and The Narrator is Cisco at his startling best." -CHINA MIEVILLE, author of Perdido Street Station "An extraordinary story of war and the supernatural that combines the creepiness of Alien with the clear-eyed gaze of Full Metal Jacket. Like The Other Side if it included soldiers who could glide over the water, a mysterious tower right out of early David Lynch, and infused with Kafka's sense of the bizarre. Destined to be a classic." -JEFF VANDERMEER, author of the Southern Reach trilogy "The Narrator is not a subversive fantasy novel. It eliminates all other fantasy novels and starts the genre anew. You must begin your journey here." -NICK MAMATAS, author of Move Under Ground and Love is the Law

A digital copy of "Narrators of Barbarian History" by Goffart. Download is immediately available upon purchase!

My Age, My Wild Beast (2002) Tenor, Narrator, Piano Publisher: Schott Credits/Composer: Voicing: Cyrillic text and Russian trasliteration. I...

How the Whale Got His Throat for Narrator, Violin, and Piano (2 Scores and Violin Part) Publisher: Peermusic Classical Credits/Composer: Voicing...

The Emperor and the NightingaleFor Narrator, Violin, and Piano 2 Scores and Violin PartVoicing: Score & PartsInventory # : 00287870UPC: 8886...

Acclaimed as one of the pioneering texts to introduce narratology (the theory that deals with the general principles underlying narrative texts) to classical scholarship, Irene de Jong's work explains the key concepts such as "narrator", "focalization" and "prolepsis", highlighting their relevance by using them for the analysis and interpretation of Homer's "Iliad". What is the role of the narrator and how do the parts of the story told by the narrator relate to the many speeches for which Homer is famous? This work was first published in 1987 and it is reissued here with a new introduction by the author, offering an overview of the trends in Homeric narratological scholarship over the last decade.

"Michael Cisco is of a different kind and league from almost anyone writing today, and The Narrator is Cisco at his startling best." -CHINA MIEVILLE, author of Perdido Street Station "An extraordinary story of war and the supernatural that combines the creepiness of Alien with the clear-eyed gaze of Full Metal Jacket. Like The Other Side if it included soldiers who could glide over the water, a mysterious tower right out of early David Lynch, and infused with Kafka's sense of the bizarre. Destined to be a classic." -JEFF VANDERMEER, author of the Southern Reach trilogy "The Narrator is not a subversive fantasy novel. It eliminates all other fantasy novels and starts the genre anew. You must begin your journey here." -NICK MAMATAS, author of Move Under Ground and Love is the Law

Book by Begnal, Michael H., Eckley, Grace

The first major historians of medieval Europe composed histories of the Goths, Franks, Anglo-Saxons, and Lombards. They are the main witnesses to the long epoch--sometimes called "the Dark Ages"--that their writings span, and they have nourished patriotic pride in the modern nations whose origins they are thought to narrate: Jordanes in Germany and Italy, Gregory of Tours in France, Bede in Britain, and Paul the Deacon in Italy. In a book that brings out the conscious creativity of these four writers, Walter Goffart focuses on their goals, scrutinizing what each of them was doing and for whom.The historians are examined one by one, as called for by the circumstances of their lives, the individuality of their works, and the critical writings each has occasioned. Their opinions and literary talents are taken as seriously as the information they convey. Professor Goffart's findings about their writing and what moved them to produce it clarify a delicate chapter in the history of historical thought and provide new insights into social, religious, and literary life at the dawn of the Middle Ages.

Acclaimed as one of the pioneering texts to introduce narratology (the theory that deals with the general principles underlying narrative texts) to classical scholarship, Irene de Jong's work explains the key concepts such as "narrator", "focalization" and "prolepsis", highlighting their relevance by using them for the analysis and interpretation of Homer's "Iliad". What is the role of the narrator and how do the parts of the story told by the narrator relate to the many speeches for which Homer is famous? This work was first published in 1987 and it is reissued here with a new introduction by the author, offering an overview of the trends in Homeric narratological scholarship over the last decade.

Young Narrator In The Breakers Pavo Pavo - LP 5414939943782

The Princess on the Pea for Narrator, Violin, and Piano (2 Scores and Violin Part) Publisher: Peermusic Classical Credits/Composer: Voicing: ...

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.39

Narratives are artefacts of a special kind: they are intentionally crafted devices which fulfil their story-telling function by manifesting the intentions of their makers. But narrative itself is too inclusive a category for much more to be said about it than this; we should focus attention instead on the vaguely defined but interesting category of things rich in narrative structure. Such devices offer significant possibilities, not merely for the representation of stories, but for the expression of point of view; they have also played an important role in the evolution of reliable communication. Narratives and narrators argues that much of the pleasure of narrative communication depends on deep-seated and early developing tendencies in human beings to imitation and to joint attention, and imitation turns out to be the key to understanding such important literary techniques as free indirect discourse and character-focused narration. The book also examines irony in narrative, with an emphasis on the idea of the expression of ironic points of view. It looks closely at the idea of character, or robust, situation-independent ways of acting and thinking, as it is represented in narrative. It asks whether scepticism about the notion of character should have us reassess the dramatic and literary tradition which places such emphasis on character.

Book is in NEW condition. 1.39

Narratives are artefacts of a special kind: they are intentionally crafted devices which fulfil their story-telling function by manifesting the intentions of their makers. But narrative itself is too inclusive a category for much more to be said about it than this; we should focus attention instead on the vaguely defined but interesting category of things rich in narrative structure. Such devices offer significant possibilities, not merely for the representation of stories, but for the expression of point of view; they have also played an important role in the evolution of reliable communication. Narratives and narrators argues that much of the pleasure of narrative communication depends on deep-seated and early developing tendencies in human beings to imitation and to joint attention, and imitation turns out to be the key to understanding such important literary techniques as free indirect discourse and character-focused narration. The book also examines irony in narrative, with an emphasis on the idea of the expression of ironic points of view. It looks closely at the idea of character, or robust, situation-independent ways of acting and thinking, as it is represented in narrative. It asks whether scepticism about the notion of character should have us reassess the dramatic and literary tradition which places such emphasis on character.

Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of such similes, Ready shows how characters are made to contest through and over simile not only with one another but also with the narrator. Ready investigates the narrator's similes as well. He demonstrates that Homer amplifies the feat of a successful warrior by providing a competitive orientation to sequences of similes used to describe battle. He also offers a new interpretation of Homer's extended similes as a means for the poet to imagine his characters as competitors for his attention. Throughout this study, Ready makes innovative use of approaches from both Homeric studies and narratology that have not yet been applied to the analysis of Homer's similes.

Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of such similes, Ready shows how characters are made to contest through and over simile not only with one another but also with the narrator. Ready investigates the narrator's similes as well. He demonstrates that Homer amplifies the feat of a successful warrior by providing a competitive orientation to sequences of similes used to describe battle. He also offers a new interpretation of Homer's extended similes as a means for the poet to imagine his characters as competitors for his attention. Throughout this study, Ready makes innovative use of approaches from both Homeric studies and narratology that have not yet been applied to the analysis of Homer's similes.

A digital copy of "Author And Narrator" by Birke. Download is immediately available upon purchase!

Lloyd's book is a provocative essay on the fragmen tation of the self as explored in philosophy and literature. The past is irrevocable, conscious ness changes as time passes: given this can there ever be such a thing as the unity of the self?