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This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

“Excellent. This is the first comprehensive cultural history for the Nasca Drainage from the first settlers to the arrival of the Spanish conquistadors.”—Donald A. Proulx, author of A Sourcebook of Nasca Ceramic Iconography: Reading a Culture through Its Art   Inhabited for over 5,000 years before European colonization, the site of La Tiza in Peru’s Nasca Desert provides an unprecedented opportunity to examine the dynamics of ancient complex societies. This volume takes a long temporal perspective on La Tiza from the Preceramic through the Inca era, studying the site within the context of broader developments such as the rise of Nasca culture, subsequent conquest by the Wari Empire, collapse, abandonment, and the reformation of a new society.             Christina Conlee synthesizes data she obtained while directing a multi-year excavation at the site with data from other investigations to reconstruct the development of social complexity over time. She includes detailed descriptions of the stratigraphy and artifacts, carefully separating materials from each period. Exploring how political integration, religious practices, economics, and the environment shaped societal transformations at La Tiza, Conlee offers patterns that can be found in other areas and can be used to understand the development of other long-lasting civilizations.  

This work concentrates exclusively on the elaborately embroidered textiles from the Ica and Nasca valley regions in south-coastal Peru. Focusing on the supernatural figures depicted in these vividly coloured textiles, it brings together textiles, ceramics and gold from museums and private collections around the world to document the techniques and style of Nasca needlework. It also suggests that the more widely-known Paracas needlework may have been influenced by that of the early Nasca culture.

This work concentrates exclusively on the elaborately embroidered textiles from the Ica and Nasca valley regions in south-coastal Peru. Focusing on the supernatural figures depicted in these vividly coloured textiles, it brings together textiles, ceramics and gold from museums and private collections around the world to document the techniques and style of Nasca needlework. It also suggests that the more widely-known Paracas needlework may have been influenced by that of the early Nasca culture.

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

For almost eight hundred years (100 BC–AD 650) Nasca artists modeled and painted the plants, animals, birds, and fish of their homeland on Peru’s south coast as well as numerous abstract anthropomorphic creatures whose form and meaning are sometimes incomprehensible today. In this first book-length treatment of Nasca ceramic iconography to appear in English, drawing upon an archive of more than eight thousand Nasca vessels from over 150 public and private collections, Donald Proulx systematically describes the major artistic motifs of this stunning polychrome pottery, interprets the major themes displayed on this pottery, and then uses these descriptions and his stimulating interpretations to analyze Nasca society. After beginning with an overview of Nasca culture and an explanation of the style and chronology of Nasca pottery, Proulx moves to the heart of his book: a detailed classification and description of the entire range of supernatural and secular themes in Nasca iconography along with a fresh and distinctive interpretation of these themes. Linking the pots and their iconography to the archaeologically known Nasca society, he ends with a thorough and accessible examination of this ancient culture viewed through the lens of ceramic iconography. Although these static images can never be fully understood, by animating their themes and meanings Proulx reconstructs the lifeways of this complex society.

“Excellent. This is the first comprehensive cultural history for the Nasca Drainage from the first settlers to the arrival of the Spanish conquistadors.”—Donald A. Proulx, author of A Sourcebook of Nasca Ceramic Iconography: Reading a Culture through Its Art   Inhabited for over 5,000 years before European colonization, the site of La Tiza in Peru’s Nasca Desert provides an unprecedented opportunity to examine the dynamics of ancient complex societies. This volume takes a long temporal perspective on La Tiza from the Preceramic through the Inca era, studying the site within the context of broader developments such as the rise of Nasca culture, subsequent conquest by the Wari Empire, collapse, abandonment, and the reformation of a new society.             Christina Conlee synthesizes data she obtained while directing a multi-year excavation at the site with data from other investigations to reconstruct the development of social complexity over time. She includes detailed descriptions of the stratigraphy and artifacts, carefully separating materials from each period. Exploring how political integration, religious practices, economics, and the environment shaped societal transformations at La Tiza, Conlee offers patterns that can be found in other areas and can be used to understand the development of other long-lasting civilizations.  

This is the only fully illustrated account of the 45 years Maria Reiche has devoted to unravelling the mystery of the Nasca Lines.In 1940 Reiche became an assistant to the American Paul Kosok, an historian from Long Island University in Brooklyn, New York. Making field studies from 1939-1941 and 1948-49, he is credited as the first Westerner of European descent to seriously investigate the Nazca Lines. He originally studied them in connection with field work on ancient irrigation systems, but quickly concluded they had another purpose. He noticed lines that converged at the point of the winter solstice in the Southern Hemisphere in June 1941. Together they began to map and assess the lines for their relation to astronomical events. Later Reiche found lines converging at the summer solstice. Around 1946 Reiche began to map the figures represented by the Nazca Lines and found 18 different kinds of animals and birds. After Kosok left in 1948, she continued the work and mapped the area. Sh

Publisher: University of Texas PressDate of Publication: 2000Binding: trade paperbackEdition: Condition: Good+/No Jacket IssuedDescription: 096502055X This is a solid soft cover trade paperback book in Good+ condition .c2000. It has a very bright and clean cover with some surface wear. The edges are nice with a little edge wear. The spine is smooth and bright. The pages are tight, clean & unmarked, no names. Illustrated. 257 pages.

The Nasca Lines are one of the world's great enigmas. Who etched the more than 1,000 animal, human, and geometric figures that cover 400 square miles of barren pampa in southern Peru? How did the makers create lifelike images of monkeys, birds, and spiders without an aerial vantage point from which to view these giant figures that stretch across thousands of square yards? Most puzzling of all, why did the ancient Nasca lay out these lines and images in the desert? These are the questions that pioneering archaeoastronomer Anthony Aveni seeks to answer in this book.Writing for a wide public audience, Aveni begins by establishing the Nasca Lines as a true wonder of the ancient world. He describes how viewers across the centuries have tried to interpret the lines and debunks the wilder theories. Then he vividly recounts his own years of exploration at Nasca in collaboration with other investigators and the discoveries that have answered many of the riddles about who made the Nasca Lines, when, and for what purposes. This fascinating overview of what the leading expert and his colleagues currently understand about the lines is required reading for everyone intrigued by ancient mysteries.

Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.

Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns and Nancy Kelker examine the phenomenon in this eye-opening volume. They discuss the most commonly forged classes and styles of artifacts, many of which were being duplicated as early as the 19th century. More important, they describe the system whereby these objects get made, purchased, authenticated, and placed in major museums as well as the complicity of forgers, dealers, curators, and collectors in this system. Unique to this volume are biographies of several of the forgers, who describe their craft and how they are able to effectively fool connoisseurs and specialists. This is an important accessible introduction to pre-Columbian art fraud for archaeologists, art historians, and museum professionals alike. A parallel volume by the same authors discusses fakes in Mesoamerican archaeology.

When a moon buggy gets stuck in a space crater, NASCA needs a tow truck with the right stuff to bring him back to Earth. Now it’s up to Mater to save the stranded auto-naut! With the voice of Larry the Cable Guy from from the popular Cars Toon, Moon Mater, this thrilling read-along brings all the action to life, complete with sound effects. Readers can turn the pages at the sound of the chime and follow along with the word-for-word narration on the CD!

A tour of the world's mysterious and supernatural regions brings readers from the legends of Atlantis to the Nasca lines of Peru and the massive pillars at Stonehenge, and addresses the many questions associated with these landmarks.

# 1 best-selling guide to Peru * Lonely Planet Peru is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Trek the ancient Inca trail, puzzle over the mystery of the Nasca lines, wander the stone temples of Machu Picchu or indulge in local delicacies in Lima; all with your trusted travel companion. Get to the heart of Peru and begin your journey now! Inside Lonely Planet Peru: Color maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, cuisine, music, the arts, nature Over 70 color maps Covers Lima, Amazon Basin, Huaras, Cordilleras, Central Highlands, Chan Chan, Cuzco & the Sacred Valley, Lake Titicaca, Arequipa, Canyon Country and more The Perfect Choice: Lonely Planet Peru, our most comprehensive guide to Peru, is perfect for both exploring top sights and taking roads less traveled. Looking for just the highlights? Check out Discover Peru, a photo-rich guide to the country's most popular attractions. Authors: Written and researched by Lonely Planet. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveler community. Lonely Planet covers must-see spots but also enables curious travelers to get off beaten paths to understand more of the culture of the places in which they find themselves. *Best-selling guide to Peru. Source: Nielsen BookScan. Australia, UK and USA.

For thousands of years an Alien presence here on Earth has made US aware of their existence through miraculous signs and wonders, such as the Ancient Nasca Lines of Peru, the Sphinx and Pyramids of Egypt, and Stonehenge.