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Written primarily in Latin, 1909/1986 edition.

An Unabridged Publication of the William Thomson and Hugh Blackburn (1871) Authorized Reprint of Newton's Final Edition, To Include 'De Mundi Systemate' (System of the World) at Book's End, with Comprehensive Index. (In Latin)

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.71

An Unabridged Publication of the William Thomson and Hugh Blackburn (1871) Authorized Reprint of Newton's Final Edition, To Include 'De Mundi Systemate' (System of the World) at Book's End, with Comprehensive Index. (In Latin)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A modern reproduction of perhaps the most important scientific text of all time-- Newton's original 1687 edition of "Philosophiae Naturalis Principia Mathematica." (Latin)

The Magia Naturalis et Innaturalis was a popular grimoire in 18th Century Germany centering around the legend of Doctor Faust, to whom it was pseudo-epigraphically attributed. It contains a great array of magical practices centering around his mythical exploits aided by the spirit Mephistopheles.It remains relevant today as the foremost exemplar stemming from the Faustian Magical Literature and will prove indispensable for the scholars of Western Esotericism for its great array of magical practices dealing with topics like demonology, necromancy, the Liber Spirituum and divination as well as to the students of Goethe’s sources for his magnum opus Faust.This critical edition, amply researched, provides historical and literary context through its introduction and commentary to students and scholars of magic and Faustian literature.

Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as "natural music" in explicit distinction to song, which Deschamps defines as "artificial." Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs.Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

Book is in NEW condition. 1.71

A modern reproduction of perhaps the most important scientific text of all time-- Newton's original 1687 edition of "Philosophiae Naturalis Principia Mathematica." (Latin)

390 Seiten. FRISCHES, SEHR schönes Exemplar der ERWEITERTEN Ausgabe. - ( wir bieten zahlreiche FRISCHE Tusculum-Bände auf der HP an ) Sprache: Deutsch Gewicht in Gramm: 220 Originalleinen mit Originalumschlag 17 cm

The Magia Naturalis et Innaturalis was a popular grimoire in 18th Century Germany centering around the legend of Doctor Faust, to whom it was pseudo-epigraphically attributed. It contains a great array of magical practices centering around his mythical exploits aided by the spirit Mephistopheles.It remains relevant today as the foremost exemplar stemming from the Faustian Magical Literature and will prove indispensable for the scholars of Western Esotericism for its great array of magical practices dealing with topics like demonology, necromancy, the Liber Spirituum and divination as well as to the students of Goethe’s sources for his magnum opus Faust.This critical edition, amply researched, provides historical and literary context through its introduction and commentary to students and scholars of magic and Faustian literature.

Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as "natural music" in explicit distinction to song, which Deschamps defines as "artificial." Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs.Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.

A photographic reprint of the third edition of Principia with the variant readings from seven other texts exhibited at the bottom of each page, this new edition presents Newton's mastery of his subject at three successive times (1685-1687, 1713, 1726). Harvard University Press, 1972. 2 volumes. 1st edition of 3rd edition facsimile. Hardcover, black boards with silver writing on spine. No bumping. Dust jacket intact, small tear and stain and minimal shelfwear (see pictures). Binding tight. Pages cleaning with no signs of tanning/foxing. ***100% of proceeds benefit nonprofit Friends of the Camarillo Library Bookstore. Please message with any questions.

Questo volume ha vinto la terza edizione del Premio Internazionale «Luigi De Franco», destinato a studi originali riguardanti aspetti della cultura scientifica e filosofica dei secoli XVI-XVII Questo lavoro sulla Magia Naturalis (1558) e sui linguaggi settoriali che la caratterizzano rende accessibile un testo che ha svolto un ruolo di notevole rilevanza nella storia della cultura e della scienza europee. Lo studio è originale e innovativo sia nel metodo scelto nell’ambito delle procedure esegetiche, sia nell’impianto generale: per la lettura e l’interpretazione del testo viene proposto un nuovo modello di analisi in cui gli approcci di diverse discipline si integrano a vicenda, valorizzando tutti gli elementi del testo, inteso come complesso crocevia di funzioni e significati. Dall’analisi delle versioni latina, tedesca e italiana emergono il mondo scientifico, le istanze sociali e le necessità culturali del tempo, intessuti nel corpus dei testi; dopo aver radiografato e smembrato il testo, l’autrice ricostruisce un mondo completo di scienza e cultura attraverso la lingua e i linguaggi che lo compongono.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. There are two sorts of Magick; the one is infamous, and unhappy, because it has to do with foul Spirits, and consists of incantations and wicked curiosity; and this is called Sorcery; an art which all learned and good men detest; neither is it able to yield an truth of reason or nature, but stands merely upon fancies and imaginations, such as vanish presently away, and leave nothing behind them; as Jamblicus writes in his book concerning the mysteries of the Egyptians. The other Magick is natural; which all excellent wise men do admit and embrace, and worship with great applause; neither is there any thing more highly esteemed, or better thought of, by men of learning. The most noble Philosophers that ever were, Pythagorus, Empedocles, Democritus, and Plato, forsook their own countries, and lived abroad as exiles and banished men, rather than as strangers; and all to search out and to attain this knowledge; and when they came home again, this was the Science which they professed, and this they esteemed a profound mystery. They that have been most skillful in dark and hidden points of learning, do call this knowledge the very highest point, and the perfection's of Natural Sciences; inasmuch that if they could find out or devise amongst all Natural Sciences, any one thing more excellent or more wonderful then another, that they would still call by the name of Magick.

Original Illustrated Latin Edition. Sir Isaac Newton's Mathematical Principles of Natural Philosophy in his original Latin text. A high quality paperback edition filled with the excellent original drawings. In formulating his physical theories, Newton developed and used mathematical methods now included in the field of calculus. But the language of calculus as we know it was largely absent from the Principia; Newton gave many of his proofs in a geometric form of infinitesimal calculus, based on limits of ratios of vanishing small geometric quantities.

Medieval Philosophy Natural History Latin language

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. There are two sorts of Magick; the one is infamous, and unhappy, because it has to do with foul Spirits, and consists of incantations and wicked curiosity; and this is called Sorcery; an art which all learned and good men detest; neither is it able to yield an truth of reason or nature, but stands merely upon fancies and imaginations, such as vanish presently away, and leave nothing behind them; as Jamblicus writes in his book concerning the mysteries of the Egyptians. The other Magick is natural; which all excellent wise men do admit and embrace, and worship with great applause; neither is there any thing more highly esteemed, or better thought of, by men of learning. The most noble Philosophers that ever were, Pythagorus, Empedocles, Democritus, and Plato, forsook their own countries, and lived abroad as exiles and banished men, rather than as strangers; and all to search out and to attain this knowledge; and when they came home again, this was the Science which they professed, and this they esteemed a profound mystery. They that have been most skillful in dark and hidden points of learning, do call this knowledge the very highest point, and the perfection's of Natural Sciences; inasmuch that if they could find out or devise amongst all Natural Sciences, any one thing more excellent or more wonderful then another, that they would still call by the name of Magick.