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Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Old stock RWN Neuhaus EC92 Vacuum Tubes From Selected Bunch For Neumann UM57 CMV563 M582 Mics

27 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success of his star pupils Emil Gilels and Sviatoslav Richter, and his book About the Art of Piano Playing. Maria Razumovskaya's Heinrich Neuhaus: A Life beyond Music is the first critical study of this masterful artist. It explores what went on in his teaching studio but also seeks to understand the vibrant circumstances that underpinned Neuhaus's unique outlook and approach. These circumstances include his formative years of study in Europe alongside Karol Szymanowski (his cousin) and the renowned pianist Artur Rubinstein, the turbulence of life during the Russian Civil War, Neuhaus's meteoric rise to fame in Moscow, and his lifelong friendship with the poet Boris Pasternak. Razumovskaya's book draws on previously unseen documents relating to Neuhaus's arrest and imprisonment in the infamous Lubyanka for criticizing the Soviet regime. By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity -- what he called an artist's ""autopsychography"" -- the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism. MARIA RAZUMOVSKAYA, a recital pianist and researcher, teaches at the Guildhall School of Music and Drama.

In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Beacon, from Neuhaus in 2006 for its museum in Beacon, New York. This stunning book―the only volume in print dedicated solely to the work of Neuhaus―takes these two projects as a point of departure from which to consider the singular impact this artist has had in establishing sound as a medium in contemporary art. An interview with Neuhaus is complemented with essays by multidisciplinary scholars who investigate and situate his work within a historical context.

Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success of his star pupils Emil Gilels and Sviatoslav Richter, and his book About the Art of Piano Playing. Maria Razumovskaya's Heinrich Neuhaus: A Life beyond Music is the first critical study of this masterful artist. It explores what went on in his teaching studio but also seeks to understand the vibrant circumstances that underpinned Neuhaus's unique outlook and approach. These circumstances include his formative years of study in Europe alongside Karol Szymanowski (his cousin) and the renowned pianist Artur Rubinstein, the turbulence of life during the Russian Civil War, Neuhaus's meteoric rise to fame in Moscow, and his lifelong friendship with the poet Boris Pasternak. Razumovskaya's book draws on previously unseen documents relating to Neuhaus's arrest and imprisonment in the infamous Lubyanka for criticizing the Soviet regime. By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity -- what he called an artist's ""autopsychography"" -- the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism. MARIA RAZUMOVSKAYA, a recital pianist and researcher, teaches at the Guildhall School of Music and Drama.

A thick book that collects all of Bobby.N's previously self-published artwork and comic short stories. From the early days where he is finding his voice, up until today where he stands as one of Australia's top underground comic artists. From amateur scribbling to a more refined line. A sixteen year chronological record of one ordinary guy getting better on paper, by following his heart. Features an introduction by Larry Boxshall from the NonCanonical comics podcast.

In shrink wrap. Looks like an interesting title!

Estudio de la obra del compositor mexicano Silvestre Revueltas Sánchez (Santiago Papasquiaro, 1899-Ciudad de México, 1940). 335 p.

Tubes absolutely new, old stockRWN NEUHAUS RFT EC760 TUBE FOR VINTAGE NEUMANN / GEFELL MICROPHONES !Tube Works "Anna Seghers" RWN Neuhaus RFT , VE...

A catalogue of the exhibition held in the Anhaltische Gemäldegalerie Dessau (28 November 2009 - 31 January 2010), the Städtische Galerie in der Reithalle, Schoss Neuhaus, Paderborn (24 April - 13 June 2010) and the Kunsthaus Zürich (10 September - 28 November 2010). The book contains scholarly essays and many reproductions of engravings, drawings and paintings (not only those made by Kolbe but also works by other artists of the period). /// Hardback, 318+[2] pp., 4° (24 x 30.5 cm), almost no traces of wear, condition: fine Book Language/s: German

Neuhaus uses his central metaphor, the naked public square, to describe the empty and uncomely condition of today's political doctrine which has been developed without consideration of religion and religious values. 9 cassettes.

Christians are by their nature a people out of place. Their true home is with God; in civic life, they are alien citizens in but not of the world.” In American Babylon, eminent theologian Richard John Neuhaus examines the particular truth of that ambiguity for Catholics in America today.Neuhaus addresses the essential quandaries of Catholic life assessing how Catholics can keep their heads above water in the sea of immorality that confronts them in the world, how they can be patriotic even though their true country is not in this world, and how they might reconcile their duties as citizens with their commitment to God. Deeply learned, frequently combative, and always eloquent, American Babylon is Neuhaus's magnum opus and will be essential reading for all Christians.

The complete texts of Pope John Paul II's 1998 ad limina addresses to the bishops of the United States. Preface by Cardinal Francis George of Chicago, foreword by Fr. Richard John Neuhaus (editor of "First Things" magazine), and edited and introduced by Dr. Thomas D. Williams, PhD.Topics covered by the Pope included: the ministry of bishops, the role of the laity in the Catholic Church, freedom and the moral law, canon law in the life of the Church, authentic liturgical renewal, the gift of the priesthood, the mystery of the Church, and reflections on the new millennium. Very readable, very eye-opening.

In Catholic Matters, Father Neuhaus addresses the many controversies that have marked recent decades of American Catholicism. Looking beyond these troubles to the splendor of truth” that constitutes the Church, he proposes a forward-thinking way of being Catholic in America. Drawing on his personal encounters with the late John Paul II and Cardinal Joseph Ratzinger, now Pope Benedict XVI, Neuhaus describes their hope for a springtime of world evangelization, Christian unity, and Catholic renewal. Catholic Matters reveals a vibrant Church, strengthened and unified by hardship and on the cusp of a great revival in spiritual vitality and an even greater contribution to our common life.

Book by Berger, Peter L., Neuhaus, Richard John

Snow White Must Die by Nele Neuhaus is a tremendous new contemporary mystery series and huge international bestseller―with more than 3.5 million copies in print!On a rainy November day police detectives Pia Kirchhoff and Oliver von Bodenstein are summoned to a mysterious traffic accident: A woman has fallen from a pedestrian bridge onto a car driving underneath. According to a witness, the woman may have been pushed. The investigation leads Pia and Oliver to a small village, and the home of the victim, Rita Cramer.On a September evening eleven years earlier, two seventeen-year-old girls vanished from the village without a trace. In a trial based only on circumstantial evidence, twenty-year-old Tobias Sartorius, Rita Cramer's son, was sentenced to ten years in prison. Bodenstein and Kirchhoff discover that Tobias, after serving his sentence, has now returned to his home town. Did the attack on his mother have something to do with his return?In the village, Pia and Oliver encounter a wall of silence. When another young girl disappears, the events of the past seem to be repeating themselves in a disastrous manner. The investigation turns into a race against time, because for the villagers it is soon clear who the perpetrator is―and this time they are determined to take matters into their own hands.An atmospheric, character-driven and suspenseful mystery set in a small town that could be anywhere, dealing with issues of gossip, power, and keeping up appearances.

J. I. Packer is one of the most significant evangelical theologians of the last one hundred years. In this book, a team of leading scholars--including Chuck Colson, Mark Dever, Timothy George, Bruce Hindmarsh, Edith Humphrey, James Earl Massey, Alister McGrath, David Neff, and Richard John Neuhaus--assesses Packer's impact on evangelicalism over the past half century and asks what more we can learn from him about ministry and the evangelical future. J. I. Packer himself offers a response and reflection. The book also includes a full bibliography of Packer's writings, which is the most comprehensive listing of his writings in print.

Max Neuhaus' "Program Notes" records the aphoristic statements of the innovative sound artist as he redefined the boundaries of his new audio practice. Seeking to eschew the "small area music [had] been concentrating on for the past several hundred years," Neuhaus consciously relocated his work in the late '60s to what he deemed "the realm of space" as opposed to that of time-choosing to present his music in public and communal settings, decidedly outside of the "proscenium situation." This short pamphlet was initially published in 1974 by York University Press.

Several years ago, a ruptured tumor almost killed Richard John Neuhaus. During a series of complicated operations, weeks in critical condition, and months in slow recovery, he was brought face to face with his own mortality. As he lay dying and, as it turned out, recovering, he found that despite his faith he had been quite unprepared for the experience. This book traces his efforts to understand his own reactions and those of his friends and family, and explores how we as a culture understand and deal with death.As I Lay Dying testifies that dying is-and is not-part of living. We can and should live our dying. Neuhaus interweaves his own story with thoughtful inquiry, circling through philosophy, psychology, literature, theology, and his own experiences to create provocative meditations that explore the many aspects of dying: the private and public experience, the separation of the soul from the body, grief, surrender, and mourning. The result is a book that shakes the foundations of our being-and yet is oddly and convincingly tranquil.