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This volume includes essays by leading scholars - Barkhoff, Boyle, Byrne, Canisius, Duerr, Fischer, Hill, Kramer, Lamport, Lund, Meikle, Newbould, Norman McKay, White, Whitton, Wright, Youens - on Goethe's musicality and his relationship to Schubert; Schubert's contribution to sacred music and the Lied and his setting of Goethe's Singspiel, Claudine. A companion volume of this Singspiel (with piano reduction and English translation) is also available.

Astonishingly, Schubert's symphonies have never received the detailed study that their prominence in the orchestral repertoire would suggest they deserve. In this book Professor Brian Newbould, perhaps the best-known of contemporary Schubert scholars, examines each symphony for its individuality and shows its relationship to Schubert's symphonic ouvre. He gives particular attention to the sketched works that have recently emerged in his own completions and to the two familiar masterpieces of Schubert's maturity, the `Unfinished' and the `Great C major'. He also casts new light on the role of Haydn and Mozart as models for the younger Schubert. Schubert and the Symphony is conceived as a companion to the symphonies for the listener, the professional musician and the student. BRIAN NEWBOULD is Professor of Music at the University of Hull. He has lectured extensively in Europe and North and South Ameica, and occasionally finds time to compose, conduct and perform.

Schubert's much-loved masterpiece is a mainstay of the classical choral repertoire. Prepared from the composer's autograph manuscript, Brian Newbould's authoritative new performing edition takes account of invaluable additional source material in Schubert's hand, discovered recently and held in the Monastery Library at Klosterneuburg.