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Robert Lehman, one of the foremost art collectors of his generation, embraced both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at the Metropolitan Museum. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Theodore Rousseau, and Corot among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist canvases by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters include Bonnard, Matisse, Rouault, Dalí, and Balthus. Newly researched modern works are represented by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (DIZI). From Robert Lehman's studied and conventional taste for nineteenth-century French academic practitioners to his intuitive eye for emerging young artists of his own time, all are documented and discussed here. Some three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.

This book is the first comprehensive study of Mormon architecture. It centers on the doctrine of Zion which led to over 500 planned settlements in Missouri, Illinois, Utah, Idaho, Wyoming, Colorado, New Mexico, Arizona, California, Nevada, Canada, and Mexico. This doctrine also led to a hierarchy of building types from temples and tabernacles to meetinghouses and tithing offices. Their built environment stands as a monument to a unique utopian society that not only survived but continues to flourish where others have become historical or cultural curiosities. Hamilton's account, augmented by 135 original and historical photographs, provides a fascinating example of how religious teachings and practices are expressed in planned communities and architecture types.

This is the first study to consider the meaning of Anglicanism for ordinary people in nineteenth-century England. It is concerned equally with the beliefs of lay people and parish clergy, examining Anglicanism both as a supernatural belief system and as part of English society. It draws extensively on unpublished sources, particularly those for rural areas. Frances Knight argues that in the period up to 1870 the Church retained its popularity among a sizeable proportion of the people.

SIGNED! VA: H E Howard 1994. Stated 1st edition. Hardcover 8vo 260 pgs. Gray cloth with gilt. B/w photos and maps. Limited edition #458/1000. Signed by author on limitation pg. Near fine book. (military, history, military history, civil war, virginia) Inquire if you need further information.

The idea of the symphony was redefined and transformed throughout the nineteenth century, as modern instruments were developed with their extended ranges and colorful palette, the orchestra became an institution, and composers struck out in all directions to establish individual profiles. The Nineteenth-Century Symphony explores the styles, forms, and performance practices that characterize the symphonic repertoire from Schubert through the early works of Mahler.The essays in this volume seek both to summarize existing scholarship and to explore new critical approaches to nineteenth-century symphonic music.

The nineteenth century was a Golden Age in the history of glassware. At no other time were more accumulated glass skills and decorative techniques manifested in the comparitively short space of one century. The author introduces the book with a comprehensive look at the history of manufactured glass, including the use of obsidian (natural volcanic glass) among primitive peoples; examples from Mesopotamia, Syria, and Egypt; through the technical developments of the late classical and early Christian centuries; through the Renaissance and the following development through the eighteenth century. The stage now set, the author divides each of the important types of fine nineteenth century glass in definitive chapters which explain their history and details of their manufacture. Similarities in wares produced by various manufacturers in America and Europe, means of identification, and modern imitations and developments are all discussed, along with many other topics of great interest to the collector. Profusely illustrated with photographs and patent drawings, this reference is a complete survey of aesthetics and techniques of art glass production during this most important century.

Recent scholarship has brought to light the existence of a dynamic world of specifically Jewish forms of literature in the nineteenth century―fiction by Jews, about Jews, and often designed largely for Jews. This volume makes this material accessible to English speakers for the first time, offering a selection of Jewish fiction from France, Great Britain, and the German-speaking world. The stories are remarkably varied, ranging from historical fiction to sentimental romance, to social satire, but they all engage with key dilemmas including assimilation, national allegiance, and the position of women. Offering unique insights into the hopes and fears of Jews experiencing the dramatic impact of modernity, the literature collected in this book will provide compelling reading for all those interested in modern Jewish history and culture, whether general readers, students, or scholars.

This survey explores the history of nineteenth-century European art and visual culture. Focusing primarily on painting and sculpture, it places these two art forms within the larger context of visual culture—including photography, graphic design, architecture, and decorative arts. In turn, all are treated within a broad historical framework to show the connections between visual cultural production and the political, social, and economic order of the time. Topics covered include The Classical Paradigm, Art and Revolutionary Propaganda In France, The Arts under Napoleon and Francisco Goya and Spanish Art at the Turn of the Eighteenth Century. For art enthusiasts, or anyone who wants to learn more about Art History.

1st edition. 162 pages. 9.00x6.00x0.50 inches. In Stock.

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"Rich in ideas and illustrations...of interest to scholars and art enthusiasts alike."―Library Journal Since its first publication in 1994, this book has established itself as the most popular and highly regarded textbook in the field. It embraces many aspects of the so-called “new” art history while at the same time emphasizing the remarkable vitality, salience, and subversiveness of the era’s best art. The new edition includes four revised chapters together with a substantially expanded chapter on photography. With more than a dozen new images, this rich and diverse volume will interest students, specialists, and anyone fascinated by this dynamic period. In addition to Stephen F. Eisenman, the contributors are Thomas Crow, Brian Lukacher, Linda Nochlin, David Llewellyn Phillips, and Frances K. Pohl. 245 color and 265 black-and-white illustrations

Hard covers in excellent condition with a fine dust jacket, limited edition, 215pp Size: Large 8vo

Although it forever changed the tactics of naval warfare, the torpedo is one of the world's most under-researched weapons and its inventors the most neglected. To correct this oversight, Edwyn Gray follows up on his popular study of Robert Whitehead's torpedoes by taking a look at seventy other torpedoes and the men who invented them. He traces the history of the torpedo, placing its evolution in the context of a defining century of weapons development when torpedoes progressed from harpoon projectiles to rocket-powered weapons of destruction.Written for layman and expert alike in the lively style Gray has come to be known for, the book reveals a wealth of fascinating details about individual torpedoes along with a panorama of naval opinions and insights into the trials and tribulations of the weapon pioneers of the nineteenth century. Gray solves a number of mysteries that have bedeviled naval historians for decades and corrects longstanding misconceptions, based on information uncovered during ten years of research. Gray examined more than one hundred U.S. and British patents taken out between 1836 and 1900 as well as reports from contemporary technical and professional journals and unpublished papers, and enlivens the text with accounts of torpedoes in action together with colorful anecdotes about the inventors. Such an important contribution to the history of this branch of naval ordnance helps make sense of a raggle-taggle collection of bizarre weapons that caused so much consternation among naval tacticians at the end of the nineteenth century.

The latest entry in the successful In Detail series is a lavishly illustrated book celebrating 19th-century fashion. Featuring glorious, specially commissioned color photographs of close-up details alongside accurate line drawings that demonstrate the underlying structure of each garment, the book’s 150 pieces capture the opulence and variety of this fascinating era. From the delicate embroidery on ballgowns to the vibrant synthetic colors of crinolines, the major themes of 19th-century fashion are highlighted as never before in a single volume. “ Perfect for those who want an authentic take on the latest Victorian trend.” –In Style

The essays collected in this volume include studies of the history of the word scientist and the origin of the terms of electrochemistry as developed by Faraday, with the aid of the scholars Whewell and Whitlock Nicholl. In this bicentennial year of the birth of Faraday, the topic of his discovery of electromagnetic induction is timely, as described here in the story of the ten-year search that preceded it. Faraday enters also as the major proponent of the chemical theory of the voltaic cell, in opposition to Volta's contact theory. There is also an essay on Sir John Herschel's discovery of hypo and its application to photography. The book covers the formative period of science as a profession in England and introduces some figures of the transition to professionalism, as exemplified by Davy, Herschel, Faraday, Talbot, Whewell, and others, in terms of their work and their attitude toward it.

The nineteenth century was one of the most remarkable periods in the history of philosophy and a period of great intellectual, social, and scientific change. Challenging philosophical thought of earlier centuries, it caused shock waves that lasted well into the twentieth century. The Nineteenth Century Philosophy Reader is an outstanding anthology of the great philosophical texts of the period and the first of its kind for many years. In presenting many of the major ideas expounded by philosophers of the era, it provides the reader with a comprehensive account of this extremely important and fertile period. Carefully selected extracts from the following philosophers are included, providing a solid introduction to the most fundamental arguments and insights of each thinker: Kant Fichte Schelling Hegel British Idealism (T.H. Green, F.H. Bradley, and Edward Caird) Schopenhauer Marx and Engels Kierkegaard Nietzsche William James. In addition to an introduction by the editor, a key feature of the reader is a specially commissioned introduction to each part by leading scholars in the field, placing the extracts in philosophical and historical context. The Nineteenth Century Philosophy Reader is an ideal anthology for anyone seeking to engage with and learn about this important period. As well as appealing to students of nineteenth-century philosophy, it will also be of interest to those in related fields such as literature, religion, and social and political theory.

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Nineteenth-Century Spanish America: A Cultural History provides a panoramic and accessible introduction to the era in which Latin America took its first steps into the Modern Age. Including colorful characters like circus clowns, prostitutes, bullfighters, street puppeteers, and bestselling authors, this book maps vivid and often surprising combinations of the new and the old, the high and the low, and the political and the cultural. Christopher Conway shows that beneath the diversity of the New World there was a deeper structure of shared patterns of cultural creation and meaning. Whether it be the ways that people of refinement from different countries used the same rules of etiquette, or how commoners shared their stories through the same types of songs, Conway creates a multidisciplinary framework for understanding the culture of an entire hemisphere.The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

This richly illustrated book celebrates the Victoria and Albert Museum's magnificent collection of 19th-century dress. A source of inspiration to many of today's top designers, these colorful items of clothing, seen here in glorious close-up, will delight all lovers of fashion, both historical and contemporary.Some 150 pieces capture the opulence and variety of this era, from delicate embroidery on neoclassical gowns to the vibrant colors of crinolines and the elegant tailoring of men's coats. Featuring specially commissioned photographs as well as line drawings that demonstrate the underlying structure of each garment-the intricate boning of women's corsets, the patterned silk of men's waistcoats, and more-the book's stunning images and informative text highlight the major themes of 19th-century fashion. A companion to the successful Historical Fashion in Detail and Dress in Detail from Around the World, this unique visual resource reveals the richness of the period in breathtaking detail.

Song by song this study addresses the comple te works of each of the composers for solo voice and piano. When necessary, errors in the published editions are correct ed and the full French text is provided alongside the author ''s translations '