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One of the earliest German expressionists and a member of the prolific yet short-lived secessionist movement Die Brücke, Emil Nolde produced many colorful paintings across his career, including portraits, religious tableaus, and landscapes depicting seasides and bustling Berlin street scenes. His work has been exhibited at major museums worldwide, including New York’s Metropolitan Museum and Museum of Modern Art.             With more than one hundred full-color reproductions and informative essays by Katharina Lovecky, Manfred Reuther, Andreas Fluck, Christian Ring, Stefan Koja, and Agnes Husslein-Arco, this book traces the development of Nolde’s distinctive style and technique. From his beginnings as a woodcarver, draftsman, and furniture maker, Nolde was influenced by the dark, atmospheric palettes of painters like Wilhelm Leibl, Arnold Böcklin, and Hans von Marées. Later, upon encountering the works of the post-impressionists Paul Gauguin, Edward Munch, and Vincent van Gogh, Nolde developed a pictorial language that provided a new and fertile direction for his work. Perhaps most intriguing and least well-documented are the late-career works of Nolde what he termed his unpainted pictures,” created during the period he was prohibited to paint by the Third Reich. Comprising more than one thousand small-scale watercolors created entirely in secret and intended to be developed into paintings, these works from the early 1940s are infused with fantastical elements and constitute an important focal point for the book.               Nolde’s work served as a major influence on the later movements of expressionism, and this book, accompanying an exhibition at the Belvedere Gallery in Vienna, offers a comprehensive look back at his oeuvre.

Neu Neuware, Restauflage, auf Lager - Emil Noldes farbige Porträts, Blumengärten und Marschlandschaften, das von ihm eingefangene Licht und die Leuchtkraft der Natur, sind legendär. Das Katalogbuch präsentiert Arbeiten auf Papier der gesamten Schaffenszeit mit begleitenden Texten, die zugleich einen Einblick in Noldes ureigene vielseitige Welt geben. Emil Nolde gilt nicht nur als ältester Vertreter des deutschen Expressionismus, sondern auch als großer Einzelgänger. Die moderne Avantgarde-Bewegung prägte er maßgeblich durch seinen zu Beginn des 20. Jahrhunderts neuartigen, spontanen und experimentellen Umgang mit Farbe sowie Mal- und Drucktechnik auf Papier. Der Auswahl von Aquarellen, Lithographien und Radierungen in diesem Band sind Bildkommentare, wissenschaftliche Texte und Zitate des Künstlers beigestellt, die den Zusammenhang zu Noldes Leben und Gedankenwelt herstellen. Aufgewachsen als Bauernsohn in der einsamen nordfriesischen Landschaft, entwickelte Nolde eine ganz eigene Weltsicht, die seine Bilder kennzeichnen. Mit ihr verhalf er der Natur als auch den Porträts der Menschen und sogar der einzelnen Blume zu einem geheimnisvollen Eigenleben und Zauber. Die Texte des Buches berühren begleitend zu Noldes Werk das breite thematische Spektrum, mit dem er sich auseinandersetzt: nordische Naturmythologie, urchristliche Religiosität sowie die Faszination der Schweizer Bergwelt, die er schon früh als Groteske darstellt. Die Eindrücke des Berliner Großstadtlebens oder die Einsamkeit der dänischen Insel Alsen werden ebenso festgehalten wie das Leben der Südsee-Insulaner während seiner Expedition im Jahr 1913. Im Schutz von Natureinsamkeit und Weltabgeschiedenheit entstand sein Werk weitgehend unberührt von zwei Weltkriegen

This trenchant reconsideration of artist Emil Nolde's life and work deconstructs the myths that have surrounded Nolde's legacy until today.Emil Nolde created some of the most powerful works of the Expressionist movement. Despite the fact that his art was represented more prominently than anyone else's in the infamous exhibition Degenerate Art, he continued to be an ardent sympathizer of the Nazi regime and an admirer of Adolf Hitler. This book provides a comprehensive introduction to Nolde's ambiguous position during the Third Reich. In addition, the book takes a fresh look at Nolde's artistic production during the Nazi period, featuring numerous works which have not yet been published or publicly displayed. Eight illustrated essays draw on a wealth of unpublished letters and documents from the artist's estate that offer new insights into Nolde's artistic practices, his political beliefs, and his anti-Semitism, deconstructing the myths that have surrounded Nolde's legacy until today.

Though Emil Nolde (1867-1956) began to paint flower watercolors fairly late in his career--around 1918--they became nonetheless central to his oeuvre. These works range from depictions of single blooms and carefully arranged still lifes to full bouquets and fields of flowers captured in flowing motion. His artistic technique in this genre was just as varied. In Emil Nolde: Flowers, 30 of Nolde's flower watercolors--many of which have never before been published--are collected together in a small, gift-book format.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

260 Seiten; (Lager 581) 77F246B79259 Sprache: Deutsch Gewicht in Gramm: 1944

Text: 263 pages. Illustrations: black & white 15 pages. Square tight binding, clean and unmarked. Covers slight yellow.

Leiko Ikemura (b. in Tsu, Japan; lives and works in Berlin) has carefully studied various positions in classic European modernism, including the art of Odilon Redon and Emil Nolde. She has long been fascinated by Nolde’s oeuvre, and some of her themes and motifs show remarkable similarities to his, though these parallels are not readily apparent to the casual beholder and the artist doesn’t consciously pursue them. Their complexity is heightened by the fact that they reflect the relevance to Ikemura’s art of the European context in which she works as well as a lasting echo of her Japanese roots. The exhibition at Kunstmuseum Ahrenshoop, which was produced in close collaboration with the Nolde Foundation in Seebüll, is the first to present paintings and works on paper by these two outstanding artists in dialogue. The accompanying book explores various aspects of the affinity between them. With essays by Katrin Arrieta, artistic director, Kunstmuseum Ahrenshoop, and Astrid Becker, assistant director, Nolde Foundation, Seebüll.

This new title in DuMont's themed Emil Nolde series is devoted to the painter's garden and flower pictures. Wherever he settled, Nolde always planted a flower garden. Nolde's garden at Seebüll is a particular focus of this volume, and one of the artist's most marvelous creations, designed as it is around motifs using the initials A and E (for his wife Ada and his own name). A sumptuous compilation, this new edition of My Garden Full of Flowers includes larger plates.

Catalog published on the occasion of the exhibition held at John McEnroe Gallery, New York, May 18 to July 23, 1995, and at Galerie Michael Beck, Leipzig, August 3 to September 9, 1995. All text is in both English and German. Includes reproductions of 43 works grouped into sections titled Landscape North Friesland, Flowers, The Sea, Portraits and Figures, and Town-Scapes as well as several photographs of the artist and the countryside.

Published in association with the Nolde Foundation, this is the sixth volume in DuMont's series devoted to painter Emil Nolde (1867-1956). As a member of Die Brücke (The Bridge), Nolde was known for his vigorous brushwork, rhythmic compositions and extraordinary use of color. A farmer's son from the German-Danish frontier, Nolde traveled widely throughout Europe: Switzerland, Denmark, France, Italy, Sweden, England, Austria, Belgium, Holland and Spain. While the artist is usually associated with paintings and watercolors of his native gardens in Germany, this latest edition focuses on his European travels and how he translated his wanderlust onto canvas. Guided by imagination, Nolde created an integrated vision of the world that celebrated a love of nature and all that was around him. Featuring mountain panoramas and studies of the people he encountered, Emil Nolde: Wanderlust gives new perspectives on this leading figure in German Expressionism.

Emil Nolde (1867–1956) is famous for his dramatic ocean views and colorful flower gardens, but his love of the fantastical and grotesque has received less attention. Yet it is clear from his autobiography and his letters that they had a significant impact on his art. Alongside his first oil painting, “Bergriesen” (“Mountain Giants,” 1895–96), his alpine postcards of this period, in which the Swiss mountains appear as bizarre human physiognomies, also convey his fascination with the fantastical. His rejection of realism in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings to the Grotesken (1905) and watercolors from 1918–19, to the years under the Nazis when he was forbidden to practice his profession. This catalog, which includes works never before shown, is also the first to emphasize this fascinating side of the great painter and water-colorist.

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Published in association with the Nolde Foundation, this is the sixth volume in DuMont's series devoted to painter Emil Nolde (1867-1956). As a member of Die Brücke (The Bridge), Nolde was known for his vigorous brushwork, rhythmic compositions and extraordinary use of color. A farmer's son from the German-Danish frontier, Nolde traveled widely throughout Europe: Switzerland, Denmark, France, Italy, Sweden, England, Austria, Belgium, Holland and Spain. While the artist is usually associated with paintings and watercolors of his native gardens in Germany, this latest edition focuses on his European travels and how he translated his wanderlust onto canvas. Guided by imagination, Nolde created an integrated vision of the world that celebrated a love of nature and all that was around him. Featuring mountain panoramas and studies of the people he encountered, Emil Nolde: Wanderlust gives new perspectives on this leading figure in German Expressionism.

Emil NoldeThis book examines the landscape between the North Sea and the Baltic Sea, and traces its influence on the art of this great twentieth century colourist. Presents a selection of Nolde's little known works alongside his most celebrated landscapes and seascape paintings.

Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 1.58

368 S. : überw. Ill., Kt. ; 29 cm NEUBUCH ! 9783777492209 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Deutsch Gewicht in Gramm: 2133

Unpainted Pictures is the title of a fascinating watercolors series painted by Emil Nolde from 1938 through 1945. Nolde created these works in the seclusion of his own home in Seebll, after his works had been confiscated by the Nazis and he himself had been forbidden to paint. He lent many of them to friends for safekeeping, in order to protect himself and his art from Gestapo raids. These small, free, imaginative works were ''unpainted'' in the sense that they did not officially exist and were not supposed to exist--also, Nolde hoped to expand on them at a later date. He never offered any of these watercolors for sale, and today this collection--which has become, for many, the summary and epitome of his work--resides at the Nolde Foundation in Seebll. All of the 104 watercolors in the series are presented here, along with a journal, consisting of dated notes, thoughts, questions and dreams, which forms a record of the period in which the Unpainted Pictures were being created. Gorgeous, diverse and quietly moving, these Unpainted Pictures continue to be nothing short of a revelation.

In October 1913 the German Expressionist artists Emil Nolde and his wife, Ada, joined a government-sponsored expedition to German New Guinea. This book presents the landscapes and portraits that Nolde created during his travels."

Unread book in perfect condition.