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The book description for the previously published "Nubia: Corridor to Africa" is not yet available.

18k gold plated bracelet with stands of small cubic beads attached with a magnetic closure. Measures 7" open. Handmade in Brazil Every piece of jewelry is handmade and delicate. To enjoy the jewelry for a long time, please use the appropriate care. Our collections consist of precious metals and non-precious metals (brass and base metal) and are plated in 18K gold. We recommend cleaning the jewelry by using a brush with soap and water, and can use a hair dryer to avoid any damage caused by rust. Please avoid direct contact with water (salt or fresh), excessive perspiration, and chemicals such as chlorine, sulfur, perfume, detergent, and lotion. Any chemical exposure might deteriorate the quality of plating on the metal and gemstones. Because most of the stones used in our collection are natural semi-precious stones, they may vary in shape, size, and color. Inclusions can be seen in natural stones and is a part of their beauty. Most gemstones do not stand the force of cleaning agents, polishing cloth, or ultrasonic cleaners.

From Nubia to Cairo Ali Hassan Kuban - LP 826863316610

Aksum and Nubia assembles and analyzes the textual and archaeologicalevidence of interaction between Nubia and the Ethiopiankingdom of Aksum, focusing primarily on the fourth centuryCE. Although ancient Nubia and Ethiopia have been the subjectof a growing number of studies in recent years, little attention hasbeen given to contact between these two regions. Hatke arguesthat ancient Northeast Africa cannot be treated as a unified areapolitically, economically, or culturally. Rather, Nubia and Ethiopiadeveloped within very different regional spheres of interaction, asa result of which the Nubian kingdom of Kush came to focus itsenergies on the Nile Valley, relying on this as its main route ofcontact with the outside world, while Aksum was oriented towardsthe Red Sea and Arabia. In this way Aksum and Kush coexistedin peace for most of their history, and such contact as they maintainedwith each other was limited to small-scale commerce. Onlyin the fourth century CE did Aksum take up arms against Kush,and even then the conflict seems to have been related mainly tosecurity issues on Aksum’s western frontier.Although Aksum never managed to hold onto Kush for long, muchless dealt the final death-blow to the Nubian kingdom, as is oftenbelieved, claims to Kush continued to play a role in Aksumite royalideology as late as the sixth century. Aksum and Nubia criticallyexamines the extent to which relations between two ancient Africanstates were influenced by warfare, commerce, and politicalfictions.Online edition available as part of the NYU Library's Ancient World Digital Library and in partnership with the Institute for the Study of the Ancient World (ISAW).

2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology BookFor most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land.This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

2012 American Publishers (PROSE) Awards winner for Best Archaeology & Anthropology BookFor most of the modern world, ancient Nubia seems an unknown and enigmatic land. Only a handful of archaeologists have studied its history or unearthed the Nubian cities, temples, and cemeteries that once dotted the landscape of southern Egypt and northern Sudan. Nubia’s remote setting in the midst of an inhospitable desert, with access by river blocked by impassable rapids, has lent it not only an air of mystery, but also isolated it from exploration. Over the past century, particularly during this last generation, scholars have begun to focus more attention on the fascinating cultures of ancient Nubia, ironically prompted by the construction of large dams that have flooded vast tracts of the ancient land.This book attempts to document some of what has recently been discovered about ancient Nubia, with its remarkable history, architecture, and culture, and thereby to give us a picture of this rich, but unfamiliar, African legacy.

ABOUT THIS BOOK -- In 1839, Scottish Painter David Roberts embarked on an extensive tour of Egypt, Nubia, the Sinai, the Holy Land, Jordan and Lebanon. Two years of on-the-spot sketches and water colours were reworked and released as enormously popular lithographs, even favoured by Roberts' most important subscriber, Queen Victoria. Roberts' work speaks to those who are interested in Orientalist painting, to those who wonder what these historic sites looked like before industrialization and tourism, or simply to those who love the Holy Land and Egypt. ABOUT THIS EDITON -- White Star's 3 volume, slipcased set is visually impressive and editorially superb. About 600 pages consisting largely of full page (or larger) colour illustrations. The original Croly historical descriptions are used to great advantage here. One volume is The Holy Land, one volume is Egypt and Nubia, and a third small volume is about Roberts' life and work. BOOK DETAILS -- cloth over boards, sewn bindings; color insets in gold rules on each cover; illustrated cloth-bound slipcase. About 14 pounds.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

This book discusses the evolution of Nubian culture and history through the Bronze Age and the Napatan-Meroitic Period. It was written to coincide with an exhibition at the University Museum at Pennsylvania, and the unrivalled Nubian collection of that museum and of the Museum of Fine Arts in Boston, provides some striking illustrations. Maps, chronological tables and a clearly-written text make this an excellent introduction to Nubian civilisation, while well-illustrated discussions of Nubian art and architecture will make this catalogue a valuable source for Egyptian scholars.

Against the background of the high politics of Sixth Dynasty Egypt, a powerful love grows between Rhadopis, a courtesan whose ravishing beauty is unmatched in time or place, and youthful, headstrong Pharaoh Merenra, worshiped by his people as a divine presence on earth. Rhadopis comes of poor peasant stock, but her star rises until she become the most celebrated woman in the kingdom, entertaining her countless lovers, who include the most powerful men in the realm, with her dancing, singing, and stimulating intellectual conversation in her white palace on an island in the Nile. Despite the attention and the endless stream of suitors, however, Rhadopis's heart remains cold and loveless -- until events conspire in the strangest of ways to bring her to the attention of Pharaoh himself. From there the two of them embark on a journey of intense passion that is totally absorbing and ultimately tragic. As their obsession for one another burns wildly, they become caught up in the violent turbulence of the politics of the day -- Merenra through his desire to sequester the properties of the priesthood and Rhadopis by her efforts to control the march of destiny and avoid their untimely but inevitable fate. But for Rhadopis, who has played with men's minds and danced on the scattered shards of their broken hearts, and Pharaoh, who has sought to flaunt ancient tradition for his own ends, can the power of love ultimately offer protection?

As one of the few surviving archaeological sites from the medieval Christian kingdom of Nubia, Qasr Ibrim is critically important in a number of ways. It is the only site in Lower Nubia that remained above water after the completion of the Aswan high dam. In addition, thanks to the aridity of the climate in the area, the site is marked by extraordinary preservation of organic material, especially textual material written on papyrus, leather, and paper. Particularly rich is the textual material from the twelfth and thirteenth centuries CE, written in Old Nubian, the region's indigenous language. As a result, Qasr Ibrim is probably the best documented ancient and medieval site in Africa outside of Egypt and the Maghreb.Medieval Nubia is the first book to make available this remarkable material, much of which is still unpublished. The evidence discovered reveals a more complicated picture of this community than originally thought. Previously, it was accepted that medieval Nubia had existed in relative isolation from the rest of the world, subsisting on a primitive economy. Legal documents, accounts, and letters, however, reveal a complex, monetized economy with exchange rates connected to those of the wider world. Furthermore, they reveal public festive practices, in which lavish feasting and food gifts reinforced the social prestige of the participants. These documents prove medieval Nubia to have been a society combining legal elements inherited from the Greco-Roman world with indigenous African social practices. In reconstructing the social and economic life of medieval Nubia based on the Old Nubian sources from the site, as well as other previously examined materials, Giovanni R. Ruffini corrects previous assumptions and provides a new picture of Nubia, one that links it to the wider Mediterranean economy and society of its time.

A medical practitioner and talented draftsman, Alessandro Ricci was born in Siena, Italy, at the end of the eighteenth century. He traveled extensively throughout Egypt and Sudan between 1817 and 1822. During his stay, he worked as an epigraphist for Giovanni B. Belzoni in the tomb of Seti I and later entered into the service of British consul general Henry Salt and English explorer William John Bankes, on whose behalf he visited and documented Siwa (1820), Sinai (1820), and Nubia (1818–19 and 1821–22). Ricci also became the physician to Ibrahim Pasha's Upper Egypt expedition and achieved fame for daringly saving the life of Ibrahim Pasha during the military campaign that led to Egypt’s conquest of Sudan in 1821–22. Upon his return to Italy, Ricci wrote a long account of all his journeys and reworked a series of ninety plates into striking form, yet failed to publish either.In 2009, Daniele Salvoldi identified a complete typewritten copy of Ricci’s Travels in the National Archives of Egypt in Cairo. Drawings intended to accompany the text as plates were tracked down in different locations in Italy and the United Kingdom. From Siena to Nubia is the English-translated critical edition, with notes and introductory chapters, of Ricci’s travel account, which provides detailed information about the countries he visited, including descriptions of ancient ruins and social customs, botanical and geological remarks, and historical and ethnographical observations. It adds to the recent, growing corpus of exploration literature on nineteenth-century Egypt as well as bringing to light obscure sources important to the early history of Egyptology.

As one of the few surviving archaeological sites from the medieval Christian kingdom of Nubia, Qasr Ibrim is critically important in a number of ways. It is the only site in Lower Nubia that remained above water after the completion of the Aswan high dam. In addition, thanks to the aridity of the climate in the area, the site is marked by extraordinary preservation of organic material, especially textual material written on papyrus, leather, and paper. Particularly rich is the textual material from the twelfth and thirteenth centuries CE, written in Old Nubian, the region's indigenous language. As a result, Qasr Ibrim is probably the best documented ancient and medieval site in Africa outside of Egypt and the Maghreb.Medieval Nubia is the first book to make available this remarkable material, much of which is still unpublished. The evidence discovered reveals a more complicated picture of this community than originally thought. Previously, it was accepted that medieval Nubia had existed in relative isolation from the rest of the world, subsisting on a primitive economy. Legal documents, accounts, and letters, however, reveal a complex, monetized economy with exchange rates connected to those of the wider world. Furthermore, they reveal public festive practices, in which lavish feasting and food gifts reinforced the social prestige of the participants. These documents prove medieval Nubia to have been a society combining legal elements inherited from the Greco-Roman world with indigenous African social practices. In reconstructing the social and economic life of medieval Nubia based on the Old Nubian sources from the site, as well as other previously examined materials, Giovanni R. Ruffini corrects previous assumptions and provides a new picture of Nubia, one that links it to the wider Mediterranean economy and society of its time.

Title: Travels in Egypt and Nubia, Syria, and the Holy Land ... New edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF TRAVEL collection includes books from the British Library digitised by Microsoft. This collection contains personal narratives, travel guides and documentary accounts by Victorian travelers, male and female. Also included are pamphlets, travel guides, and personal narratives of trips to and around the Americas, the Indies, Europe, Africa and the Middle East. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++ British Library Irby, Charles Leonard; Mangles, James; 1868. viii. 150 p. ; 8º. 010026.f.40.

Book is in NEW condition. 1.05

Following the Napoleonic military campaign in Egypt (1798-1801), Europe rediscovered the ancient Egyptian civilization, and later expeditions deepened and amplified knowledge of the country's archaeological monuments, giving birth to a new science, Egyptology, which is still very active. In 1828, Charles X of France and Grand Duke Leopold II of Tuscany financed the first international scientific expedition to Egypt, the aim of which was to explore the historic monuments of the country. Unlike the Napoleonic Commission, the Franco-Tuscan expedition was able to take advantage of the understanding of hieroglyphic script and therefore examine the antiquities more systematically. The leaders of the expedition were Jean-François Champollion, the man who deciphered the hieroglyphs using the Rosetta Stone, and Ippolito Rosellini. Born in Pisa in 1800, Rosellini was noted for his study of the monuments, deciphering of the hieroglyphs and, above all, for his contribution to science in the form of his illustrated work, The Monuments of Egypt and Nubia. This volume recounts the era of early Egyptology at the start of the nineteenth century, and presents the most beautiful plates from Rosellini's original work made following the long expedition.

This long-awaited publication provides a stimulating and comprehensive visual selection of primary objects, reflecting the range of media and artistic styles employed in over 5,000 years of Egyptian craftsmanship.

Unread book in perfect condition.

This long-awaited publication provides a stimulating and comprehensive visual selection of primary objects, reflecting the range of media and artistic styles employed in over 5,000 years of Egyptian craftsmanship.