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(Vocal Collection). Contents: Verdi: Eri tu che macchiavi (Un ballo in maschera) * Per me giunto (Don Carlo) * Lo vedremo, veglio audace (Ernani) * L'onore! Ladri! (Falstaff) * E sogno? realta (Falstaff) * Urna fatale (La Forza del Destino) * Pieta, rispetto, onore (Macbeth) * Credo in un Dio (Otello) * Cortigiani, vil razza (Rigoletto) * Pari siamo (Rigoletto) * Di Provenza il mar (La Traviata) * Il balen del suo sorriso (Il Trovatore) Rossini: Largo al factotum della citta (Il Barbiere di Siviglia) Bizet: Votre toast, je peux vous le rendre (Toreador Song) (Carmen) Offenbach: Scintille, diamant (Tales of Hoffmann) Mozart: Non siate ritrosi (Cosi fan tutte) * Deh vieni alla finestra (Don Giovanni) * Finch'han dal vino (Don Giovanni) * Der Vogelfanger bin ich ja (Die Zauberflote) * Ein Madchen oder Weibchen (Die Zauberflote) Donizetti: Onegin's Aria (Eugene Onegin) Gounod: Avant de quitter ces lieux (Faust) Wagner: Die Frist ist um (Der Fliegende Hollander) * Was duftet doch der Fleider (Hans Sach's Monologue) (Die Meistersinger von Nurnberg) * Wahn! Wahn! (Die Meisterdinger von Nurnberg) * Mein Vater! (Parsifal) * Blick' ich umher (Wolfram's Address) (Tannhauser) * O du mein holder Abenstern (Tannhauser) * Leb' wohl! (Wotan's Farewell and Fire Music) (Die Walkure) Ponchielli: Ah! Pescator (La Gioconda) Beethoven: Ha! welch' ein Augenblick! (Fidelio) Thomas: O vin, dissipe la tristesse (Hamlet) Massenet: Salome! Salome! (Herodiade) * Vision fugitive (Herodiade) Donizetti: Cruda, funesta smania (Lucia di Lammermoor) Leoncavallo: Si puo?...Sio puo? (Pagliacci).

Operatic Recital 1 Erna Berger - CD 717281890359

Italian/English. Contents: Contenti N'andremo Ecco Quilla (Ah, How Rude) Ede Cio Vedo (And This Child) Gloria Laude (Praise to Thee) O Car ...

Vinyl LP pressing. As this recital amply demonstrates, Maria Callas encompassed an extraordinary range of roles. She is as convincing in the pinpoint coloratura of Lakms 'Bell Song' (Her chromatic scale is beautifully done and she sails up to the region known as in alt with the greatest ease, said Gramophone) as in the sweeping, richly-colored lines of Maddalenas La mamma morta from Andrea Chnier, famously and movingly featured on the soundtrack of the 1993 Hollywood film Philadelphia.

(Vocal Collection). Contents: Meyerbeer: O Paradis sorti de l'onde (L'Africaine) Verdi: Celeste Aida (Aida) * Io la vidi (Don Carlo) * Oh, tu che in seno agli angeli (La Forza Del Destino) * Parmi veder le lagrime (Rigoletto) * La donna e mobile (Rigoletto) * Ah, si ben mio coll'essere (Il Trovatore) Smetana: Jenik's Aria (The Bartered Bride) Puccini: Che gelida manina (La Boheme) * Donna non vidi mai (Manon Lescaut) * Recondita armonia (Tosca) * E lucevan le stelle (Tosca) Bizet: Le fleur que tu m'avais jetee (Carmen) Mozart: Un' aura amorosa (Coso fan tutte) * Il mio tesoro intanto (Don Giovanni) * Dalla sua pace (Don Giovanni) * O wie angstlich (Die Entfuhrung aus dem Serail) * Dies Bildniss ist bezaubernd schon (Die Zauberflote) Donizetti: Com'e gentil (Don Pasquale) * Una furtiva lagrima (L'Elisir D'Amore) * Spirto gentil (La Favorita) * Fra poco a me ricovero (Lucia di Lammermoor) Tchaikovsky: Lenski's Aria (Eugene Onegin) Gounod: Salut! demeure chaste et pure (Faust) * Ah, leve-toi, soleil! (Romeo et Juliette) C.M.von Weber: Durch die Walder (Der Freischutz) Ponchielli: Cielo e mar (La Gioconda); Godard: Oh! ne t'eveille pas (Jocelyn) Wagner: Amstillen Herd (Die Meistersinger von Nurnberg) * Morgenlich leuchtend im rosigen Schein (Walther's Prize-Song) (Die Meistersinger von Nurnburg) * In fernem Land (Lohengrin) * Wintersturme wichen dem Wonnemond (Die Walkure) Halevy: Rachel, quand du Seigneur (La Juive) Delibes: Fantaisie aux divins mensonges (Lakme) Massenet: En ferment les yeux (The Dream of Des Grieux) (Manon) * Ah! fuyez, douce image (Manon) Flotow: M'appari tutt'amor (Martha) A. Thomas: Elle ne croyait pas (Mignon) * Adieu, Mignon! (Mignon) Auber: Du pauvre seul ami (Slumber-Song) (La Muette de Portici) Leoncavallo: Vesti la giubba (Pagliacci) Lalo: Vainement, ma bien-aimee (Le Roi d'Ys).

(Vocal Collection). Contents: Verdi: Rittorna vincitor! (Aida) * Oh patria mia (Aida) * Tu che le vanita (Don Carlo) * Ernani, involami (Ernani) * Madre, pietosa Vergine (La Forza del Destino) * Pace, pace Mio Dio (La Forza del Destino) * Salce, Salce and Ave Maria (Otello) * Come in quest' ora bruna (Simon Boccanegra) * Tacea la Notte placida (Il Trovatore) * D'amor sull'ali rosee (Il Trovatore) Gluck: Divinites du Styx (Alceste) Smetana: Marenka's Aria (The Bartered Bride) Puccini: Mi chiamano Mimi (La Boheme) * In quelle trine morbide (Manon Lescaut) Bizet: Je dis que rien ne m'epouvante (Carmen) Massenet: Pleurez! pleurez, mes yeux! (Le Cid) * Il est doux, il est bon (Herodiade) * Obeissons quand leur voix appelle (Manon) Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) Mozart: Come scoglio (Cosi fan tutte) * Non mi dir (Don Giovanni) * Deh vieni, non tardar (Le Nozze di Figaro) * Porgi, amor, qualche ristoro (Le Nozze di Figaro) * Ach, ich fuhl's (Die Zauberflote) Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) Gounod: The King of Thule and the Jewel Song (Faust) Beethoven: Abscheulicher! wo eilst du hin? (Fidelio) J. Strauss: Klange der Heimat (Die Fledermaus) * Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) Wagner: Traft ihr das Schiff? (Der Fliegender Hollander) * Einsam in truben Tagen (Lohengrin) * Euch Luften (Lohengrin) * Dich, theure Halle (Tannhauser) * Allmacht'ge Jungfrau (Tannhauser) * Mild und leise (Tristan und Isolde) * Der Manner Sippe (Die Walkure) C.M. von Weber: Und ob die Wolke (Der Freischutz) * Wie nahte mir der Schlummer (Der Freischutz) * Ozean! du Ungeheuer (Oberon) Meyerbeer: Parmi les pleurs (Les Huguenots) Leoncavallo: Stridono lassu (Pagliacci) Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).

Operatic Recital Antonio Cortis - CD 717281890434

(Vocal Collection). Contents: Verdi: Eri tu che macchiavi (Un ballo in maschera) * Per me giunto (Don Carlo) * Lo vedremo, veglio audace (Ernani) * L'onore! Ladri! (Falstaff) * E sogno? realta (Falstaff) * Urna fatale (La Forza del Destino) * Pieta, rispetto, onore (Macbeth) * Credo in un Dio (Otello) * Cortigiani, vil razza (Rigoletto) * Pari siamo (Rigoletto) * Di Provenza il mar (La Traviata) * Il balen del suo sorriso (Il Trovatore) Rossini: Largo al factotum della citta (Il Barbiere di Siviglia) Bizet: Votre toast, je peux vous le rendre (Toreador Song) (Carmen) Offenbach: Scintille, diamant (Tales of Hoffmann) Mozart: Non siate ritrosi (Cosi fan tutte) * Deh vieni alla finestra (Don Giovanni) * Finch'han dal vino (Don Giovanni) * Der Vogelfanger bin ich ja (Die Zauberflote) * Ein Madchen oder Weibchen (Die Zauberflote) Donizetti: Onegin's Aria (Eugene Onegin) Gounod: Avant de quitter ces lieux (Faust) Wagner: Die Frist ist um (Der Fliegende Hollander) * Was duftet doch der Fleider (Hans Sach's Monologue) (Die Meistersinger von Nurnberg) * Wahn! Wahn! (Die Meisterdinger von Nurnberg) * Mein Vater! (Parsifal) * Blick' ich umher (Wolfram's Address) (Tannhauser) * O du mein holder Abenstern (Tannhauser) * Leb' wohl! (Wotan's Farewell and Fire Music) (Die Walkure) Ponchielli: Ah! Pescator (La Gioconda) Beethoven: Ha! welch' ein Augenblick! (Fidelio) Thomas: O vin, dissipe la tristesse (Hamlet) Massenet: Salome! Salome! (Herodiade) * Vision fugitive (Herodiade) Donizetti: Cruda, funesta smania (Lucia di Lammermoor) Leoncavallo: Si puo?...Sio puo? (Pagliacci).

(Vocal Collection). Contents: Rossini: La calunnia (Il Barbiere di Siviglia) * A un dottor della mia sorte (Il Barbiere di Siviglia) Cornelius: Mein Sohn (Der Barbier von Bagdad) Smetana: Kezal's Aria (The Bartered Bride) Puccini: Vecchia zimarra (La Boheme) Mussorgsky: I have attained to power (Boris Godunov) * Varlaam's Song (Boris Godunov) * Pimen's Tale (Boris Godunov) Verdi: Dormiro sol nel manto mio regal (Don Carlo) * Infelice! e tuo credevi (Ernani) * Infin che un brando vindice (Ernani) * Come dal ciel precipita (Macbeth) * Il lacerato spirito (Simon Boccanegra) * Di due figli vivea, padre beato (Il Trovatore) Mozart: Madamina! il catalogo e questo (Don Giovanni) * Wer ein Liebchen hat gefunden (Die Entfuhrung aus dem Serail) * Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) * Se vuol ballare, signor Contino (Le Nozze di Figaro) * Non piu andrai (Le Nozze di Figaro) * In diesen heil'gen Hallen (Die Zauberflote) * O Isis und Osiris (Die Zauberflote) Donizetti: Ah, un foco insolito (Don Pasquale) * A tanto amor (La Favorita) * Dalle stanze, ove Lucia (Lucia di Lammermoor) Tchaikovsky: Gremin's Aria (Eugene Onegin) Gounod: Vous qui faites l'endormie (Faust) * Le veau d'or (Faust) Beethoven: Hat man nicht auch Gold daneben (Fidelio) Wagner: Mogst du, mein Kind (Der Fliegende Hollander) * Mein Herr und Gott (Lohengrin) * Nun hort und versteht (Pogner's Address) (Die Meistersinger) * Tatest du's wirklich? (Tristan und Isolde) Ponchielli: Ombre die mia prosapia (La Gioconda) Meyerbeer: Piff, Paff (Les Heugenots) Gluck: De noirs pressentiments (Iphigenie en Tauride) Halvey: Si la rigueur (La Juive) Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) Massenet: Epouse quelque brave fille (Manon) Flotow: Lasst mich euch fragen (Porter Song) (Martha) Thomas: De son coeur j'ai calme la fievre (Mignon) Dargomyzhsky: The Miller's Song (Rusalka).

(Vocal Collection). Contents: Rossini: La calunnia (Il Barbiere di Siviglia) * A un dottor della mia sorte (Il Barbiere di Siviglia) Cornelius: Mein Sohn (Der Barbier von Bagdad) Smetana: Kezal's Aria (The Bartered Bride) Puccini: Vecchia zimarra (La Boheme) Mussorgsky: I have attained to power (Boris Godunov) * Varlaam's Song (Boris Godunov) * Pimen's Tale (Boris Godunov) Verdi: Dormiro sol nel manto mio regal (Don Carlo) * Infelice! e tuo credevi (Ernani) * Infin che un brando vindice (Ernani) * Come dal ciel precipita (Macbeth) * Il lacerato spirito (Simon Boccanegra) * Di due figli vivea, padre beato (Il Trovatore) Mozart: Madamina! il catalogo e questo (Don Giovanni) * Wer ein Liebchen hat gefunden (Die Entfuhrung aus dem Serail) * Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) * Se vuol ballare, signor Contino (Le Nozze di Figaro) * Non piu andrai (Le Nozze di Figaro) * In diesen heil'gen Hallen (Die Zauberflote) * O Isis und Osiris (Die Zauberflote) Donizetti: Ah, un foco insolito (Don Pasquale) * A tanto amor (La Favorita) * Dalle stanze, ove Lucia (Lucia di Lammermoor) Tchaikovsky: Gremin's Aria (Eugene Onegin) Gounod: Vous qui faites l'endormie (Faust) * Le veau d'or (Faust) Beethoven: Hat man nicht auch Gold daneben (Fidelio) Wagner: Mogst du, mein Kind (Der Fliegende Hollander) * Mein Herr und Gott (Lohengrin) * Nun hort und versteht (Pogner's Address) (Die Meistersinger) * Tatest du's wirklich? (Tristan und Isolde) Ponchielli: Ombre die mia prosapia (La Gioconda) Meyerbeer: Piff, Paff (Les Heugenots) Gluck: De noirs pressentiments (Iphigenie en Tauride) Halvey: Si la rigueur (La Juive) Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) Massenet: Epouse quelque brave fille (Manon) Flotow: Lasst mich euch fragen (Porter Song) (Martha) Thomas: De son coeur j'ai calme la fievre (Mignon) Dargomyzhsky: The Miller's Song (Rusalka).

The great baritone Vickers, in four fully staged operatic scenes from Handel's Samson, Beethoven's Flores tan (from Fidelio), Peter Grimes and Otello.

Early Operatic Recordings Julius Patzak - CD 717281892339

A nice, bright copy. ; Oxford Handbooks; 14.4 X 13.0 X 2.8 inches; 614 pages

Singers’ Edition amplifies each aria with important resources—the opera story, word-by-word translation, phonetic reading, the historic, dramatic, and musical perspective for each aria, and an annotated bibliography.

Opera performances are often radically inventive. Composers’ revisions, singers’ improvisations, and stage directors’ re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera? Remaking the Song, rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the opera’s musical text. Scholarly tradition favors the idea of great operatic texts permanently inscribed in the canon. Roger Parker, considering examples ranging from Cecilia Bartoli's much-criticized insistence on using Mozart's alternative arias in the Marriage of Figaro to Luciano Berio's new ending to Puccini's unfinished Turandot, argues that opera is an inherently mutable form, and that all of us―performers, listeners, scholars―should celebrate operatic revisions as a way of opening works to contemporary needs and new pleasures.

Complete with relevant, well-written information and critical scores, this collection of arias support a well-rounded foundation in operatic literature. Developed for students wishing to become deeply informed about the music they sing.

Fine, illustrated dust jacket, black boards, bright white pages, clean and unmarked.

Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.02

In shrink wrap. Looks like an interesting title!

Traces the history of the Glyndebourne Festival Opera, looks at notable productions, and lists operas that had their British premieres at Glyndebourne