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Neuware - Meret Oppenheim (1913-1985) war eine der vielseitigsten Künstlerinnen des 20. Jahrhunderts und schuf ein bedeutendes malerisches und skulpturales Oeuvre. Bekannt wurde sie als Schöpferin der weltberühmten, mit Pelz bezogenen Tasse 'Déjeuner en fourrure' (1936), einer Ikone des Surrealismus, aber auch als Gestalterin des Berner Oppenheim-Brunnens und als wunderschönes Modell vor der Kameralinse von Man Ray. Was bislang fehlte, war ein kompakter Einblick in ihr Leben und Werk. Mit 'Meret Oppenheim - Eine Einführung' liegt jetzt eine knappe, handliche Übersicht vor. Das Buch fasst die wichtigsten Linien und Schnittstellen zusammen und behandelt in einem abwechslungsreichen Bogen ausgewählte Themen. Erkenntnisse aus bisher unbekannten Archiven und neue fotografische Dokumente machen das Buch zu einer aufregenden Reise durch ein Leben, in dem Realität und Phantasie zu einer Einheit verschmolzen sind.

This numbered edition Canvas Print, comes with a numbered and signed certificate of authenticity. Ready to hang, this image is printed onto a 450gsm white finish, 100% cotton canvas and stretched over 1.5in deep wood stretcher bars (3/4in for XS). Each print comes with wall hanging hardware. Made in the USA

This numbered edition Canvas Print, comes with a numbered and signed certificate of authenticity. Ready to hang, this image is printed onto a 450gsm white finish, 100% cotton canvas and stretched over 1.5in deep wood stretcher bars (3/4in for XS). Each print comes with wall hanging hardware. Made in the USA

This numbered edition Canvas Print, comes with a numbered and signed certificate of authenticity. Ready to hang, this image is printed onto a 450gsm white finish, 100% cotton canvas and stretched over 1.5in deep wood stretcher bars (3/4in for XS). Each print comes with wall hanging hardware. Made in the USA

Much more than "just" the fur cup: this lavishly illustrated monograph presents the multifaceted work and colorful life of the great artist and Surrealist muse, Meret Oppenheim (1913-1985). Once enmeshed in scandal, known as a mysterious model and a mythical personality, she emerged among the most far-sighted artists of her epoch. Her oeuvre, which includes painting, sculpture, photography, poetry, drawings and design objects, constitutes an important contribution to twentieth-century art. Alongside the legendary Breakfast in Fur, from the collection of The Museum of Modern Art, New York and important pieces from Vienna, Paris and Stockholm, Retrospective: An Enormously Tiny Bit of a Lot includes many never-before seen works from private collections. While Oppenheim's works forbid formal classification, major themes can be distinguished: borders and connections between nature and culture; man and woman; day and night; and, as befits a Surrealist, dream and reality. Here, art historical writing and detailed analyses shed light on gender-specific issues in Oppenheim's work, along with broader concerns and major artistic advances. In addition, previously unpublished fragments of Oppenheim's own writing recollect many of her companions and artistic colleagues, and an illustrated biography completes the picture.

Used - Good Paperback in very good condition. No notes or highlights. Some minor creasing to edges of cover.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.4

Meret Oppenheim (1913–85) is one of the most recognized 20th-century artists. This catalog examines her entire career, from the 1930s to the late works, revealing the creative network of relationships she nurtured with her peers during her time in Paris. Man Ray, Marcel Duchamp, Max Ernst, Alberto Giacometti, Hans Arp and others are documented in this publication through some of their most significant works.What emerges is the extent to which the artist influenced the Surrealist vocabulary in which objects turn into fetishes, oneiric and erotic fantasies intermingle and women are seen as innocent or evil, enveloped in mysterious nature. Her creative freedom and the extraordinary evocative power of her works have made her a key figure for many generations of artists, as can be seen here through parallels with creations by Daniel Spoerri, Birgit Jürgenssen, Robert Gober and Mona Hatoum.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.84

Déjeuneur en Fourrure, the famous fur-lined cup and saucer that Meret Oppenheim produced during her student years in Paris, brought her international renown and precociously labeled her as a Surrealist during the 1930s. This first comprehensive study of Oppenheim (1913-1985) unites biographical detail, critical interpretation, and catalogue raisonné to illuminate the enigmatic character and formidable achievements of a clairvoyant and radical artist. With great sensitivity, Bice Curiger intertwines life and oeuvre, demonstrating the significance of an artist who was unfettered by adherence to any one style but produced a body of work bearing a highly personal expression. Curiger traces Oppenheim's career, beginning with her earliest schoolgirl manifesto, X=HARE, and her celebrated experiments in Paris. Oppenheims's return to Switzerland in the 1940s marked a prolonged period of personal and creative crisis, during which she affirmed the guiding tenet of her practice, the "uncertainly principle." It was not until the late 1960s, Curiger observes, that Meret Oppenheim was truly rediscovered by an audience captivated by the richness and complexity of her work and its startling relevance to contemporary issues of individuality and feminism. The catalogue raisonné contains more than 1,000 images, documenting the enormous breadth and imagination of Oppenheim's oeuvre that included not only painting, drawing and sculpture, but jewelery and clothing design as well. The visual work is augmented by selected poems and writings by the artist. Bice Curiger is the leading authority on Meret Oppenheim and worked closely with her until her death. She is Editorin-Chief of PARKETT magazine and a member of Switzerland's National Council for the Arts. Copublished with PARKETT Publishers. Distributed by The MIT Press.

Meret Oppenheim (1913–85) is one of the most recognized 20th-century artists. This catalog examines her entire career, from the 1930s to the late works, revealing the creative network of relationships she nurtured with her peers during her time in Paris. Man Ray, Marcel Duchamp, Max Ernst, Alberto Giacometti, Hans Arp and others are documented in this publication through some of their most significant works.What emerges is the extent to which the artist influenced the Surrealist vocabulary in which objects turn into fetishes, oneiric and erotic fantasies intermingle and women are seen as innocent or evil, enveloped in mysterious nature. Her creative freedom and the extraordinary evocative power of her works have made her a key figure for many generations of artists, as can be seen here through parallels with creations by Daniel Spoerri, Birgit Jürgenssen, Robert Gober and Mona Hatoum.

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In color pictorial jacket, 4to, 199pp. Illustrated profusely. Size: 4to - over 9¾" - 12" tall

This landmark volume examines the life and work of the extraordinary Swiss Surrealist Meret Oppenheim. Although she became famous at the age of 23 for her fur-covered teacup, she subsequently suffered years of critical neglect, and her subversive work has only recently begun to receive the acclaim it deserves. This beautiful catalogue covers the full range of her art, embracing sculpture, painting, drawing, collage, assemblage, photography, fashion and jewelry design, and a selection of Oppenheim's poems. Now available to the trade in a paperback edition.

Déjeuneur en Fourrure, the famous fur-lined cup and saucer that Meret Oppenheim produced during her student years in Paris, brought her international renown and precociously labeled her as a Surrealist during the 1930s. This first comprehensive study of Oppenheim (1913-1985) unites biographical detail, critical interpretation, and catalogue raisonné to illuminate the enigmatic character and formidable achievements of a clairvoyant and radical artist. With great sensitivity, Bice Curiger intertwines life and oeuvre, demonstrating the significance of an artist who was unfettered by adherence to any one style but produced a body of work bearing a highly personal expression. Curiger traces Oppenheim's career, beginning with her earliest schoolgirl manifesto, X=HARE, and her celebrated experiments in Paris. Oppenheims's return to Switzerland in the 1940s marked a prolonged period of personal and creative crisis, during which she affirmed the guiding tenet of her practice, the "uncertainly principle." It was not until the late 1960s, Curiger observes, that Meret Oppenheim was truly rediscovered by an audience captivated by the richness and complexity of her work and its startling relevance to contemporary issues of individuality and feminism. The catalogue raisonné contains more than 1,000 images, documenting the enormous breadth and imagination of Oppenheim's oeuvre that included not only painting, drawing and sculpture, but jewelery and clothing design as well. The visual work is augmented by selected poems and writings by the artist. Bice Curiger is the leading authority on Meret Oppenheim and worked closely with her until her death. She is Editorin-Chief of PARKETT magazine and a member of Switzerland's National Council for the Arts. Copublished with PARKETT Publishers. Distributed by The MIT Press.

This landmark volume examines the life and work of the extraordinary Swiss Surrealist Meret Oppenheim. Although she became famous at the age of 23 for her fur-covered teacup, she subsequently suffered years of critical neglect, and her subversive work has only recently begun to receive the acclaim it deserves. This beautiful catalogue covers the full range of her art, embracing sculpture, painting, drawing, collage, assemblage, photography, fashion and jewelry design, and a selection of Oppenheim's poems. Now available to the trade in a paperback edition.

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Iconic as a photographic subject and influential as a creator of iconic objects, Meret Oppenheim (1913–1985) was both artist and muse, and was uniquely liberated in both roles. In celebration of the centennial of her birth, Mirrors of the Mind looks at Oppenheim’s singular position as maker and subject of art through numerous sculptures, prints, paintings and photographs. From the iconic "Object in Fur" to lesser-known pieces, Oppenheim’s consistently poetical and humorous work continues to find resonance in contemporary art through its candor and economy of means. This substantial, handsomely designed monograph shows the artist to have been an inspirational figure in her own era--for artists such as Man Ray, Picasso and Max Ernst--as well as an important feminist artist.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 3.4

Much more than "just" the fur cup: this lavishly illustrated monograph presents the multifaceted work and colorful life of the great artist and Surrealist muse, Meret Oppenheim (1913-1985). Once enmeshed in scandal, known as a mysterious model and a mythical personality, she emerged among the most far-sighted artists of her epoch. Her oeuvre, which includes painting, sculpture, photography, poetry, drawings and design objects, constitutes an important contribution to twentieth-century art. Alongside the legendary Breakfast in Fur, from the collection of The Museum of Modern Art, New York and important pieces from Vienna, Paris and Stockholm, Retrospective: An Enormously Tiny Bit of a Lot includes many never-before seen works from private collections. While Oppenheim's works forbid formal classification, major themes can be distinguished: borders and connections between nature and culture; man and woman; day and night; and, as befits a Surrealist, dream and reality. Here, art historical writing and detailed analyses shed light on gender-specific issues in Oppenheim's work, along with broader concerns and major artistic advances. In addition, previously unpublished fragments of Oppenheim's own writing recollect many of her companions and artistic colleagues, and an illustrated biography completes the picture.