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Tight, creaseless binding; clean pages; minimal wear all around. This book is in like-new condition. This books brings together projects by Etel Adnan and Lynn Marie Kirby including Back, Back Again to Paris, Alhambra Exchange, and Transmissions. The volume brings together video, performance, photography, email, and other texts. *Please see our images.*

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.03

This is a compelling account of one woman's journey to reclaim the magical, oracular, and spiritual dimensions of life. After building a personal altar to the Black Madonna, art critic Suzi Gablik finds herself immersed in a world of oracles and synchronicities. Adopting an attitude of openness, trust, and curiosity, she experiments with the reality of divine intervention: relying on oracular signs, numinous clues, guided inspiration, and moments of meaningful coincidence as another way of knowing and appreciating the world. Confronting the challenges of a powerful experience that is filled with paradox and ambiguity, she arrives at a very special place of being able to enjoy, accept, and trust the ultimate inscrutability of the universe.Today many of us live without access to the visionary part of our payche. We tend to think of life as being unpredictable and random-a series of disconnected events, flowing like an arrow through time. Living the Magical Life opens a doorway to a deeper vision of the world.

This is a compelling account of one woman's journey to reclaim the magical, oracular, and spiritual dimensions of life. After building a personal altar to the Black Madonna, art critic Suzi Gablik finds herself immersed in a world of oracles and synchronicities. Adopting an attitude of openness, trust, and curiosity, she experiments with the reality of divine intervention: relying on oracular signs, numinous clues, guided inspiration, and moments of meaningful coincidence as another way of knowing and appreciating the world. Confronting the challenges of a powerful experience that is filled with paradox and ambiguity, she arrives at a very special place of being able to enjoy, accept, and trust the ultimate inscrutability of the universe.Today many of us live without access to the visionary part of our payche. We tend to think of life as being unpredictable and random-a series of disconnected events, flowing like an arrow through time. Living the Magical Life opens a doorway to a deeper vision of the world.

Songs for anyone who's "going through daily life feeling like an alien," MGMT draws seasoned fans and new initiates alike into the band's eureka zone, a psychic oasis offering the opposite of dumbed-down (smarted-up?) as sympathetic counsel or support for something like chronic mis-aligned-multiple-reality syndrome, Deja Vu-DO or Modern malaise - whatever you want to call it. With their resplendent third album, Ben and Andrew finally open up the MGMT inner sanctum through a brand-new sound that'

Oracular Spectacular is the first major label studio album by MGMT and ultimately enjoyed both critical approval and commercial success, with the album selling over 500,000 copies in the U.S. and going platinum in Australia, the U.K., and Ireland. Oracular Spectacular features MGMT's signature song "Kids", the funky track "Electric Feel" (famously covered by Weezer) and the smashing opening track "Time to Pretend". The tunes sound classic and new all at once, paying homage to Bowie, the Kinks, a

The Epic Rhapsode and His Craft studies Homeric performance from archaic to Roman imperial times. It argues that oracular utterance, dramatic acting, and rhetorical delivery powerfully elucidate the practice of epic rhapsodes. Attention to the ways in which these performance domains informed each other over time reveals a shifting dynamic of competition and emulation among rhapsodes, actors, and orators that shaped their texts and their crafts. A diachronic analysis of this web of influences illuminates fundamental aspects of Homeric poetry: its inspiration and composition, the notional fixity of its poetic tradition, and the performance-driven textual fixation and writing of the Homeric poems. It also shows that rhapsodic practice is best understood as an evolving combination of revelation, interpretation, recitation, and dramatic delivery.

Here is the first volume in a definitive, career-spanning two-volume edition of the poems of the former U.S. Poet Laureate, which is also available as a deluxe boxed set, The Collected Poems of W. S. Merwin (described below). Oracular and elegant, W. S. Merwin’s poetry reveals a heightened sense of what is essential to human consciousness: the fragile framing of nature, the mysteries of memory and perception, the inescapable fact of our mortality. In a career spanning seven decades— from his brilliant emergence as the winner of the Yale Younger Poets’ Prize in 1952 to his recent term as U.S. Poet Laureate—he has fashioned a poetics unmistakably his own, marked by a stripped-down, unpunctuated style that foregrounds his responsiveness, spiritual insights, and facility with unadorned, elemental language. Now, with this two-volume edition, Merwin becomes only the second living poet to have his work collected by The Library of America. Here are such landmark books as his debut volume A Mask for Janus (1952), which shows the young poet engaged in a fruitful dialogue with Auden and Berryman; The Lice (1967), with its impassioned political poems about the Vietnam War and ecological catastrophe; The Vixen (1996), which offers vivid recollections of southwestern France; the epic verse novel The Folding Cliffs (2008), set in nineteenth-century Hawaii; and The Shadow of Sirius (2008), with its “late poems / that are made of words / that have come the whole way / they have been there.”LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Here is the first volume in a definitive, career-spanning two-volume edition of the poems of the former U.S. Poet Laureate, which is also available as a deluxe boxed set, The Collected Poems of W. S. Merwin (described below). Oracular and elegant, W. S. Merwin’s poetry reveals a heightened sense of what is essential to human consciousness: the fragile framing of nature, the mysteries of memory and perception, the inescapable fact of our mortality. In a career spanning seven decades— from his brilliant emergence as the winner of the Yale Younger Poets’ Prize in 1952 to his recent term as U.S. Poet Laureate—he has fashioned a poetics unmistakably his own, marked by a stripped-down, unpunctuated style that foregrounds his responsiveness, spiritual insights, and facility with unadorned, elemental language. Now, with this two-volume edition, Merwin becomes only the second living poet to have his work collected by The Library of America. Here are such landmark books as his debut volume A Mask for Janus (1952), which shows the young poet engaged in a fruitful dialogue with Auden and Berryman; The Lice (1967), with its impassioned political poems about the Vietnam War and ecological catastrophe; The Vixen (1996), which offers vivid recollections of southwestern France; the epic verse novel The Folding Cliffs (2008), set in nineteenth-century Hawaii; and The Shadow of Sirius (2008), with its “late poems / that are made of words / that have come the whole way / they have been there.”LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Where the past and future converge... With a turn of the wheel and a spin of the cog, the oracular machinery lumbers into action. The curtains slowly draw back; the time has come to reveal your destiny. Created by award-winning tarot expert Barbara Moore and brilliantly brought to life by artist Aly Fell, The Steampunk Tarot deck offers a glimpse of the future through a lens to the past. Retooling the gears of the Rider-Waite tradition, each card's intricate artwork depicts a scintillating fusion of man and machine, nature and technology, science and alchemy, romance and fashion. The included manual offers tips, original spreads, and guidance in card interpretation. Praise: "An electric marriage of favorite geeky things, this deck is the perfect formula."―Geek Mom Blog on Wired.com

Kaleidoscopic Omniscience is a new collection from lingual contortionist and poetic sage Will Alexander, featuring his early works - Asia & Haiti, The Stratospheric Canticles, and Impulse & Nothingness. Alexander's prismatic and oracular voice cascades around bi-geographic confrontations, painterly morphologies, and the cosmology of the void. "[Alexander is] acutely conscious of the issue of poetic voice, and is unwilling to let poetry's potential for ventriloquizing or exploring the voices of others be subsumed in an impersonal écriture or ultimately homogenous montage. He seems as well interested in the spiritual dimension of poetry, especially in the degrees to which poetry can give us access to spiritual or emotional states beyond those we normally experience." - Mark Scroggins, American Book Review

Darwin. Dawkins. Dennett. -- This voluble triumvirate has gained oracular status for many scientists and laypersons in the contemporary world. But though the edifice of thought they have erected over and against tradition and faith has gained currency in today's nihilistic mind, it is now rapidly eroding in the serious world of ideas. But what of that heady amalgam of Science and Christianity first put together by Teilhard de Chardin, which struck the Catholic world like a whirlwind around the time of the Second Vatican Council and continues to the present day in the work of such Catholic evolutionists as John Haught and Kenneth R. Miller? What as a rule has rendered Catholics vulnerable to Teilhardian tenets -- apart from the fact that these conform to the neo-humanist tendencies of our age -- is that the theory is clad in scientific garb: in the modern world, where Science speaks, it appears even angels will listen. In Theistic Evolution, Wolfgang Smith shows himself to be that rare person thoroughly grounded in both science and theology, and what he proves through detailed and rigorous argument is that Teilhard de Chardin has in fact sold us a veritable science-fiction theology. This book, however, is much more than a masterful and indeed definitive refutation of theistic evolutionism: it is at the same time an incomparable introduction to long-forgotten metaphysical and theological truths. In language at once precise and lucid the author recalls teachings going back to the Greek and Latin Fathers, and explains their bearing on questions about the nature of God and man bungled at the hands of many contemporary scientists and theologians.

As the translator notes, this collection should more properly titled 'the Pseudo-Sibylline Oracles'. The original Sibylline Books were closely-guarded oracular scrolls written by prophetic priestesses (the Sibylls) in the Etruscan and early Roman Era as far back as the 6th Century [BC] These books were destroyed, partially in a fire in 83 [BC], and finally burned by order of the Roman General Flavius Stilicho (365-408 [AD]).There is very little knowledge of the actual contents of the original Sibylline Books. The texts which are presented here are forgeries, probably composed between the second to sixth century [AD]. They purport to predict events which were already history or mythological history at the time of composition, as well as vague all-purpose predictions, especially woe for various cities and countries such as Rome and Assyria. They are an odd pastiche of Hellenistic and Roman Pagan mythology, including Homer and Hesiod; Jewish legends such as the Garden of Eden, Noah and the Tower of Babel; thinly veiled references to historical figures such as Alexander the Great and Cleopatra, as well as a long list of Roman Emperors; and last but not least, Gnostic and early Christian homilies and eschatological writings, all in no particular order. There may be actual residue of the original Sibylline books wedged in here and there, but this is dubious.As prophecy, the Pseudo-Sibyllines never rise to the level of Nostradamus. However they are a gold mine for students of Classical mythology and early first millenium Jewish, Gnostic and Christian beliefs. Notable are apocalyptic passages scattered throughout which at times seem like a first draft of the Biblical Book of Revelation. The Pseudo-Sibyllines were referenced by the early Church fathers and in one instance have a Christian code-phrase in successive first letters on each l

Since the beginning of recorded history, the oracular tradition has been associated with healing and with the Divine. For Ralph H. Blum, the journey toward spiritual and emotional healing began with the 1982 publication of The Book of Runes. Since then, millions of people have welcomed the inspiration, guidance and comfort found in his interpretation of an ancient Western Oracle-- the Runes.At this time in history, a recognition of the relationship between physical health and emotional well-being is crucial. Created specifically to support traditional forms of therapy, healing and recovery, as well as all Twelve Step programs, The Healing Runes offers a new interpretation of this sacred oracle for all those whose lives stand in need of healing.When you are feeling alone or afraid; when you are sick physically or emotionally; or when your best friend is away and you need sound advice-- put your hand in the bag and pick a Rune. And when you are full of joy and praise and gratitude-- pick a Rune. The Healing Runes provides comfort for the heart, ease for the body, peace for the mind and nourishment for the soul.

This is the first exhaustive study of the Urim and Thummim since 1824, and in this book Van Dam sets out to rectify that lack of attention. He investigates all of the biblical data concerning this enigmatic oracular means of high-priestly revelation and its connection, in the historical books of the Old Testament, with the common phrase “to enquire of Yahweh/God.”After surveying the history of interpretation and the treatment of the terms in the various versions and translations, Van Dam examines the implications of similar oracular devices and priestly dress within the larger cultural context of the ancient Near East. He places the Urim and Thummim within the context of divine revelation and human inquiry and the corollary probibition of divination in ancient Israel. He concludes that the breastpiece functioned as a pouch to hold the Urim and Thummim, which therefore clearly were tangible objects. Van Dam traces the use of this oracular instrument through the early monarchy under David—from the time of Joshua through the early monarchy under David—and its apparent disappearance by the time of the “classical” prophets, where a shift to primarily verbal oracles occurs.Concurrent with his study of the history of the oracle, Van Dam interacts with current discussion on the nature and process of God’s revelation to humankind.

This is the first exhaustive study of the Urim and Thummim since 1824, and in this book Van Dam sets out to rectify that lack of attention. He investigates all of the biblical data concerning this enigmatic oracular means of high-priestly revelation and its connection, in the historical books of the Old Testament, with the common phrase “to enquire of Yahweh/God.”After surveying the history of interpretation and the treatment of the terms in the various versions and translations, Van Dam examines the implications of similar oracular devices and priestly dress within the larger cultural context of the ancient Near East. He places the Urim and Thummim within the context of divine revelation and human inquiry and the corollary probibition of divination in ancient Israel. He concludes that the breastpiece functioned as a pouch to hold the Urim and Thummim, which therefore clearly were tangible objects. Van Dam traces the use of this oracular instrument through the early monarchy under David—from the time of Joshua through the early monarchy under David—and its apparent disappearance by the time of the “classical” prophets, where a shift to primarily verbal oracles occurs.Concurrent with his study of the history of the oracle, Van Dam interacts with current discussion on the nature and process of God’s revelation to humankind.

A completely original guide to the screenwriter's art -- as only the writer of Blade Runner could concieve it.The master speaks, in this unique guide for screenwriters -- and writers and artists of all kinds. In short paragraphs--oracular and enigmatic, hardhitting and concrete--the man Forbes called a "creative genius" writes a guide book like none other for the aspiring screenwriter. Learn how to write living, breathing characters, exciting action and plot, and develop your own artistic vision. And learn how to never compromise that vision, most importantly, with yourself.

Lynda Hill has expanded the Sabian Symbols significance for our times and also allows the symbols to be utilised in an oracular fashion, consistent with the intentions of the ancients.

The Magickal Herb Oracle offers the precious secrets and ancient wisdom of herbs for you to explore while immersing your soul, body, and spirit in real nature magick. Thirty-six of the world's most-loved herbs, meticulously researched for their magickal, botanical, traditional, and oracular uses by botanical expert and artist Cheralyn Darcey, are brought to you in stunningly beautiful botanical collages by artist Céline Le Nezet.Learn how to create powerful magick and rituals for everyday purposes or consult the herbs within this deck to construct traditional oracle readings that will help you find divine answers, support, and guidance for a happier, more fulfilled life.

As the translator notes, this collection should more properly titled 'the Pseudo-Sibylline Oracles'. The original Sibylline Books were closely-guarded oracular scrolls written by prophetic priestesses (the Sibylls) in the Etruscan and early Roman Era as far back as the 6th Century [BC] These books were destroyed, partially in a fire in 83 [BC], and finally burned by order of the Roman General Flavius Stilicho (365-408 [AD]).There is very little knowledge of the actual contents of the original Sibylline Books. The texts which are presented here are forgeries, probably composed between the second to sixth century [AD]. They purport to predict events which were already history or mythological history at the time of composition, as well as vague all-purpose predictions, especially woe for various cities and countries such as Rome and Assyria. They are an odd pastiche of Hellenistic and Roman Pagan mythology, including Homer and Hesiod; Jewish legends such as the Garden of Eden, Noah and the Tower of Babel; thinly veiled references to historical figures such as Alexander the Great and Cleopatra, as well as a long list of Roman Emperors; and last but not least, Gnostic and early Christian homilies and eschatological writings, all in no particular order. There may be actual residue of the original Sibylline books wedged in here and there, but this is dubious.As prophecy, the Pseudo-Sibyllines never rise to the level of Nostradamus. However they are a gold mine for students of Classical mythology and early first millenium Jewish, Gnostic and Christian beliefs. Notable are apocalyptic passages scattered throughout which at times seem like a first draft of the Biblical Book of Revelation. The Pseudo-Sibyllines were referenced by the early Church fathers and in one instance have a Christian code-phrase in successive first letters on each l