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This Festschrift is presented to Professor Hans Jonas on the occasion of his seventy-fifth birthday, as affirmation of the contributors' respect and admiration. As a volume in the series 'Philosophy and Medicine' the contributions not only reflect certain interests and pursuits of the scholar to whom it is dedi­ cated, but also serve to bring to convergence the interests of the contributors in the history of humanity and medicine, the theory of organism, medicine in the service of the patient's autonomy, and the metaphysical, i.e., phenome­ nological foundations of medicine. Notwithstanding the nature of such personal gifts as the authors' contributions (which, with the exception of the late Hannah Arendt's, appear here for the first time), the essays also transcend the personal and serve to elaborate specific themes and theses disclosed in the numerous writings of Hans Jonas. The editor owes a personal debt of gratitude to many, including Hannah Arendt, who offered their assistance during the preparation of the volume.

A digital copy of "Perspectives on Organisms" by Giuseppe Longo. Download is immediately available upon purchase!

Foreword by Oliver Sacks Kurt Goldstein (1878-1965) was already an established neuropsychologist when he emigrated from Germany to the United States in the 1930s. This book, his magnum opus and widely regarded as a modern classic in psychology and biology, grew out of his dissatisfaction with traditional natural science techniques for analyzing living beings. It offers a broad introduction to the sources and ranges of application of the "holistic" or "organismic" research program that has since become a standard part of biological thought. Goldstein was especially concerned with the breakdown of organization and the failure of central controls that take place in catastrophic responses to situations such as physical or mental illness. But he was equally attuned to the amazing powers of the organism to readjust to such catastrophic losses, if only by withdrawal to a more limited range that it could manage by a redistribution of its reduced energies, thus reclaiming as much wholeness as new circumstances allowed. Goldstein's theses in The Organism have had an important impact on philosophical and psychological thought throughout the twentieth century, as evidenced in the work of Maurice Merleau-Ponty, Georges Canguilhem, Ernst Cassirer, and Ludwig Binswanger.

Hardcover, no dust jacket. Very good condition. Covers are square, binding is tight. No date on the title page. Copyright page stated first edition, October 2022. 181 pages. Pages are crisp and clean. We are a real brick and mortar bookstore and ship books everyday. This listing was written by an actual person with the book in front of them for inspection. Please email with questions or to see any photos.

Over the past decade, advances in both molecular developmental biology and evolutionary ecology have made possible a new understanding of organisms as dynamic systems interacting with their environments. This innovative book synthesizes a wealth of recent research findings to examine how environments influence phenotypic expression in individual organisms (ecological development or 'eco-devo'), and how organisms in turn alter their environments (niche construction). A key argument explored throughout the book is that ecological interactions as well as natural selection are shaped by these dual organism-environment effects. This synthesis is particularly timely as biologists seek a unified contemporary framework in which to investigate the developmental outcomes, ecological success, and evolutionary prospects of organisms in rapidly changing environments. Organism and Environment is an advanced text suitable for graduate level students taking seminar courses in ecology, evolution, and developmental biology, as well as academics and researchers in these fields.

Foreword by Oliver Sacks Kurt Goldstein (1878-1965) was already an established neuropsychologist when he emigrated from Germany to the United States in the 1930s. This book, his magnum opus and widely regarded as a modern classic in psychology and biology, grew out of his dissatisfaction with traditional natural science techniques for analyzing living beings. It offers a broad introduction to the sources and ranges of application of the "holistic" or "organismic" research program that has since become a standard part of biological thought. Goldstein was especially concerned with the breakdown of organization and the failure of central controls that take place in catastrophic responses to situations such as physical or mental illness. But he was equally attuned to the amazing powers of the organism to readjust to such catastrophic losses, if only by withdrawal to a more limited range that it could manage by a redistribution of its reduced energies, thus reclaiming as much wholeness as new circumstances allowed. Goldstein's theses in The Organism have had an important impact on philosophical and psychological thought throughout the twentieth century, as evidenced in the work of Maurice Merleau-Ponty, Georges Canguilhem, Ernst Cassirer, and Ludwig Binswanger.

In Organisms and Artifacts, Tim Lewens investigates the analogical use of the language of design in evolutionary biology. Uniquely among the natural sciences, biology uses descriptive and explanatory terms more suited to artifacts than organisms. When biologists discuss, for example, the purpose of the panda's thumb and look for functional explanations for organic traits, they borrow from a vocabulary of intelligent design that Darwin's findings could have made irrelevant over a hundred years ago. Lewens argues that examining the analogy between the processes of evolution and the processes by which artifacts are created―looking at organisms as analogical artifacts―sheds light on explanations of the form of both organic and inorganic objects. He argues further that understanding the analogy is important for what it can tell us not only about biology but about technology and philosophy.In the course of his argument, Lewens discusses issues of interest to philosophers of biology, biologists, philosophers of mind, and students of technology. These issues include the pitfalls of the design-based thinking of adaptationism, the possible conflict between selection explanations and developmental explanations, a proposed explanation of biological function, and prospects for an informative evolutionary model of technological change. Emerging from these discussions is an explanation of the use of the vocabulary of intelligence and intention in biology that does not itself draw on the ideas of intelligent design, which will be of interest in the ongoing debate over intelligent design creationism.

In Organisms and Artifacts, Tim Lewens investigates the analogical use of the language of design in evolutionary biology. Uniquely among the natural sciences, biology uses descriptive and explanatory terms more suited to artifacts than organisms. When biologists discuss, for example, the purpose of the panda's thumb and look for functional explanations for organic traits, they borrow from a vocabulary of intelligent design that Darwin's findings could have made irrelevant over a hundred years ago. Lewens argues that examining the analogy between the processes of evolution and the processes by which artifacts are created -- looking at organisms as analogical artifacts -- sheds light on explanations of the form of both organic and inorganic objects. He argues further that understanding the analogy is important for what it can tell us not only about biology but about technology and philosophy.In the course of his argument, Lewens discusses issues of interest to philosophers of biology, biologists, philosophers of mind, and students of technology. These issues include the pitfalls of the design-based thinking of adaptationism, the possible conflict between selection explanations and developmental explanations, a proposed explanation of biological function, and prospects for an informative evolutionary model of technological change. Emerging from these discussions is an explanation of the use of the vocabulary of intelligence and intention in biology that does not itself draw on the ideas of intelligent design, which will be of interest in the ongoing debate over intelligent design creationism.

Over the past decade, advances in both molecular developmental biology and evolutionary ecology have made possible a new understanding of organisms as dynamic systems interacting with their environments. This innovative book synthesizes a wealth of recent research findings to examine how environments influence phenotypic expression in individual organisms (ecological development or 'eco-devo'), and how organisms in turn alter their environments (niche construction). A key argument explored throughout the book is that ecological interactions as well as natural selection are shaped by these dual organism-environment effects. This synthesis is particularly timely as biologists seek a unified contemporary framework in which to investigate the developmental outcomes, ecological success, and evolutionary prospects of organisms in rapidly changing environments. Organism and Environment is an advanced text suitable for graduate level students taking seminar courses in ecology, evolution, and developmental biology, as well as academics and researchers in these fields.

The central insight of Darwin's Origin of Species is that evolution is an ecological phenomenon, arising from the activities of organisms in the 'struggle for life'. By contrast, the Modern Synthesis theory of evolution, which rose to prominence in the twentieth century, presents evolution as a fundamentally molecular phenomenon, occurring in populations of sub-organismal entities - genes. After nearly a century of success, the Modern Synthesis theory is now being challenged by empirical advances in the study of organismal development and inheritance. In this important study, D. M. Walsh shows that the principal defect of the Modern Synthesis resides in its rejection of Darwin's organismal perspective, and argues for 'situated Darwinism': an alternative, organism-centred conception of evolution that prioritises organisms as adaptive agents. His book will be of interest to scholars and advanced students of evolutionary biology and the philosophy of biology.

Paperback. A supernatural sci-fi graphic novel written and illustrated by S. Craig Zahler, the award-winning film director of Bone Tomahawk, Brawl in Cell Block 99, and Dragged Across Concrete.A supernatural sci-fi graphic novel written and illustrated by S. Craig Zahler, the award-winning film director of Bone Tomahawk, Brawl in Cell Block 99, and Dragged Across Concrete.An alien spacecraft the size of a city materializes over the Pacific Ocean and the nations of the world jointly engage this enigmatic and incommunicative visitor with force. This battle results in large-scale destruction on both sides, but does not answer any of the questions that will haunt humanity- What are these utterly inhuman creatures? Where did they come from? Why did they choose to visit our planet? And-most importantly-are more forces on the way? For the bereaved billionaire Carlton Land, renowned biologist Aimee O'Donnell, and the brilliant, but blunt USAAF Chief Scientist Kenneth Yamazaki, these questions must be answered in order to safeguard the future of the human race.Collects the original graphic novel published as an oversized hardcover with black and white art; this story is a haunting odyssey that you will not want to miss. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The central insight of Darwin's Origin of Species is that evolution is an ecological phenomenon, arising from the activities of organisms in the 'struggle for life'. By contrast, the Modern Synthesis theory of evolution, which rose to prominence in the twentieth century, presents evolution as a fundamentally molecular phenomenon, occurring in populations of sub-organismal entities - genes. After nearly a century of success, the Modern Synthesis theory is now being challenged by empirical advances in the study of organismal development and inheritance. In this important study, D. M. Walsh shows that the principal defect of the Modern Synthesis resides in its rejection of Darwin's organismal perspective, and argues for 'situated Darwinism': an alternative, organism-centred conception of evolution that prioritises organisms as adaptive agents. His book will be of interest to scholars and advanced students of evolutionary biology and the philosophy of biology.

Foreword by Oliver Sacks Kurt Goldstein (1878-1965) was already an established neuropsychologist when he emigrated from Germany to the United States in the 1930s. This book, his magnum opus and widely regarded as a modern classic in psychology and biology, grew out of his dissatisfaction with traditional natural science techniques for analyzing living beings. It offers a broad introduction to the sources and ranges of application of the "holistic" or "organismic" research program that has since become a standard part of biological thought. Goldstein was especially concerned with the breakdown of organization and the failure of central controls that take place in catastrophic responses to situations such as physical or mental illness. But he was equally attuned to the amazing powers of the organism to readjust to such catastrophic losses, if only by withdrawal to a more limited range that it could manage by a redistribution of its reduced energies, thus reclaiming as much wholeness as new circumstances allowed. Goldstein's theses in The Organism have had an important impact on philosophical and psychological thought throughout the twentieth century, as evidenced in the work of Maurice Merleau-Ponty, Georges Canguilhem, Ernst Cassirer, and Ludwig Binswanger.

LP version. Gatefold sleeve. John Ghost is ingenious and exploratory, often described as a symbiosis between the sounds of Steve Reich, John Hollenbeck, Nils Frahm, and Jaga Jazzist. Created around the Ghent guitarist and composer Jo de Geest, the Belgian sextet draw on influences from jazz, rock and post-classical music, where minimalism, electronics, and a cinematic atmosphere characterize their instrumental music. Airships Are Organisms, released via Sdban Ultra, was produced by Jrgen Tr'en

A biography of the Nobel Prize-winning scientist explains her work in genetics and traces her long unheralded career as a research scientist.

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Excerpt from Individuality in OrganismsWith the great variety Of facts at hand and the limited space available, it has Often been difficult to decide What particular points of the evidence to include in the consideration arid what to omit. To those familiar with biological facts it will doubtless be evident that many data from various lines of investigation have been either barely mentioned or entirely omitted.The attempt has been made to show in some degree the Wide range Of applicability Of this conception of individuality to various biological fields, and it is per haps permissible to express the hope that, not only the physiologist and botanist, but also the neurologist, the psychologist, and the sociologist may find something of interest in it. Chaps. I and ii are necessarily some what abstract and condensed and may seem to some readers to demand too extensive a background of bio logical knowledge. A re-reading Of these chapters after reading chaps. Iii - vi will assist In decreasing this difficulty.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Book is in NEW condition. 0.29

Wastewater Organisms contains 210 high-quality full-color micrographs to help you identify organisms found in sewage and sludge. These photos provide the maximum level of detail and will help you better understand the form and dimension of the organisms. Subjects depicted in the micrographs include bacteria, eggs, amoeba, parasitic protozoa, tardigrada (water bears), rotifers, ciliates, parasitic helminths, pollen grain, free-living nematodes, algae, flagellates, and more. There is a chapter on enumeration which provides literature and techniques for fixing and staining, techniques often required for identification to the species level. The book also contains a valuable glossary and index to make the book even easier to use. Wastewater Organisms is an indispensable reference for wastewater managers and supervisors, wastewater operators, environmental consultants, practicing engineers, regulatory agency personnel at all levels of government, and libraries.

Hardcover. The first book to show how the concept of bodily organs emerged and how ancient tools influenced conceptualizations of human anatomy and its operations. Medicine is itself a type of technology, involving therapeutic tools and substances, and so one can write the history of medicine as the application of different technologies to the human body. In Tools and the Organism, Colin Webster argues that, throughout antiquity, these tools were crucial to broader theoretical shifts. Notions changed about what type of object a body is, what substances constitute its essential nature, and how its parts interact. By following these changes and taking the question of technology into the heart of Greek and Roman medicine, Webster reveals how the body was first conceptualized as an organisma functional object whose inner parts were tools, or organa, that each completed certain vital tasks. He also shows how different medical tools created different bodies. Websters approach provides both an overarching survey of the ways that technologies impacted notions of corporeality and corporeal behaviors and, at the same time, stays attentive to the specific material details of ancient tools and how they informed assumptions about somatic structures, substances, and inner processes. For example, by turning to developments in water-delivery technologies and pneumatic tools, we see how these changing material realities altered theories of the vascular system and respiration across Classical antiquity. Tools and the Organism makes the compelling case for why telling the history of ancient Greco-Roman medical theories, from the Hippocratics to Galen, should pay close attention to the question of technology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.