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A new single volume edition of Mayr-Harting's seminal study, that looks at the origins, motivations and impact of a unique phase of German art within its historical context. The first part examines the major illuminated manuscripts which reflect religious thought, ritual and devotional attitudes and exemplify artistic expression of the time. The second studies the culture of the Ottonian court and especially the Emperor Otto III, through the manuscripts, and considers patronage and artistic centres of the period. 'The most comprehensive and important study on Ottonian Illumination to appear in English' - Early Medieval Europe .

A new single volume edition of Mayr-Harting's seminal study, that looks at the origins, motivations and impact of a unique phase of German art within its historical context. The first part examines the major illuminated manuscripts which reflect religious thought, ritual and devotional attitudes and exemplify artistic expression of the time. The second studies the culture of the Ottonian court and especially the Emperor Otto III, through the manuscripts, and considers patronage and artistic centres of the period. 'The most comprehensive and important study on Ottonian Illumination to appear in English' - Early Medieval Europe .

The Chronicon of Thietmar of Merseburg has long been recognised as one of the most important sources for the history of the tenth and early eleventh centuries, especially for the history of the Ottonian Empire. Thietmar’s testimony also has special value because of his geographical location, in eastern Saxony, on the boundary between German and Slavic cultures. He is arguably the single most important witness to the early history of Poland, and his detailed descriptions of Slavic folklore are the earliest on record. This is a very important source in the medieval period, translated here in its entirety for the first time. It relates to an area of medieval studies generally dominated by German scholars, in which Anglo-phone scholars are beginning to make a substantial contribution.

Rosalie Green's interest in iconography provides a common thread in her work on the art of Europe during the eleventh and twelfth centuries. Three papers are concerned with one of the great medieval illuminated manuscripts - the Hortus Deliciarum of Herrad of Hohenbourg, now destroyed, but partially reconstructed in a magnificent work of scholarship to which the author contributed a chapter on the miniatures. The remainder of her work has dealt with bronze reliefs, ivories and manuscript illumination. Her papers, published over forty years, are here brought together for the first time, with the addition of a new preface by the author and a comprehensive index.

Rosalie Green's interest in iconography provides a common thread in her work on the art of Europe during the eleventh and twelfth centuries. Three papers are concerned with one of the great medieval illuminated manuscripts - the Hortus Deliciarum of Herrad of Hohenbourg, now destroyed, but partially reconstructed in a magnificent work of scholarship to which the author contributed a chapter on the miniatures. The remainder of her work has dealt with bronze reliefs, ivories and manuscript illumination. Her papers, published over forty years, are here brought together for the first time, with the addition of a new preface by the author and a comprehensive index.

Laura E. Wangerin challenges traditional views of the Ottonian Empire’s rulership. Drawing from a broad array of sources including royal and imperial diplomas, manuscript illuminations, and histories, Ottonian kingship and the administration of justice are investigated using traditional historical and comparative methodologies as well as through the application of innovative approaches such as modern systems theories. This study suggests that distinctive elements of the Ottonians’ governing apparatus, such as its decentralized structure, emphasis on the royal iter, and delegation of authority, were essential features of a highly developed political system. Kingship and Justice in the Ottonian Empire provides a welcome addition to English-language scholarship on the Ottonians, as well as to scholarship dealing with rulership and medieval legal studies.   Scholars have recognized the importance of ritual and symbolic behaviors in the Ottonian political sphere, while puzzling over the apparent lack of administrative organization, a contradiction between what we know about the Ottonians as successful rulers and their traditional characterization as rulers of a disorganized polity. Trying to account for the apparent disparity between their political and military achievements, cultural and artistic efflorescence, and relative dynastic stability, which seemingly accompanied a disinterest in writing law or creating a centralized hierarchical administration, is a tension that persists in the scholarship. This book argues that far from being accidental successes or employing primitive methods of governance, the Ottonians were shrewd rulers and administrators who exploited traditional methods of conflict resolution and delegated jurisdictional authority to keep control over their vast empire. Thus, one of the important things that this book aims to accomplish is to challenge our preconceived notions of what successful government looks like.

A digital copy of "Ottonian Queenship" by Maclean. Download is immediately available upon purchase!

A digital copy of "Imperial Ladies Of The Ottonian Dynasty" by Jestice. Download is immediately available upon purchase!

A digital copy of "OTTONIAN QUEENSHIP (Hardback)" by Simon MacLean. Download is immediately available upon purchase!

Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people—the courtiers and knights—in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."

Abbot Regino of Prüm (d.915) was the last great historian of the Carolingian Empire, which spanned around a million square kilometres of continental western Europe during the eighth and ninth centuries. His Chronicle is the essential account of the empire’s collapse, while its brief continuation by Adalbert, archbishop of Magdeburg, is one of the key accounts of the rise to power of the Ottonians, the first great German dynasty. Both texts are here translated into English for the first time. Regino’s lively and anecdotal style will appeal to a variety of audiences, and this book is aimed at professional researchers, non-specialists and undergraduates alike. A substantial introduction provides both basic orientation and an original scholarly interpretation of the text, while readers are helped along by a detailed footnote commentary. Alongside other Carolingian texts translated in this series, the book will open up the later ninth and earlier tenth centuries to undergraduates and others engaged in the study of this increasingly popular period.

A digital copy of "Church And Cosmos In Early Ottonian Germany" by Mayr-harting. Download is immediately available upon purchase!

Beginning with the coronation of Charlemagne as Emperor of the West in A.D. 800, John Beckwith guides us through the architecture, painting, sculpture, illuminations and ivories of the three great periods of early medieval art. The Ottonian period, perhaps best known for the great center of art and craftsmanship attached to the court, presented an artistic style which had developed from early Christian and Carolingian sources--a style which was the gateway to the great artistic revival in the eleventh and twelfth centuries--the Romanesque period. 206 illus., 53 in color.

The book is dedicated to the figurative culture that manifests itself in Rome, from the middle of the eleventh century (when still remain traces of the recent past Ottonian) until the close of the twelfth century, chronological period marked by the Gregorian Reform. The major reorganization of the Church in recent decades is accompanied by an intense production of images and figurative programs that reflect this "Renovatio", understood as the recovery and re-reading of their past early Christian; the period closes at the end of the twelfth century, with a new Byzantine penetration. The work, volume I of the Corpus of "Medieval Painting in Rome", wants to write a history of the medieval Roman painting, studying and organizing all the works, the existing ones and those witnessed, the city of Rome, in a chronological order plausible. In volume are cataloged murals, mosaics, icons, still exist in large numbers and often still visible on the walls of the sacred buildings of the city. But they are also retrieved all the tracks that this same pictorial heritage left in the historical memory, over the centuries: watercolors, drawings, prints, old photographs, descriptions, which contribute in a surprising way to integrate our knowledge of the painting of these centuries.

The inner workings of early medieval societies cannot be understood without also studying their links - religious, cultural, economic and political - with their neighbours. In this collection Karl Leyser shows how Ottonian and Salian Germany both influenced and was influenced by the societies with which it came into contact. While the author's central interest is in Germany, his work is of value for the study of medieval European society as a whole.

This book is a new departure in the history of early medieval Germany. Its theme is the relationship between the Saxon nobles and their kings in the tenth century and the first decade of the eleventh, when the Ottonian rulers were confronted with violent conflicts in their native land and, indeed, in their own family. The author examines the roots of discontent in the context of a segmented and fiercely individualistic warrior society. Stressing the familial and domestic character of the feuds, he shows how the very success of the Ottonian's empire-building created inequalities among their aristocratic subjects and kinsmen. The second part of the book focuses on the exalted position of the women of the royal family and Saxon aristocracy, and is supplemented by a remarkable genealogical table. Professor Leyser concludes with a discussion of sacral kingship - the belief that the king was the vicar of Christ and resistance to him therefore sinful - and its actual effectiveness as a curb on aristocratic ambitions and enmities. This important and original interpretation of the history of the Saxon empire makes sense of a period which has often baffled historians. The author does not merely offer a political explanation, but also draws upon insights from social anthropology for a deeper understanding of the nature of this distant society and the causes of its habitual unrest.

Created at the behest of the abbess Uta, it is not only one of the most beautiful of Ottonian manuscripts but also one of the most complex. The collection of liturgical readings is preceded by four full-page frontispieces illustrating the Hand of God, Uta dedicating the codex to the Virgin and Child, a Crucifixion, and Saint Erhard (the convent’s patron saint) celebrating Mass. Four evangelist portraits accompany the readings from each Gospel. In this groundbreaking study, Adam Cohen provides comprehensive explications of the codex’s renowned illuminations as well as the first thorough investigation of its historical context.Cohen shows that the lavish miniatures, among the most elaborate pictures of the Middle Ages, use figures, ornaments, Latin tituli, and geometric schemata to fashion visual exegeses of great range and complexity. Through consideration of questions of function, patronage, and program, Cohen also demonstrates that the codex commemorates the abbess Uta’s efforts to reform conventual life and education. The Uta Codex will be of interest to scholars of medieval art as well as those exploring questions of women, monastic culture, and intellectual life in the Middle Ages.

The idea that with the decline of the Roman Empire Europe entered into some immense 'dark age' has long been viewed as inadequate by many historians. How could a world still so profoundly shaped by Rome and which encompassed such remarkable societies as the Byzantine, Carolingian and Ottonian empires, be anything other than central to the development of European history? How could a world of so many peoples, whether expanding, moving or stable, of Goths, Franks, Vandals, Byzantines, Arabs, Anglo-Saxons, Vikings, whose genetic and linguistic inheritors we all are, not lie at the heart of how we understand ourselves? "The Inheritance of Rome" is a work of remarkable scope and ambition. Drawing on a wealth of new material, it is a book which will transform its many readers' ideas about the crucible in which Europe would in the end be created. From the collapse of the Roman imperial system to the establishment of the new European dynastic states, perhaps this book's most striking achievement is to make sense of an immensely long period of time, experienced by many generations of Europeans, and which, while it certainly included catastrophic invasions and turbulence, also contained long periods of continuity and achievement. From Ireland to Constantinople, from the Baltic to the Mediterranean, this is a genuinely Europe-wide history of a new kind, with something surprising or arresting on every page.

Over the course of half a century, the first two kings of the Saxon dynasty, Henry I (919-936) and Otto I (936-973), waged war across the length and breadth of Europe. Ottonian armies campaigned from the banks of the Oder in the east to the Seine in the west, and from the shores of the Baltic Sea in the north, to the Adriatic and Mediterranean in the south. In the course of scores of military operations, accompanied by diligent diplomatic efforts, Henry and Otto recreated the empire of Charlemagne, and established themselves as the hegemonic rulers in Western Europe. This book shows how Henry I and Otto I achieved this remarkable feat, and provides a comprehensive analysis of the organization, training, morale, tactics, and strategy of Ottonian armies over a long half century. Drawing on a vast array of sources, including exceptionally important information developed through archaeological excavations, it demonstrates that the Ottonian kings commanded very large armies in military operations that focused primarily on the capture of fortifications, including many fortress cities of Roman origin. This long-term military success shows that Henry I and Otto I, building upon the inheritance of their Carolingian predecessors, and ultimately that of the late Roman empire, possessed an extensive and well-organized administration, and indeed, bureaucracy, which mobilized the resources that were necessary for the successful conduct of war. David S. Bachrach is Associate Professor of History at the University of New Hampshire.

Over the course of half a century, the first two kings of the Saxon dynasty, Henry I (919-936) and Otto I (936-973), waged war across the length and breadth of Europe. Ottonian armies campaigned from the banks of the Oder in the east to the Seine in the west, and from the shores of the Baltic Sea in the north, to the Adriatic and Mediterranean in the south. In the course of scores of military operations, accompanied by diligent diplomatic efforts, Henry and Otto recreated the empire of Charlemagne, and established themselves as the hegemonic rulers in Western Europe. This book shows how Henry I and Otto I achieved this remarkable feat, and provides a comprehensive analysis of the organization, training, morale, tactics, and strategy of Ottonian armies over a long half century. Drawing on a vast array of sources, including exceptionally important information developed through archaeological excavations, it demonstrates that the Ottonian kings commanded very large armies in military operations that focused primarily on the capture of fortifications, including many fortress cities of Roman origin. This long-term military success shows that Henry I and Otto I, building upon the inheritance of their Carolingian predecessors, and ultimately that of the late Roman empire, possessed an extensive and well-organized administration, and indeed, bureaucracy, which mobilized the resources that were necessary for the successful conduct of war. David S. Bachrach is Associate Professor of History at the University of New Hampshire.