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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.79

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Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.98

Please Read Notes: Brand New, International Softcover Edition, Printed in black and white pages, minor self wear on the cover or pages, Sale restriction may be printed on the book, but Book name, contents, and author are exactly same as Hardcover Edition. Fast delivery through DHL/FedEx express.

The poetry of bullhe shah (d 1758) is considered one of the glories of premodern panjabi literature born in uch, panjab, in present-day pakistan, bullhe shah drew profoundly upon sufi mysticism in his writings his lyrics, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been held in affection by hindus, muslims, and sikhs, and they continue to win audiences today across national boundaries and in the global panjabi diaspora indeed, many young people in south asia are already acquainted-albeit unknowingly at times-with the iconic eighteenth-century panjabi poet's words through popular musical genres of the twenty-first century the striking new translation in english is presented alongside the panjabi text, in the gurmukhi script, re-edited on the basis of the best modern pakistani and indian editions bullhe shah's sufi lyrics thus offers at once the most complete and most approachable version of this great poet's works yet available the murty classical library of india makes available original texts and modern english translations of the masterpieces of literature and thought from across the whole spectrum of indic languages over the past two millennia in the most authoritative and accessible formats on offer anywhere

The poetry of Bullhe Shah (d. 1758) is considered one of the glories of premodern Panjabi literature. Born in Uch, Panjab, in present-day Pakistan, Bullhe Shah drew profoundly upon Sufi mysticism in his writings. His lyrics, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been held in affection by Hindus, Muslims, and Sikhs, and they continue to win audiences today across national boundaries and in the global Panjabi diaspora. Indeed, many young people in South Asia are already acquainted―albeit unknowingly at times―with the iconic eighteenth-century Panjabi poet’s words through popular musical genres of the twenty-first century.The striking new translation in English is presented alongside the Panjabi text, in the Gurmukhi script, re-edited on the basis of the best modern Pakistani and Indian editions. Bullhe Shah’s Sufi Lyrics thus offers at once the most complete and most approachable version of this great poet’s works yet available.The Murty Classical Library of India makes available original texts and modern English translations of the masterpieces of literature and thought from across the whole spectrum of Indic languages over the past two millennia in the most authoritative and accessible formats on offer anywhere.

Bhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Punjab and its 'return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constantly reinvented themselves by cross-pollinating with 'invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world.

(Panjabi Boroque). Paperback in good condition for its age. General shelf and handling wear, including light wear and creasing to cover, edges and corners. FEP has bookshop stampa small tear at the bottom, and a hand written address. Pageblock is notably tanned, leading into page edges. Within, pages are well bound; with occasional foxing and dog-eared page noted. Content clear and unmarked. CN

The poetry of Bullhe Shah (d. 1758) is considered one of the glories of premodern Panjabi literature. Born in Uch, Panjab, in present-day Pakistan, Bullhe Shah drew profoundly upon Sufi mysticism in his writings. His lyrics, famous for their vivid style and outspoken denunciation of artificial religious divisions, have long been held in affection by Hindus, Muslims, and Sikhs, and they continue to win audiences today across national boundaries and in the global Panjabi diaspora. Indeed, many young people in South Asia are already acquainted―albeit unknowingly at times―with the iconic eighteenth-century Panjabi poet’s words through popular musical genres of the twenty-first century.The striking new translation in English is presented alongside the Panjabi text, in the Gurmukhi script, re-edited on the basis of the best modern Pakistani and Indian editions. Bullhe Shah’s Sufi Lyrics thus offers at once the most complete and most approachable version of this great poet’s works yet available.The Murty Classical Library of India makes available original texts and modern English translations of the masterpieces of literature and thought from across the whole spectrum of Indic languages over the past two millennia in the most authoritative and accessible formats on offer anywhere.

SSL Gurmukhi Workbooks 1 and 2 are, a set of two workbooks, written for children aged 4 years and above. These workbooks are perfect for anyone looking for a new approach to teaching Panjabi. The exercises and activities in the workbooks are designed to be fun and exciting so that the child enjoys learning Panjabi. The two workbooks, together, introduce the student to the forty Gurmukhi letters. The first 20 Gurmukhi letters are introduced in Gurmukhi Workbook 1. The last 20 Gurmukhi letters are introduced in Gurmukhi Workbook 2. Gurmukhi Workbooks 1 and 2 follow the same layout. There are fun and engaging activities for the learner to complete for each of the 40 Gurmukhi letters. For each of the letters, the learner is provided with the following activities: · circle the letter · colour the letter · follow the letter in a maze · write the letter. These activities are designed to help the student with: · letter recognition · name of each letter · sound of each letter · writing of each letter. In Gurmukhi Workbook 2 the student also learns to read and write ‘mukta’ words, that is, words that are spelt with Gurmukhi letters only and no Gurmukhi symbols (lagan mataran). Gurmukhi symbols are introduced in Gurmukhi Workbook 3. In Gurmukhi Workbooks 1 and 2, for each of the forty Gurmukhi letters, the student is introduced to two new Panjabi words. To help build the student’s Panjabi word bank, over one hundred Panjabi words are included in the two workbooks. The two workbooks can be used as Panjabi vocabulary colouring books, for the young student. To help make learning meaningful and engaging for the student, each of the forty Gurmukhi letters are accompanied by beautiful black and white illustrations. These illustrations can be used as pictures to colour. These two workbooks are ideal for every child learning Panjabi whether it be through homeschooling, classes at Gurdwaras or classes at mainstream schools.

Divided into four sections--North, South, East, and West--this anthology maps Bhakti literature from 100 BCE to the 20th century. Including a wide range of writings-from early poems to Siva, Alvar poets, Virashaiva poets, Varkaris, and Vaishnava poetry, to Panjabi songs, Bauls of Bengal, and Bengali Shakta lyrics-the anthology roughly sketches the four geographical compass points in terms of the significant sub-genres of Bhakti poetry associated with these regions. Apart from acclaimed poets such as Tukaram, Kabir, Mirabai, Tulsidas, Vidyapati, and Chandidas, the volume also includes works by some of the earliest practitioners like Tipputtolar (ca. 100 BCE-250 CE), Nakkirar (ca. 6th c.), and Mannikavacakar (9th c.). It also includes works of some later poets like Namdev (1270-1350), Rami (ca. 1440), and Dhurjati (16th c.) as well as more contemporary practitioners like Ramprasad Sen (1718-1775), Kamalakanta Bhattacarya (ca. 1769-1821), and Rabindranath Tagore (1861-1941). The poems, originally written in various vernacular lanaguges, have been translated by past masters like A.K. Ramanujan, as well as well-known practitioners like Vidya Dehejia, Susan Daniels, William J. Jackson, Dilip Chitre, Ananda Coomaraswamy, among others. With a detailed Introduction by Andrew Schelling, this volume has perceptive notes for poets and translators that provide valuable insights to their work. A special appendix Statements on Poetry adds special feature of this volume. With a glossary providing meaning to Sanskrit terms, and a bibliography, this volume gives a comprehensive view of the Bhakti movement.

Daya Kaur is getting older and still has a thirst for discovering and learning about her Panjabi heritage, culture and language. Come join her, along with her family, as they celebrate Vaisakhi - the creation of Khalsa.

Bhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Punjab and its 'return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constantly reinvented themselves by cross-pollinating with 'invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world.