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A lifelong Cleveland resident, Harvey Pekar (1939-2010) pioneered autobiographical comics, mining the mundane for magic since 1976 in his ongoing American Splendor series. Harvey Pekar''s Cleveland is sadly one of his last, but happily one of his most definitive graphic novels. It combines classic American Splendor autobiographical anecdotes with key moments and characters in the city''s history as relayed to us by Our Man and meticulously researched and rendered by artist Joseph Remnant. With an introduction by Alan Moore too boot!

A lifelong Cleveland resident, Harvey Pekar (1939-2010) pioneered autobiographical comics, mining the mundane for magic since 1976 in his ongoing American Splendor series. Harvey Pekar''s Cleveland is sadly one of his last, but happily one of his most definitive graphic novels. It combines classic American Splendor-ous autobiographical anecdotes with key moments and characters in the city''s history as relayed to us by Our Man and meticulously researched and rendered by artist Joseph Remnant. With an introduction by Alan Moore to boot! Published by ZIP Comics and Top Shelf Productions.Book Details:Format: HardcoverPublication Date: 5/1/2012Pages: 128

A lifelong Cleveland resident, Harvey Pekar (1939-2010) pioneered autobiographical comics, mining the mundane for magic since 1976 in his ongoing American Splendor series. Harvey Pekar''s Cleveland is sadly one of his last, but happily one of his most definitive graphic novels. It combines classic American Splendor-ous autobiographical anecdotes with key moments and characters in the city''s history as relayed to us by Our Man and meticulously researched and rendered by artist Joseph Remnant. With an introduction by Alan Moore to boot! Published by ZIP Comics and Top Shelf Productions.Book Details:Format: HardcoverPublication Date: 5/1/2012Pages: 128

The inspiration for the award-winning moviefrom HBO Films and Fine Line FeaturesAMERICAN SPLENDORThe Life and Times of Harvey Pekar Two classic comic anthologies in one volumeStories by Harvey PekarIntroduction by R. CrumbArt by Kevin Brown, Gregory Budgett, Sean Carroll, Sue Cavey, R. Crumb, Gary Dumm, Val Mayerik, and Gerry ShamrayThe classic collection of the comics that inspired the movie American Splendor, winner of the Grand Jury Prize at the 2003 Sundance Film FestivalAmerican Splendor is the world’s first literary comic book. Cleveland native Harvey Pekar is a true American original. A V.A. hospital file clerk and comic book writer, Harvey chronicles the ordinary and mundane in stories both funny and touching. His dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Pekar has been compared to Dreiser, Dostoevsky, and Lenny Bruce. But he is truly more than all of them—he is himself. “Mr. Pekar has . . . proven that comics can address the ambiguities of daily living, that like the finest fiction, they can hold a mirror up to life.”—The New York Times“[Pekar] has a vision that makes daily city life—a ride on the bus, a run-in with a boss, or simply buying bread—dramatic.”—Chicago Sun-Times“Simply stated, American Splendor is the most superb literary endeavor to come off the streets of Cleveland in decades.”—The Plain Dealer (Cleveland)“Mr. Pekar lets all of life flood into his panels: the humdrum and the heroic, the gritty and the grand.”—The New York Times Book Review

This well-focused and perceptive analysis of a phenomenon in our popular culture―the new respectability of the comic book form―argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and ’70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication. In this study, Joseph Witek examines the rise of the comic book to a position of importance in modern culture and assesses its ideological and historical implications. Jack Jackson, Art Spiegelman, and Harvey Pekar are among the creators whom Witek credits for the emergence of the comic book as a serious artistic medium. As American codes of ethics, aesthetics, and semiotics have evolved, so too has the comic book as a mode for presenting the weightier matters of history. It is safe to claim that comic books are not just for kids anymore.

“Michael Malice is one of the most puzzling twenty-first century Americans I have ever met.”–Harvey PekarWho’s Michael Malice, and how did he become the subject of a graphic novel by Harvey Pekar, the curmudgeon from Cleveland?First of all, Michael Malice is a real person. He’s 5’6” and weighs 130 pounds. Although on the cusp of thirty, he could easily pass for a scrawny teenager. One day Michael, a guy with a patchwork employment record and dreams as big as his ego, meets Harvey and begins to relay all these wild stories about his life. Simple as that. Harvey thinks the guy is bright but a bit of a riddle–though not the kind wrapped in an enigma. It’s strange. He seems like the type of person you meet every day, rather ordinary, until you really get to know him. Then you realize he’s exceptional, unusual, and contradictory. Pleasant one minute, really nasty the next. But isn’t cruelty part of human nature? We digress. . . .Harvey writes up and illustrates one of Michael Malice’s tales, “Fish Story,” which is part of American Splendor: Our Movie Year. It makes a splash and spawns this book, Harvey’s first hardcover, a graphic novel event about one guy’s life.Ego & Hubris relates how, a year and a half after his birth in the Ukraine, Michael Malice moved with his parents to Brooklyn. He’s an intransigent kid, a hard-ass–both a demon to and demonized by the people who cross his path. His life is a constant struggle for validation in a world where the machine keeps trying to break him down. But Michael has a way with people . . . or rather, has a way of getting even with people. Hey, if you can’t live up to your parents’ expectations, at least you can live up to your name. Michael had never come close to fulfilling his huge dreams–until now. And just as Harvey’s been the everyman for a certain generation of graphic-novel readers, Michael Malice will be the everyman for a new generation.

“Michael Malice is one of the most puzzling twenty-first century Americans I have ever met.”–Harvey PekarWho’s Michael Malice, and how did he become the subject of a graphic novel by Harvey Pekar, the curmudgeon from Cleveland?First of all, Michael Malice is a real person. He’s 5’6” and weighs 130 pounds. Although on the cusp of thirty, he could easily pass for a scrawny teenager. One day Michael, a guy with a patchwork employment record and dreams as big as his ego, meets Harvey and begins to relay all these wild stories about his life. Simple as that. Harvey thinks the guy is bright but a bit of a riddle–though not the kind wrapped in an enigma. It’s strange. He seems like the type of person you meet every day, rather ordinary, until you really get to know him. Then you realize he’s exceptional, unusual, and contradictory. Pleasant one minute, really nasty the next. But isn’t cruelty part of human nature? We digress. . . .Harvey writes up and illustrates one of Michael Malice’s tales, “Fish Story,” which is part of American Splendor: Our Movie Year. It makes a splash and spawns this book, Harvey’s first hardcover, a graphic novel event about one guy’s life.Ego & Hubris relates how, a year and a half after his birth in the Ukraine, Michael Malice moved with his parents to Brooklyn. He’s an intransigent kid, a hard-ass–both a demon to and demonized by the people who cross his path. His life is a constant struggle for validation in a world where the machine keeps trying to break him down. But Michael has a way with people . . . or rather, has a way of getting even with people. Hey, if you can’t live up to your parents’ expectations, at least you can live up to your name. Michael had never come close to fulfilling his huge dreams–until now. And just as Harvey’s been the everyman for a certain generation of graphic-novel readers, Michael Malice will be the everyman for a new generation.

The twelfth volume spotlights Crumb's first collaborations with writer Harvey Pekar, which appeared in Pekar's magazine American Splendor (also the name of Pekar's biopic). This collection also includes a skeptical report-in-comics on an aerospace symposium, which comes off like a forerunner of Michael Moore's cocky documentary films), an evocative period piece featuring 1930s jazz musicians, and other pieces.

Gathered here are the collected works of the titans of adults comics — legendary underground cartoonist R. Crumb and the "high priest of comic-book naturalism" (Newsweek) Harvey Pekar. The comic collision of these underground luminaries is funny, obsessive, ever-so-slightly neurotic, but always biting and honest.

In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

Translated, revised, and updated from the 1967 edition in the Ukrainian language, traces the history of Christianity in the Carpathian Mountains of eastern Europe, from the 17th century to the experience of immigrants to the US in the 20th century. Includes a biographical essay and a primary bibliography of Pekar, priest and scholar, who came to the US in the 1940s. Annotation copyright Book News, Inc. Portland, Or.

The 13th volume of The Complete Crumb Comics showcases the late 1970s, when Crumb's character the Snoid first appeared. That Crumb creation is a devilish imp, all id and no conscience, that some say is an alter ego of Crumb. Other highlights here include American Splendor collaborations with the late Harvey Pekar and a color section of covers Crumb drew for records by old-time blues and jazz musicians that beautifully convey his nostalgia for America's musical past. It also includes one of Crumb's most acclaimed works, "A Short History of America," whose 12 panels chart the nation's progress — or deterioration — from unspoiled pastoral landscape to a strip mall wasteland. Crumb's brother Maxon, whom viewers of the documentary film Crumb will remember as an impecunious yogi who sleeps on a bed of nails, contributes an idiosyncratic introduction offering a unique perspective on Robert's early years.

Contents include: Several decades of seedy magazines from seedier parts of town. Harvey Pekar - interview with the Cleveland comics legend. Sex, drugs, rock'n'roll & subversive literature in 60s England. Female British kickboxing champion talks about the men who get off on fighting chicks. The Wicker Man - and films that exist in several versions and drive you mad as you search for the most complete print...! and much, much more.

It was they year of Desert Storm that Harvey Pekar and his wife, Joyce Brabner, discovered Harvey had cancer. Pekar, a man who has made a profession of chronicling the Kafkaesque absurdities of an ordinary life (if any life is ordinary) suddenly found himself incapacitated. But he had a better-than-average chance to beat cancer and he took it — kicking, screaming, and complaining all the way. Pekar and Brabner draw on this and other trials to paint a portrait of a man beset with fears real and imagined — who survives.

Translated, revised, and updated from the 1967 edition in the Ukrainian language, traces the history of Christianity in the Carpathian Mountains of eastern Europe, from the 17th century to the experience of immigrants to the US in the 20th century. Includes a biographical essay and a primary bibliography of Pekar, priest and scholar, who came to the US in the 1940s. Annotation copyright Book News, Inc. Portland, Or.

The twelfth volume spotlights Crumb's first collaborations with writer Harvey Pekar, which appeared in Pekar's magazine American Splendor (also the name of Pekar's biopic). This collection also includes a skeptical report-in-comics on an aerospace symposium, which comes off like a forerunner of Michael Moore's cocky documentary films), an evocative period piece featuring 1930s jazz musicians, and other pieces.

It was they year of Desert Storm that Harvey Pekar and his wife, Joyce Brabner, discovered Harvey had cancer. Pekar, a man who has made a profession of chronicling the Kafkaesque absurdities of an ordinary life (if any life is ordinary) suddenly found himself incapacitated. But he had a better-than-average chance to beat cancer and he took it — kicking, screaming, and complaining all the way. Pekar and Brabner draw on this and other trials to paint a portrait of a man beset with fears real and imagined — who survives.

From off the streets of Cleveland, the amazing and occasionally regrettable true-life adventures of Harvey Pekar, cineaste. Harvey Pekar is from Cleveland. This much you know. But with the release of American Splendor, the indie hit film based on his comic of the same name, the world discovered Harvey in earnest. Once Harvey was content merely to flirt with fame. But when fame wanted a commitment, he found himself a household name. Sort of. And, to tell you the truth, it’s starting to bug the hell out of him. An original, incisive graphic novel featuring the talents of R. Crumb, Gary Dumm, Mark Zingarelli, and other artists, Our Movie Year chronicles a whirlwind twelve months in the life of Harvey Pekar. It recounts his rise from the filing room at the Cleveland VA hospital to the red carpet at Cannes, Sundance, the Oscars, and beyond–where Harvey won awards, accolades, and the promise of a bigger paycheck. A lot of funny things can happen in a year, and many of them happened to Harvey. And now everyone gets to read about them in Our Movie Year.

Harvey Pekar's mother was a Zionist by way of politics. His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents.In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.

The 13th volume of The Complete Crumb Comics showcases the late 1970s, when Crumb's character the Snoid first appeared. That Crumb creation is a devilish imp, all id and no conscience, that some say is an alter ego of Crumb. Other highlights here include American Splendor collaborations with the late Harvey Pekar and a color section of covers Crumb drew for records by old-time blues and jazz musicians that beautifully convey his nostalgia for America's musical past. It also includes one of Crumb's most acclaimed works, "A Short History of America," whose 12 panels chart the nation's progress — or deterioration — from unspoiled pastoral landscape to a strip mall wasteland. Crumb's brother Maxon, whom viewers of the documentary film Crumb will remember as an impecunious yogi who sleeps on a bed of nails, contributes an idiosyncratic introduction offering a unique perspective on Robert's early years.