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In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.

Martin Performing Artist DCPA5 acoustic guitarMartin Performing Artist DCPA5 acoustic guitar This is an official authentic Martin Performing ...

This wheel is the highest performing cut-off wheel on the market. Faster, cooler, freer cutting and heavily reinforced for added safety, this wheel provides premium performance while resisting twisting and bending. This allows for a true, straight cut every time. The end result is a wheel that improves worker safety while delivering the lowest cost-per-cut in the industry.

This wheel is the highest performing cut-off wheel on the market. Faster, cooler, freer cutting and heavily reinforced for added safety, this wheel provides premium performance while resisting twisting and bending. This allows for a true, straight cut every time. The end result is a wheel that improves worker safety while delivering the lowest cost-per-cut in the industry.

This wheel is the highest performing cut-off wheel on the market. Faster, cooler, freer cutting and heavily reinforced for added safety, this wheel provides premium performance while resisting twisting and bending. This allows for a true, straight cut every time. The end result is a wheel that improves worker safety while delivering the lowest cost-per-cut in the industry.

This wheel is the highest performing cut-off wheel on the market. Faster, cooler, freer cutting and heavily reinforced for added safety, this wheel provides premium performance while resisting twisting and bending. This allows for a true, straight cut every time. The end result is a wheel that improves worker safety while delivering the lowest cost-per-cut in the industry.

Beautiful guitar in great condition. Only blemishes are small scratches on the back of the neck & a few very light surface scratches on the bod...

Classic Formula. This nourishing lotion comforts skin with a silky, sensuous touch. Leaves skin feeling soft and supple-and looking beautifully radiant and renewed with moisture. Rich with botanical extracts, Swiss Performing Extract helps skin maintain its optimum moisture balance. When skin needs comfort and feels dry, this milky-soft fluid infuses it with replenishing hydration. Classic Formula. Nourishing lotion. Estée Lauder Swiss Performing Extract Moisturizer

DCPA4 model with dreadnought shape, cutaway and PU! Perfoming Artist Series" was released in 2010. Cutaway dreadnought body with spruce top sides ...

Performing Music for Trumpet Alphorn Didgeridoo Melinda Liebermann - CD 4003913121981

Performing Ferret Band Performing Ferret Band - LP 8435008885861

A limited-edition artist’s book by one of the most respected indie-underground cultural icons of our time. An artist’s book by visual artist and legendary indie rocker Kim Gordon, this volume is an intoxicating look into Gordon’s dreamy visual world. Watercolors, paintings, photographs, and written word combine to create a portrait of an artist’s work inspired by popular culture. The first 3,000 copies include a beautifully printed, limited-edition signed print by Gordon. This luxurious yet affordable package combines layers of media to create an extension of the artist’s portfolio, with written contributions by artist Jutta Koether and writer Hilton Als. Kim Gordon: Performing/Guzzling is the first in a series of books by Rizzoli and Nieves that consists of beautifully designed books by artists, photographers, and designers who have substantially contributed to the texture of artistic culture. Each project will be an extension of the artist’s portfolio.

Unread book in perfect condition.

Interdisciplinary and global in scope, Performing Archives/Archives of Performance investigates the relationship between live performance and recordings, bringing new—and productive—tensions between permanence and ephemerality into relief. Advancing theoretical understandings and analyzing specific artworks, performances, and archives, the contributors formulate new ways of understanding history, memory, enactment, and intervention, offering major contributions to ongoing critical discussions on performance and its disappearance and reproduction. 

Shakespeare’s plays can be performed effectively without rehearsal, if all the actors understand a set of performance guidelines and put them into practice. In Performing Shakespeare Unrehearsed: A Practical Guide to Acting and Producing Spontaneous Shakespeare, each chapter is devoted to a specific guideline, demonstrating through examples how it can be applied to pieces of text from Shakespeare’s First Folio, how it creates blocking and stage business, and how it enhances story clarity. Once the guidelines have been established, practical means of production are discussed, providing the reader with sufficient step-by-step instruction to prepare for Unrehearsed performances.

Unread book in perfect condition.

This engaging collection of essays discusses the complexities of “being” indigenous in public spaces. Laura R. Graham and H. Glenn Penny bring together a set of highly recognized junior and senior scholars, including indigenous scholars, from a variety of fields to provoke critical thinking about the many ways in which individuals and social groups construct and display unique identities around the world. The case studies in Performing Indigeneity underscore the social, historical, and immediate contextual factors at play when indigenous people make decisions about when, how, why, and who can “be” indigenous in public spaces.  Performing Indigeneity invites readers to consider how groups and individuals think about performance and display and focuses attention on the ways that public spheres, both indigenous and nonindigenous ones, have received these performances. The essays demonstrate that performance and display are essential to the creation and persistence of indigeneity, while also presenting the conundrum that in many cases “indigeneity” excludes some of the voices or identities that the category purports to represent.  

In her landmark study Utopia in Performance: Finding Hope at the Theatre, Jill Dolan departed from historical writings on utopia, which suggest that social reorganization and the redistribution of wealth are utopian efforts, to argue instead that utopia occurs in fragmentary “utopian moments,” often found embedded within performance. While Dolan focused on the utopian performative within a theatrical context, this volume, edited by Rachel Bowditch and Pegge Vissicaro, expands her theories to encompass performance in public life—from diasporic hip-hop battles, Chilean military parades, commemorative processions, Blackfoot powwows, and post-Katrina Mardi Gras to the Philadelphia Mummers Parade, Festas Juninas in Brazil, the Renaissance Fairs in Arizona, and neoburlesque competitions. How do these performances rehearse and enact visions of a utopic world? What can the lens of utopia and dystopia illuminate about the potential of performing bodies to transform communities, identities, values, and beliefs across time? Performing Utopia not only answers these questions, but offers a diverse collection of case studies focusing on utopias, dystopias, and heterotopias enacted through the performing body.

Performing Literature: Oral Interpretation & Drama Studies for Christian Scho...

Alan Hughes presents a new complete account of production methods in Greek comedy. The book summarizes contemporary research and disputes, on such topics as acting techniques, theater buildings, masks and costumes, music and the chorus. Evidence is re-interpreted and traditional doctrine overthrown. Comedy is presented as the pan-Hellenic, visual art of theater, not as Athenian literature. Recent discoveries in visual evidence are used to stimulate significant historical revisions. The author has directly examined 350 vase scenes of comedy in performance and actor-figurines, in 75 collections, from Melbourne to St Petersburg. Their testimony is applied to acting techniques and costumes, and women's participation in comedy and mime. The chapters are arranged by topic, for convenient reference by scholars and students of theater history, literature, classics and drama. Overall, the book provides a fresh practical insight into this continually developing subject.