594 products were found matching your search for persistence in 4 shops:

Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 1.15

Features: Featherweight fabric - 100% polyester, 1.7 ounces Tear drop vents Built in sweatband Sprints Race Day Hat Persistence Polyester

Double vinyl LP pressing. 2018 release from the Italian rockers. Kingcrow's third album for Sensory Records, The Persistence closes a three-year gap since their acclaimed Eidos album. Describing Kingcrow today is quite a difficult task, but one could state that the influence of different kinds of music; progressive rock, alternative rock, ambient music, metal, and more are all present in the band's songs. With each release, they take a step further away from their original roots and is regarded

In this erudite and groundbreaking series of essays, renowned author Joseph Massad asks and answers key questions, such as: What has been the main achievement of the Zionist movement? What accounts for the failure of the Palestinian National Movement to win its struggle against Israel? What do anti-Semitism, colonialism and racism have to do with the Palestinian/Israeli 'conflict'? Joseph Massad offers a radical departure from mainstream analysis in order to expose the causes for the persistence of the 'Palestinian Question'. He proposes that it is not in de-linking the Palestinian Question from the Jewish Question that a resolution can be found, but by linking them as one and the same question. All other proposed solutions, the author argues, are bound to fail. Deeply researched and documented, this book analyzes the failure of the 'peace process' and proposes that a solution to the Palestinian Question will not be found unless settler-colonialism, racism, and anti-Semitism are abandoned as the ideological framework for a resolution. Individual essays further explore the struggle over Jewish identity in Israel and the struggle among Palestinians over what constitutes the Palestinian Question today.

Although cinematic storytelling shares many of the same elements as other art forms, film tells a story in a unique way. Concentrating on careful analysis of the formal aspects of specific films for each chapter, Persistence of Vision is an ideal text for both face-to-face and online introduction to film studies courses. By examining the practice of filmmaking and the evolution of the significant developments in the cinematic narrative and the unique elements by which films communicate, this textbook serves as a guide through the journey of movies. Students will understand that, as audiences, they watch illusions on the screen in the form of a rapid series of images and sounds, which they must translate through their imaginations to decipher is ultimate meaning. 

Studio Craft, in effect, started with the Arts and Crafts Movement, and developed throughout the 20th century. This work looks at studio arts from woodworking, ceramics and glass to jewellery, metalworking and textiles, and discusses the factors that have shaped their development. These range from philosophical considerations such as ethnicity, tradition and Post-Modernism to practicalities such as the development of new techniques and equipment.

Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.

Contrary to the accepted theory that the new class of capitalists initiated World War I, this analysis demonstrates that the Old Regime still controlled Europe and was dismantled finally by World War II

Contrary to the accepted theory that the new class of capitalists initiated World War I, this analysis demonstrates that the Old Regime still controlled Europe and was dismantled finally by World War II

True First Edition Uncorrected Proof AS NEW softcover book. No DJ as issued.Appears UNREAD.Bright clean square and tight. Dial Press has written on front cover "July 14, 1978 $9.95 a main selection of the science fiction book club".Shelf 1107

How can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? In The Persistence of Sentiment, Mitchell Morris gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. Morris examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity as well as their dismissal. These artists were all members of more or less disadvantaged social categories: members of racial or sexual minorities, victims of class and gender prejudices, advocates of populations excluded from the mainstream. The complicated commercial world of pop music in the 1970s allowed the greater promulgation of musical styles and idioms that spoke to and for exactly those stigmatized audiences. In more recent years, beginning with the “Seventies Revival” of the early 1990s, additional perspectives and layers of interpretation have allowed not only a deeper understanding of these songs' function than when they were first popular, but also an appreciation of how their significance has shifted for American listeners in the succeeding three decades.

While Hollywood’s success – its persistence – has remained constant for almost one hundred years, the study of its success has undergone significant expansion and transformation. Since the 1960s, Thomas Elsaesser’s research has spearheaded the study of Hollywood, beginning with his classic essays on auteurism and cinephilia, focused around a director’s themes and style, up to his analysis of the "corporate authorship" of contemporary director James Cameron. In between, he has helped to transform film studies by incorporating questions of narrative, genre, desire, ideology and, more recently, Hollywood’s economic-technological infrastructure and its place within global capitalism. The Persistence of Hollywood brings together Elsaesser’s key writings about Hollywood filmmaking. It includes his detailed studies of individual directors (including Minnelli, Fuller, Ray, Hitchcock, Lang, Altman, Kubrick, Coppola, and Cameron), as well as essays charting the shifts from classic to corporate Hollywood by way of the New Hollywood and the resurgence of the blockbuster. The book also presents a history of the different critical-theoretical paradigms central to film studies in its analysis of Hollywood, from auteurism and cinephilia to textual analysis, Marxism, psychoanalysis, and post-industrial analysis.

Although cinematic storytelling shares many of the same elements as other art forms, film tells a story in a unique way. Concentrating on careful analysis of the formal aspects of specific films for each chapter, Persistence of Vision is an ideal text for both face-to-face and online introduction to film studies courses. By examining the practice of filmmaking and the evolution of the significant developments in the cinematic narrative and the unique elements by which films communicate, this textbook serves as a guide through the journey of movies. Students will understand that, as audiences, they watch illusions on the screen in the form of a rapid series of images and sounds, which they must translate through their imaginations to decipher is ultimate meaning. 

Why is the 1798 Napoleonic invasion of Egypt routinely accepted as a watershed moment between premodern and modern in general histories on the Middle East? Although decades of scholarship, most-notably Edward Said’s Orientalism, have critiqued traditional binaries of developed and undeveloped in Arab studies, the narrative of 1798 symbolizing the coming of the modern west to the rescue of the static east endures. Peter Gran’s The Persistence of Orientalism is the first book to take stock of this dominant paradigm, interrogating its origins and the ways in which scholarship is produced to perpetuate it. Gran surveys the history of American studies of Modern Egypt, examining three central issues: the periodization of modern professional knowledge in the US in the 1890s, the contemporary identity of orientalism and its critique, and the close connection between Oriental Despotism and the dominant formulation of American identity found in American Studies and in American life. Reinvigorating the conversation on the historiography of modern Egypt, this volume will influence a new generation of scholars studying the Middle East and beyond.

Clint Eastwood represents probably the single strongest icon of heroic masculinity in popular cinema over the past quarter-century. But how odd that, through ironic allusion and gesture, this figure seems continually to deconstruct its own stature. Such problems form the foundation for Bill Beard's examination of Eastwood. Director, producer, and star, Eastwood has become one of the most important figures in American cinema today. This collection of linked essays examines Eastwood's unique position as overpowering cinematic icon and creative filmmaker; as reflector, perpetuator, and even producer of mainstream cultural and ideological values; and as idiosyncratic, complex manipulator of the narrative he inhabits.