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The Prix Pictet Commission is an invitation for one of the photographers short-listed for the Prix Pictet to document a sustainability project in a particular country or region. For the thirdCommission, Chris Jordan took a fieldtrip to photograph the Nakuprat-Gotu Conservancy in Northern Kenya. It is an initiative led by tribal Elders, which aims to bring peace and prosperity to a region ravaged by violence and climate change. In an effort to draw attention to the potentials of sustainable living, Jordan's project both documents the problems--particularly the poaching of elephants--and celebrates the triumphs of what he calls a "quiet revolution" aimed at building a sustainable future for this community.

The Prix Pictet has rapidly established itself as the world's leading prize in photography and sustainability. The award aims to uncover outstanding photography that confronts the most pressing social and environmental challenges of today. The theme of the fifth cycle and this volume is "Consumption." Consumption is a multi-faceted theme, rich with creative potential. We are all consumers. We have invented new forms of building, industrial production, farming, and energy. We have emptied the seas and ravaged the land in our relentless drive to satisfy our unquenchable desires. We have sustained this through the sometimes thoughtless exploitation of the world's poorest people. This book will showcase photographs of high artistic quality that also bear powerful messages about global sustainability.

Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today's most successful photographers. Upon learning of the existence of two "closed" cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.

Treats the church, the sacraments, and the last things. Also includes indices, biographical sketches, and Benedict Pictet's funeral oration.

Treats the church, the sacraments, and the last things. Also includes indices, biographical sketches, and Benedict Pictet's funeral oration.

Nadav Kander (born 1961) is a recipient of the renowned Prix Pictet and one of today's most successful photographers. Upon learning of the existence of two "closed" cities on the border between Kazakhstan and Russia, he decided to visit them. For Dust he photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.