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Béatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. In the first part of the book she discusses contemporary analyses of our use of 'I' in language and thought, and compares them to Kant's account of self-consciousness, especially the type of self-consciousness expressed in the proposition 'I think.' According to many contemporary philosophers, necessarily, any instance of our use of 'I' is backed by our consciousness of our own body. For Kant, in contrast, 'I think' just expresses our consciousness of being engaged in bringing rational unity into the contents of our mental states. In the second part of the book, Longuenesse analyzes the details of Kant's view and argues that contemporary discussions in philosophy and psychology stand to benefit from Kant's insights into self-consciousness and the unity of consciousness. The third and final part of the book outlines similarities between Kant's view of the structure of mental life grounding our uses of 'I' in 'I think' and in the moral 'I ought to,' on the one hand; and Freud's analysis of the organizations of mental processes he calls 'ego' and 'superego' on the other hand. Longuenesse argues that Freudian metapsychology offers a path to a naturalization of Kant's transcendental view of the mind. It offers a developmental account of the normative capacities that ground our uses of 'I,' which Kant thought could not be accounted for without appealing to a world of pure intelligences, distinct from the empirical, natural world of physical entities.

Béatrice Longuenesse presents an original exploration of our understanding of ourselves and the way we talk about ourselves. In the first part of the book she discusses contemporary analyses of our use of 'I' in language and thought, and compares them to Kant's account of self-consciousness, especially the type of self-consciousness expressed in the proposition 'I think.' According to many contemporary philosophers, necessarily, any instance of our use of 'I' is backed by our consciousness of our own body. For Kant, in contrast, 'I think' just expresses our consciousness of being engaged in bringing rational unity into the contents of our mental states. In the second part of the book, Longuenesse analyzes the details of Kant's view and argues that contemporary discussions in philosophy and psychology stand to benefit from Kant's insights into self-consciousness and the unity of consciousness. The third and final part of the book outlines similarities between Kant's view of the structure of mental life grounding our uses of 'I' in 'I think' and in the moral 'I ought to,' on the one hand; and Freud's analysis of the organizations of mental processes he calls 'ego' and 'superego' on the other hand. Longuenesse argues that Freudian metapsychology offers a path to a naturalization of Kant's transcendental view of the mind. It offers a developmental account of the normative capacities that ground our uses of 'I,' which Kant thought could not be accounted for without appealing to a world of pure intelligences, distinct from the empirical, natural world of physical entities.

This study analyses five aspects of the approximately 450 published Mesopotamian Incantations dating to the period from 2500 to 1500 BC: the incantations' development during this periods; their functions and particular type of suffering, illness; the verbal techniques they use to request or represent helpful divine intervention towards those ends; their accompanying ritual; the information they provide about the ultimate cause of such suffering, that is harmful divine intervention.

This study analyses five aspects of the approximately 450 published Mesopotamian Incantations dating to the period from 2500 to 1500 BC: the incantations' development during this periods; their functions and particular type of suffering, illness; the verbal techniques they use to request or represent helpful divine intervention towards those ends; their accompanying ritual; the information they provide about the ultimate cause of such suffering, that is harmful divine intervention.

Le but de cet ouvrage est d'initier à l'analyse linguistique en dégageant la structure du français moderne. Cela, de la manière la plus claire possible, sans jargon inutile. Notre analyse est ouverte à tous les courants et non enfermé dans une école contraignante. L'étude de la langue nous mène à des implications stylistiques, esthétiques et sociales, d'où des incursions dans les variations individuelles, dialectales et idéologiques. Les variations du français de France, comme celles du Canada occupent ici une large place.Des exercices à la fin de chaque chapitre offrent le moyen d'appliquer les connaissances acquises. Du bon temps en perspective pour les curieux et les amoureux de la langue!Featuresla quatrième édition de Structure du français moderne est destinée spécialement aux étudiants qui apprennent le français comme langue secondele manuel comprend des exemples tirés non seulement du français européen, mais aussi des variétés du français que l'on trouve en Amérique du Nord et des créoles à base lexicale française que l'on trouve dans les Antilles et dans l'océan indienon trouvera à la fin du manuel un glossaire des termes utilisésles questions à la fin des chapitres ont été entièrement révisées et de nouvelles questions ont été ajoutées

Ensemble de 2 rares documentations traitant du Syst me EMS d'analyse et transmission vocale "Vocom" et du compileur "Musys" r dig es par Peter Zino...

Gustave Flaubert, né à Rouen le 12 décembre 1821 et mort à Canteleu, au hameau de Croisset, le 8 mai 1880, est un écrivain français. Prosateur de premier plan de la deuxième moitié du XIXe siècle, Gustave Flaubert a marqué la littérature française par la profondeur de ses analyses psychologiques, son souci de réalisme, son regard lucide sur les comportements des individus et de la société, et par la force de son style à travers de grands romans comme Madame Bovary (1857), Lâ à ducation Sentimentale (1869), Salammbô (1862), ou le recueil de nouvelles Trois Contes (1878). Le premier événement notable dans sa biographie est la rencontre à Trouville-sur-Mer, durant lâ été 1836 de à lisa Schlésinger qui marquera toute sa vie: il transposera dâ ailleurs cette rencontre dans Lâ à ducation Sentimentale, en particulier dans la page célèbre de â lâ apparitionâ de Madame Arnoux au regard du jeune Frédéric. De 1877 à 1880, il poursuit la rédaction de Bouvard et Pécuchet, quâ il avait entamé en 1872-1874. Sa production littéraire continue avec les Trois Contes qui comporte trois nouvelles: Un coeur simple, La légende de Saint Julien lâ Hospitalier et Hérodias.

Irene G. Dash explores the influence of Shakespeare on American musical theater through analyses of five important productions from 1938 through 1971―The Boys from Syracuse (The Comedy of Errors), Kiss Me, Kate (Taming of the Shrew), West Side Story (Romeo and Juliet), Your Own Thing (Twelfth Night), and Two Gentlemen of Verona. Dash argues that adaptations of Shakespeare were instrumental in the alteration of the musical theater formula from the stock plots and song forms of the 1930s musical comedy to the more organic "integrated musical," where songs and dance sequences were used to advance the plot rather than break the action. In bringing together these well-known works, Dash offers a fresh look at the development of American musical theater and a new understanding of Shakespeare in the modern American context.