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Makes available, for the first time in English, the work of a major modern Arab poet, providing a framework for understanding his experience not only as an Arab writer but as a postcolonial one.This is a comprehensive study of the most widely celebrated of twentieth-century Iraqi writers, Badr Shakir al-Sayyab, whose premature death in 1964 from Lou Gehrig’s disease (ALS) was lamented in cultural circles throughout the Arab world. This book makes available to English-speaking readers for the first time an unprecedented amount of information about a single Arab poet (including a large selection of previously untranslated poetry). In addition, it places the poet’s work in the broader context of postcolonial resistance to Western hegemony, illuminating obscure aspects of his writing and relating it to other authors of his time.

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A mix of theory and practical applications, Placing Shadows covers the physical properties of light and the selection of proper instruments for the best possible effect. For the student, advanced amateur, and pros trying to enhance the look of their productions, this book examines the fundamentals and is also a solid reference for tips on better performance. * Heavily illustrated in full color!* Covers the fundamental properties of light as well as many tips and tricks* Includes up-to-date equipment and techniques such as lighting for High Def, HMI lighting, etc.

This book explores the rich but understudied relationship between English country houses and the portraits they contain. It features essays by well-known scholars such as Alison Yarrington, Gill Perry, Kate Retford, Harriet Guest, Emma Barker and Desmond Shawe-Taylor. Works discussed include grand portraits, intimate pastels and imposing sculptures. Moving between residences as diverse as Stowe, Althorp Park, the Vache, Chatsworth, Knole and Windsor Castle, it unpicks the significance of various spaces – the closet, the gallery, the library – and the ways in which portraiture interacted with those environments. It explores questions around gender, investigating narratives of family and kinship in portraits of women as wives and daughters, but also as mistresses and celebrities. It also interrogates representations of military heroes in order to explore the wider, complex ties between these families, their houses, and imperial conflict. This book will be essential reading for all those interested in eighteenth-century studies, especially for those studying portraiture and country houses.

Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films―from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism.It is this last element―Rosenbaum's reflections on the art of film criticism―that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism.They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.

When the U.S. government incarcerated 120,000 Japanese Americans as “domestic enemy aliens” during World War II, most other Americans succumbed to their fears and endorsed the confinement of their fellow citizens. Ten “relocation centers” were scattered across the West. Today, in the crumbling foundations, overgrown yards, and material artifacts of these former internment camps, we can still sense the injustices suffered there.Placing Memory is a powerful visual record of the internment. Featuring Todd Stewart’s stunning color photographs of the sites as they appear today, the book provides a rigorous visual survey of the physical features of the camps—roads, architectural remains, and monuments—along with maps and statistical information.Also included in this volume—juxtaposed with Stewart’s modern-day images—are the black-and-white photographs commissioned during the 1940s by the War Relocation Authority. Thoughtful essays by Karen Leong, Natasha Egan, and John Tateishi provide provocative context for all the photographs.

Well before the innovation of maps, gazetteers served as the main geographic referencing system for hundreds of years. Consisting of a specialized index of place names, gazetteers traditionally linked descriptive elements with topographic features and coordinates. Placing Names is inspired by that tradition of discursive place-making and by contemporary approaches to digital data management that have revived the gazetteer and guided its development in recent decades. Adopted by researchers in the Digital Humanities and Spatial Sciences, gazetteers provide a way to model the kind of complex cultural, vernacular, and perspectival ideas of place that can be located in texts and expanded into an interconnected framework of naming history. This volume brings together leading and emergent scholars to examine the history of the gazetteer, its important role in geographic information science, and its use to further the reach and impact of spatial reasoning into the digital age.

350 pages. 8.50x6.00x1.25 inches. In Stock. This item is printed on demand.

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This comprehensive text offers a thematic approach to Latin America, focusing on the dynamic connections among people, places, and environments. Providing a nuanced and clear perspective, this book will be an invaluable guide for all those interested in the politics, economy, and society of a rapidly globalizing continent.

This book will be the leading contemporary study of party organization. and one of the leading studies of that subject, period. - Stanley Kelley, Jr, Princeton University This work on the structure of American parties combines the breadth that has been

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Placing the South offers a selection of work published between 1985 and 2005 by one of the most incisive historians and literary critics of the South. The pieces seek to situate the South in a variety of contexts and offer a compelling defense of what Kwame Anthony Appiah has called "rooted cosmopolitanism." This is a mode of understanding based on respect for what is local and an awareness that regionalism is not enough. Hybridity, in both culture and literature, is inescapable and desirable. The first section of the book ("Placing") contains three comparative analyses that look at how regionalism has recently been conceptualized globally, how the modern South has acquired pertinence for those outside the United States, and how the relationship between Britain and the South has worked. The second section ("Ideologies") scrutinizes political ideas--freedom, imperialism, nationalism, racial ideology--which have transformed American discourse. The third section ("Forms") examines genre and how the South has been constructed and reconstructed by such literary forms as autobiography, biography, history, and literary history. The final section ("Writers") contains critical appreciations of political thinkers, novelists, poets, critics, historians, and sociologists important to southern intellectual life. Taken together, the essays offer a robust analysis of a dynamic region. Michael O'Brien is professor of American intellectual history at University of Cambridge and a fellow at Jesus College. He is the author of Conjectures of Order: Intellectual Life and the American South, 1810-1860 and other books.

The Enlightenment was the age in which the world became modern, challenging tradition in favor of reason, freedom, and critical inquiry. While many aspects of the Enlightenment have been rigorously scrutinized—its origins and motivations, its principal characters and defining features, its legacy and modern relevance—the geographical dimensions of the era have until now largely been ignored. Placing the Enlightenment contends that the Age of Reason was not only a period of pioneering geographical investigation but also an age with spatial dimensions to its content and concerns.Investigating the role space and location played in the creation and reception of Enlightenment ideas, Charles W. J. Withers draws from the fields of art, science, history, geography, politics, and religion to explore the legacies of Enlightenment national identity, navigation, discovery, and knowledge. Ultimately, geography is revealed to be the source of much of the raw material from which philosophers fashioned theories of the human condition.Lavishly illustrated and engagingly written, Placing the Enlightenment will interest Enlightenment specialists from across the disciplines as well as any scholar curious about the role geography has played in the making of the modern world.

Placing Latin America offers a thematic approach to the study of the diverse geographies of a globalizing region. This comprehensive text focuses on the dynamic connections between people, places, and environments rather than on predefined notions about the region. The book’s well-rounded and accessible analysis includes discussions of borders and migration, transnationalism and globalization, urbanization and landscapes of cities, the connections between economic development and political change, the physical environment and human-environmental interactions, and natural resources in the context of a global economy. The authors also explore social and cultural themes such as the illegal drug trade, social movements, tourism, and children and young people. Providing a nuanced and clear perspective, this book will be an invaluable guide for all those interested in the politics, economy, and society of a rapidly changing continent.

Discusses an approach to the study of ecological functions at the scale of landscapes and examines the powerful influence human beings have on the landscape, considering ecological questions that patterns of farming, forestry, suburbs, and cities raise for the landscape. Explores goals and strategies needed to bring human-dominated landscapes into intentional relationships with nature, and looks at specific examples of projects around the country. Includes b&w photos contrasting social landscapes with the natural world. For ecologists, ecosystem managers, land developers, watershed managers, and planners. Annotation c. by Book News, Inc., Portland, Or.

Placing Modern Greece is about literary representations of Greece in the period of Romanticism, encompassing the time in the 1820s when it became a territorial and political reality as a nation state. Constanze Guthenke claims that the imagining of and attitude towards Greece was shaped by a fascination with the material, and by the highly conceptualized tension between the ideal on the one hand, and the material on the other. Her study focuses on nature and landscape imagery as vehicles of representation, on their specific inner workings, and on their dynamic, which conditions how and whether Greece as a modern entity in the making can be represented at all. Offering readings from German and contemporaneous Greek authors, Guthenke supplies a commentary on the translation and crossings of representational models and their limits.

Well before the innovation of maps, gazetteers served as the main geographic referencing system for hundreds of years. Consisting of a specialized index of place names, gazetteers traditionally linked descriptive elements with topographic features and coordinates. Placing Names is inspired by that tradition of discursive place-making and by contemporary approaches to digital data management that have revived the gazetteer and guided its development in recent decades. Adopted by researchers in the Digital Humanities and Spatial Sciences, gazetteers provide a way to model the kind of complex cultural, vernacular, and perspectival ideas of place that can be located in texts and expanded into an interconnected framework of naming history. This volume brings together leading and emergent scholars to examine the history of the gazetteer, its important role in geographic information science, and its use to further the reach and impact of spatial reasoning into the digital age.

Examining select high points in the speculative tradition from Plato and Aristotle through the Middle Ages and German tradition to Dewey and Heidegger, Placing Aesthetics seeks to locate the aesthetic concern within the larger framework of each thinker's philosophy.In Professor Robert Wood's study, aesthetics is not peripheral but rather central to the speculative tradition and to human existence as such. In Dewey's terms, aesthetics is “experience in its integrity.” Its personal ground is in “the heart,” which is the dispositional ground formed by genetic, cultural , and personal historical factors by which we are spontaneously moved and, in turn, are inclined to move, both practically and theoretically, in certain directions.Prepared for use by the student as well as the philosopher, Placing Aesthetics aims to recover the fullness of humanness within a sense of the fullness of encompassing Being. It attempts to overcome the splitting of thought, even in philosophy, into exclusive specializations and the fracturing of life itself into theoretical, practical, and emotive dimensions.

Now available from Waveland Press, the first detailed ethnographic study of the dominant cultural group in Madagascar, the Merina- -a society of over one million of South East Asian origin. Placing the Dead contains the first full-length study of the two most famous aspects of the culture of Madagascar: the existence of massive megalithic tombs and the complex funerary rituals, which involve the exhumation of the recently dead. Both of these aspects are explained in terms of their place in the belief system and social organization of the Merina people. The funerary rituals serve to reincorporate the Merina who have died--away from the traditional homeland-- into what they believe is the society of the ancestors by placing them in the tombs that stand on this traditional homeland. This reincorporation of the dead into an unchanging order based on kinship and traditional territorial association is the answer of the living to the precariousness of contractual ties in everyday political and economic life. Naturally, this study raises an interesting question: how do bilateral descent groups combine the element of choice with notions of descent? A close study of the relationship to tombs and the reinterpretive power of ritual provides the answer for the Merina case.