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Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description; x, 145 pages ; 21 cm. Notes; Includes chapter notes with bibliographical references (page [131]-137), select bibliography (page 139), and index. Contents; Biography -- Things -- Man -- Man, things and poem -- 'Plat de poissons frits' -- Braque -- Affinities -- Points of view. Subjects; Ponge, Francis Criticism and interpretation. Ponge, Francis. Ponge, Francis 1899-1988. Poets, French 20th century Criticism and interpretation. Poetry, Modern 20th century Criticism and interpretation. French poetry 20th century History and criticism. Poets, French. Poetry, Modern. Ponge, Francis, 1899-1988 French literature 1900-2000 Criticism. 1 Kg.

Text: English, French (translation)

Inspected by hand. Clean and tight copy with negligible shelf wear. There is some underlining and marginalia in pencil on a small number of pages. Ships from USA.

Occasion - Etat Correct - Livre de biblioth?que, tampons pr?sents - Pages d'atelier : (2005) - Grand Format

Born in 1899, Ponge studied both law and philosophy before taking up a variety of editorial and teaching jobs. "Le parti pris des choses (Taking the Side of Things)" Gallimard, 1942, caught the attention of other writers and artists. Wide recognition came in the sixties when Gallimard published several large collections of his poetry and essays.

Born in 1899, Ponge studied both law and philosophy before taking up a variety of editorial and teaching jobs. "Le parti pris des choses (Taking the Side of Things)" Gallimard, 1942, caught the attention of other writers and artists. Wide recognition came in the sixties when Gallimard published several large collections of his poetry and essays.

1 volume 1 feuillet, 271p., 1 feuillet; fac-similés et illustrations couleurs, pleines et doubles pages (planches comprises dans la pagination). Très bon état. Nombreux fac-similés d'extraits du manuscrit du poète Francis PONGE (1899-1988) illustrés de photos et reproductions couleurs de peintures, suivis, sur papier vergé marron clair, de la version définitive du "Pré", poème paru dans le "Nouveau recueil" publié par le poète en 1967 (Gallimard) et de "La Fabrique du "Pré", réflexions sur l'écriture du poème, sur papier vergé vert. Réimpression d'un ouvrage publié en 1971; dans la collection dirigée par Albert Skira avec la collaboration de Gaëtan Picon. Exemplaire bien complet de son étui (inexistant à la 1ère édition). Livres16,5 x 21,5cm Broché sous couverture à rabats au 1er plat illustré couleurs; en étui à l'identique.

Poetry. Translated from the French by Lee Fahnestock. First published in 1942 and considered the keystone of Francis Ponge's work, Le parti pris de choses appears here in its entirety. It reveals his preoccupation with nature and its metaphoric transformation through the creative ambiguity of language. "My immediate reaction to Lee Fahnenstock's translation was: this must certainly be 'Ponge's voice in English'...[She] gives us his tones, rhythms, humor...[and] maneuvers his word play with respect and unostentatious discretion"--Barbara Wright, translator of Queneau, Pinget, Sarraute.

Poetry. Hybrid Genre. Environmental Studies. Translated from the French by Joshua Corey and Jean-Luc Garneau. "There is no escape from trees by means of trees." The ordinary objects to which Francis Ponge directs his attention—a tree, an oyster, a cigarette—come uncannily alive in his seminal first book of prose poems, newly translated by Joshua Corey and Jean-Luc Garneau. Published in 1942, as Ponge was enlisting in the Resistance to the Nazi occupation of France, these poems offer their own dryly humorous resistance to our tendency to take "things" for granted as either dead matter or as commodities for our disposal. Arch, alive, and unexpectedly profound, here is a new Ponge for the age of hyperobjects and the revenge of nature, a poet of the Anthropocene avant la lettre.

An analysis of the works of the French poet, Francis Ponge, explores a new technique for reading poetry

Hadara Bar-Nadav’s radiant new collection of poetry, The New Nudity, shocks everyday objects to life. In these chiseled, electrically-charged poems, a ladder, wineglass, and spine ignite into being. With a nod to Francis Ponge, Gertrude Stein, and Pablo Neruda, Bar-Nadav’s poems have a heartbeat all their own, small miracles that haunt and heave.