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Pages: 285 Language: Finnish. ISSN0069-6587 Commentationes Humanarum Litterarum 140 This book is about the Portrayal of Bacchus in PomPeii. The topic is much studied, and the ancient texts and works of art are mainly well known. The intention of this study has been to collect the various factors together, not only some examples. This idea came from the need to understand better the wall Paintings and sculptures in the House of Marcus Lucretius (IX 3. 5.24). Dionysus-Liber-Bacchus was one of the most popular gods in the Graeco-Roman world. In Italy the domestic god of nature and fertility known as Liber took on the name Bacchus and the features of the Greek god Dionysus at an early stage. The original Dionysus was full of contradictions: gentle but murderous, the giver of wine but also demanding human sacrifices, a saviour from evil death but also the target of emotional religiosity - people in his sphere of influence were known to go into an ecstatic frenzy. Already in Greece, Dionysus was considered to be different from the other Olympian gods because of his many-sided nature; some considered him a mortal hero who had become one of these gods, others thought him to be simply another god among the others. Information about his origin and his birth were likewise conflicting in many ancient sources. 9789516534636

How did the French try to understand their revolution? How have writers of the nineteenth and twentieth centuries portrayed so unprecedented an upheaval? Dr. Parker examines contemporary representations of the Revolution political rhetoric, journals, theatre, festivals, pictures and prints concentrating on two special themes. First, the creators of these representations were part of an attempt to found anew the social order. Second, they sought to adapt their forms of culture so as to constitute through them the united community that was to be the agent of this historic new order. The second half of the book considers a representative selection of the many histories and theoretical writings on the Revolution from France, England and Germany: from Barnave and de Stael; to the nineteenth-century founders of social science and romantic historians, such as Michelet; to post-war comparative political writers and post-structuralist marxists influenced by Gramsci and Foucault. By bringing together an analysis of contemporary cultural responses to the Revolution and an account of subsequent cultures’ understanding of it, the author reveals the complex interplay between culture and agents of historical change, which modern views have often failed to realize.

285 pp. Includes: illustrations, bibliography. This book is about the Portrayal of Bacchus in PomPeii. The topic is much studied, and the ancient texts and works of art are mainly well known. The intention of this study has been to collect the various factors together, not only some examples. This idea came from the need to understand better the wall Paintings and sculptures in the House of Marcus Lucretius (IX 3. 5.24). Dionysus-Liber-Bacchus was one of the most popular gods in the Graeco-Roman world. In Italy the domestic god of nature and fertility known as Liber took on the name Bacchus and the features of the Greek god Dionysus at an early stage. The original Dionysus was full of contradictions: gentle but murderous, the giver of wine but also demanding human sacrifices, a saviour from evil death but also the target of emotional religiosity-people in his sphere of influence were known to go into an ecstatic frenzy. Already in Greece, Dionysus was considered to be different from the other Olympian gods because of his many-sided nature; some considered him a mortal hero who had become one of these gods, others thought him to be simply another god among the others. Information about his origin and his birth were likewise conflicting in many ancient sources.

"On the day that Mahatma Gandhi was killed, I arrived in Delhi just an hour and a quarter before the tragedy,... the greatest tragedy since the Son of God died on the cross..." So begins this compelling account of Gandhi by E. Stanley Jones, world-famous missionary/evangelist to India during forty seething years of struggle. Based on an intimate knowledge and understanding of the man, Jones' revealing interpretation was written in gratitude to Gandhi, who, although they often disagreed, showed him "more of the spirit of Christ than perhaps any other man in East or West."

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Power in the Portrayal unveils a fresh and vital perspective on power relations in eleventh- and twelfth-century Muslim Spain as reflected in historical and literary texts of the period. Employing the methods of the new historical literary study in looking at a range of texts, Ross Brann reveals the paradoxical relations between the Andalusi Muslim and Jewish elites in an era when long periods of tolerance and respect were punctuated by outbreaks of tension and hostility. The examined Arabic texts reveal a fragmented perception of the Jew in eleventh-century al-Andalus. They depict seemingly contradictory figures at whose poles are an intelligent, skilled, and noble Jew deserving of homage and a vile, stupid, and fiendish enemy of God and Islam. For their part, the Hebrew and Judeo-Arabic texts display a deep-seated reluctance to portray Muslims in any light at all. Brann cogently demonstrates that these representations of Jews and Muslims--each of which is concerned with issues of sovereignty and the exercise of power--reflect the shifting, fluctuating, and ambivalent relations between elite members of two of the ethno-religious communities of al-Andalus. Brann's accessible prose is enriched by his splendid translations; the original texts are also included. This book is the first to study the construction of social meaning in Andalusi Arabic, Judeo-Arabic, and Hebrew literary texts and historical chronicles. The novel approach illuminates nuances of respect, disinterest, contempt, and hatred reflected in the relationship between Muslims and Jews in medieval Spain.

Who is the God of the Bible? From both within the church and outside her walls the orthodox doctrine of the Holy Trinity, declared in Scripture and passed down in ecumenical creeds and local confessions of faith, is under attack. The emerging absence of a Trinitarian mind-set so prevalent in the church today has enormous implications for the future of the Christian faith. Concerned to counter contemporary attacks on the doctrine of God, Peter Toon here demonstrates the existence and priority of a Trinitarian pattern in Scripture and defends the essential role of the Trinity in Christian belief, faith, and practice. ?

Book by Fleming, Michael, Manvell, Roger

World renowned authority on Asian martial arts, Robert W. Smith shares more than fifty years experience in martial arts practice and research in Martial Musings. Based on reflections on the people and places that shaped martial arts in the 20th century,

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Images of working cowhands and their horses loom large in the mind’s eye of many who love the American West. Those same images form the heart and soul of this lavishly illustrated book, which captures the viewpoints, values, and observations of twenty-four respected contemporary artists. The artists’ own words illuminate the painting, sculpture, photography, and drawings of these award-winning, supremely creative individuals, allowing readers a glimpse into their creative processes. As Heidi Brady and Scott White demonstrate, these Western artists came to their work in a wide variety of ways. Some are studio-trained and learned to portray horses through formal classes; others simply began creating art on their own, learning through visual and tactile study of the horses they worked with each day. The two dozen artists profiled here include ranch owners, working hands, professional photographers, rodeo cowboys, art instructors, graphic designers, a saddle maker, and a former predator hunter. Readers will delight in these remarkable paintings, drawings, photographs, and sculptures depicting the freedom and spirit of the American West.

260pp. Sewn binding in tan printed wraps. Entirely clean and sharp.

Reel Psychiatryis a compendium of movie examples of psychiatric conditions, with expert commentary on the accuracy of the portrayals. This text covers most of the conditions found in the DSM-IV-TR and is a suitable resource for patients, families, students, and instructors. There are introductory chapters detailing the diagnostic process in psychiatry, followed by an explanation of the disorder and diagnostic criteria in plain English before the movie examples are discussed.

Since the early days of the silent era, Native Americans have been captured on film, often in unflattering ways. Over the decades, some filmmakers have tried to portray the Native American on screen with more balanced interpretations—to varying degrees of success. More recent films such as The New World, Flags of Our Fathers, and Frozen River have offered depictions of both historical and contemporary Native Americans, providing viewers with a range of representations.In Native Americans in the Movies: Portrayals from Silent Films to the Present, Michael Hilger surveys more than a century of cinema. Drawing upon his previous work, From Savage to Nobleman, Hilger presents a thorough revision of the earlier volume. The introductory material has not only been revised with updated information and examples but also adds discussions of representative films produced since the mid-1990s. Now organized alphabetically, the entries on individual films cover all relevant works made over the past century, and each entry contains much more information than those in the earlier book. Details includefilm summarynation representedimage portrayalproduction detailsDVD availabilityMany of the entries also contain comments from film critics to indicate how the movies were regarded at the time of their theatrical release. Supplemented by appendixes of image portrayals, representations of nations, and a list of made-for-television movies, this volume offers readers a comprehensive and up-to-date overview of hundreds of films in which Native American characters have appeared on the big screen. As such, Native Americans in the Movies will appeal not only to scholars of media, ethnic studies, and history but also to anyone interested in the portrayal of Native Americans in cinema.

Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.

Who is the God of the Bible? From both within the church and outside her walls the orthodox doctrine of the Holy Trinity, declared in Scripture and passed down in ecumenical creeds and local confessions of faith, is under attack. The emerging absence of a Trinitarian mind-set so prevalent in the church today has enormous implications for the future of the Christian faith. Concerned to counter contemporary attacks on the doctrine of God, Peter Toon here demonstrates the existence and priority of a Trinitarian pattern in Scripture and defends the essential role of the Trinity in Christian belief, faith, and practice. ?

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America's executive office and its occupant have found their way into numerous films--more than 400 since 1903. Ranging from respectful biographical presentations to caricatures, the presentations of presidents on film reflect contemporary perceptions of the office. This is an all-inclusive survey of commercial theatrical films that depict an actual American president as a character. An analysis of these depictions reveals a great deal about the presidents--and the filmmakers. The main body of the work provides a brief summary of each administration along with a commentary on the overall nature of films in which the featured president appeared. Each relevant film is then discussed with the credits, plot summary, description of the presidential appearance and, when possible, an assessment of the presidential portrayal included.

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Paperback. Named a Sejong Book of 2021, Publication Industry Promotion Agency of Korea (KPIPA) 2020 Center for Biblical Studies Book Award (New Testament Runner-Up) ""Utterly fresh and innovative, important both exegetically and ethically.""--Paula Fredriksen, Review of Biblical Literature Although most people acknowledge that Jesus was a first-century Jew, interpreters of the Gospels often present him as opposed to Jewish law and customs--especially when considering his numerous encounters with the ritually impure. Matthew Thiessen corrects this popular misconception by placing Jesus within the Judaism of his day. Thiessen demonstrates that the Gospel writers depict Jesus opposing ritual impurity itself, not the Jewish ritual purity system or the Jewish law. This fresh interpretation of significant passages from the Gospels shows that throughout his life, Jesus destroys forces of death and impurity while upholding the Jewish law.About the AuthorMatthew Thiessen (PhD, Duke University) is associate professor of religious studies at McMaster University in Hamilton, Ontario. He is the author of Contesting Conversion: Genealogy, Circumcision, and Identity in Ancient Judaism and Christianity (awarded the Manfred Lautenschlaeger Award for Theological Promise) and Paul and the Gentile Problem. He is also the coeditor of several volumes. Correcting a popular misconception, this book demonstrates that the Gospel writers present Jesus within the context of Judaism, opposing ritual impurity but not the Jewish law itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.