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RISE, FALL AND RETURNThe Prince of Silicon Valley traces the rise of the foremost investment banker of the Internet stock-market bubble, from the back streets of South Philadelphia to the peak of finance as the highest paid banker on Wall Street. From Cisco to Netscape to Amazon, Frank Quattrone took some of the biggest names in technology public. During the bubble years of 1999 and 2000, his California-based technology banking group led the most hot initial public offerings, which lifted the entire stock market to record heights. But after the bubble burst, the hot stocks cooled and ordinary investors lost billions. It emerged that brokers in Quattrone s firm had created lucrative investment accounts, stuffed with hot IPOs, for banking clients who became known as Friends of Frank. Some of the brokers, regulators charged, cut off other investors who refused to pay back a share of their IPO profits. And so Quattrone a

RISE, FALL AND RETURNThe Prince of Silicon Valley traces the rise of the foremost investment banker of the Internet stock-market bubble, from the back streets of South Philadelphia to the peak of finance as the highest paid banker on Wall Street. From Cisco to Netscape to Amazon, Frank Quattrone took some of the biggest names in technology public. During the bubble years of 1999 and 2000, his California-based technology banking group led the most hot initial public offerings, which lifted the entire stock market to record heights. But after the bubble burst, the hot stocks cooled and ordinary investors lost billions. It emerged that brokers in Quattrone s firm had created lucrative investment accounts, stuffed with hot IPOs, for banking clients who became known as Friends of Frank. Some of the brokers, regulators charged, cut off other investors who refused to pay back a share of their IPO profits. And so Quattrone a

A mesmerizing live set by OCS-JOHN DWYER and BRIGID DAWSON with a 7-piece backing band featuring PAUL QUATTRONE, TIM HELLMAN, TOM DOLAS, HEIDI MAUREEN ALEXANDER, and a string section comprised of HEATHER LOCKIE, EMILY ELKIN and ERIC CLARK. Recorded by ERIC BAUER at the Chapel in SF, December 17, 2017.

Double vinyl LP pressing. 2018 release. Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone/Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret

A cura di De Marchi A.Coordinamento scientifico di Carlo Sisi.Campagna fotografi ca di Antonio Quattrone.Firenze, 2015; ril., pp. 320, 450 ill. col., cm 25x33,5.(Le Chiese di Firenze). Nel 2013 Banca Cassa di Risparmio di Firenze e Ente Cassa di Risparmio di Firenze si sono date la mano per riprendere un discorso che era stato interrotto da tempo, la stampa di raffinati volumi dedicati alle chiese più importanti e ricche d'arte e di storia. Ai due volumi sulla Basilica della Santissima Annunziata, usciti nel 2013 e nel 2104, segue quest'anno il primo dei tre volumi che, con cadenza annuale, tratteggeranno il profilo del complesso di Santa Maria Novella, basilica e spazi del convento. Il primo volume, curato da Andrea De Marchi con la coordinazione di Carlo Sisi, ha chiamato a raccolta studiosi di livello per tracciare un profilo della chiesa dalla fondazione al tardogotico (il secondo avrà per oggetto quello dalla Trinità di Masaccio alla metà del Cinquecento, il terzo quello dalla ristrutturazione vasariana e granducale ad oggi). Santa Maria Novella rappresenta la risposta italiana all'arte gotica di Oltralpe, con un'architettura che alla spinta verticale accompagna l'attenzione alla spazialità e che annuncia già la rinascita del gusto per l'arte classica. La scarsità di documenti rende difficoltoso e appassionante posizionare correttamente i momenti della costruzione della nuova basilica sulla base della vecchia chiesa, per cui molti studiosi spingono verso l'ipotesi che il transetto abbia assolto durante il procedere dei lavori il ruolo di chiesa provvisoria.