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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1

Make a statement with the Gallery Dept. Stop Being Racist T-shirt in Cream. Crafted from premium cotton, this shirt combines style with activism, featuring a bold graphic with the phrase 'Stop Being Racist'. Perfect for everyday wear, it encourages important conversations about racial equality and social justice. Pair it with jeans or a jacket for a laid-back yet impactful look. Add this essential piece to your collection for €230.

Brand new. Shrink Wrapped. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

This volume is a selection of significant and previously unpublished essays and short stories by the influential critic of German and American literature and popular culture, James A. Snead. The volume contains innovative essays and notes about African American popular culture, literary criticism and five pieces of short fiction. Published posthumously, the volume attests to Snead's unique intellectual commitment to a critical engagement with the interconnections between European and African American cultural formations.

This fourth edition of Racist America is significantly revised and updated, with an eye toward racism issues arising regularly in our contemporary era. This edition incorporates many recent research studies and reports on U.S. racial issues that update and enhance the last edition’s chapters. It expands the discussion and data on social science concepts such as intersectionality and gendered racism, as well as the concepts of the white racial frame, systemic racism, and the elite-white-male dominance system from research studies by Joe Feagin and his colleagues. The authors have further polished the book and added more examples, anecdotes, and narratives about contemporary racism to make it yet more readable for undergraduates. Student objectives, summaries, key terms, and study questions are available under the e-Resources tab at www.routledge.com/9781138096042.

This book explores some of the unconscious mechanisms and processes that underpin the racist phenomenon by looking at racism as a state of mind, inferred from the clinical situation and racist situations in the external world.

This third edition of Joe R. Feagin’s Racist America is significantly revised and updated, with an eye toward racism issues arising regularly in our contemporary era. This edition incorporates more than two hundred recent research studies and reports on U.S. racial issues that update and enhance all the last edition’s chapters. It expands the discussion and data on concepts such as the white racial frame and systemic racism from research studies by Feagin and his colleagues. The author has further polished the book to make it yet more readable for undergraduates, including eliminating repetitive materials, adding headings and more cross-referencing, and adding new examples, anecdotes, and narratives about contemporary racism.

The connection and science behind race, racism, and mental illnessIn 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness. An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

This book explores some of the unconscious mechanisms and processes that underpin the racist phenomenon by looking at racism as a state of mind, inferred from the clinical situation and racist situations in the external world.

Unread book in perfect condition.

This volume is a selection of significant and previously unpublished essays and short stories by the influential critic of German and American literature and popular culture, James A. Snead. The volume contains innovative essays and notes about African American popular culture, literary criticism and five pieces of short fiction. Published posthumously, the volume attests to Snead's unique intellectual commitment to a critical engagement with the interconnections between European and African American cultural formations.

This fourth edition of Racist America is significantly revised and updated, with an eye toward racism issues arising regularly in our contemporary era. This edition incorporates many recent research studies and reports on U.S. racial issues that update and enhance the last edition’s chapters. It expands the discussion and data on social science concepts such as intersectionality and gendered racism, as well as the concepts of the white racial frame, systemic racism, and the elite-white-male dominance system from research studies by Joe Feagin and his colleagues. The authors have further polished the book and added more examples, anecdotes, and narratives about contemporary racism to make it yet more readable for undergraduates. Student objectives, summaries, key terms, and study questions are available under the e-Resources tab at www.routledge.com/9781138096042.

Ships same day or next. Minor shelf wear. Book is unread, never opened and text is like-new. Expedited shipping available at checkout for domestic orders.

"How did the Union of South Africa come to be dominated for almost a hundred years by a white minority?" That is the obvious but haunting question squarely faced in this remarkable historical survey by Dr. Bernard M Magubane. lie documents and analyzes the chain of events that led up to the passage, in 1909, of the "South African Act" by the British Parliament -- the centuries-long British subjugation of Ireland; the impoverishment and emigration of millions of British citizens; the discovery of fabulous mineral deposits at Kimberly and Witwatersrand; and the Anglo-Boer War with its strange resolution. Behind those fateful events, however, were equally powerful ideas -- ideas such as class and race; British imperialism and the notion of a "Greater Britain"; and colonialism itself, with its dehumanizing mythology of the "Other". And the advocates of those ideas were among the most colorful and influential personalities in modern English letters and politics. "The end of white minority rule and the beginning of the process of black emancipation, "writes the author",are momentous events.Yet South Africanscholarship has hardly prepared the peopleof South Africa to understand the meaning of this change".

White supremacist groups are highly secretive, so their public propaganda tells us little about their operations or the people they attract. To understand the world of organized racism it is necessary to study it from the inside by talking to their members and observing their groups. Doing so reveals a disturbing picture of how fairly ordinary white people learn to embrace the vicious ideas and dangerous agendas of white supremacism. This book takes the reader inside organized racism, revealing the kind of women and men who join groups, such as the Ku Klux Klan or neo-Nazi skinheads, and what they do in those groups. The volume collects significant published works from renowned scholar Kathleen M. Blee's work on racist activism, alongside new essays on the theories, methods, and approaches of studying racist activism. Discussing topics such as emotional issues in research, the place of violence and hate in white supremacism, and how women are involved in racial terrorism, Blee makes use of a range of sources, including oral histories, ethnographic observations, and interviews, to shape her findings. Written by the pioneer and leading scholar of women in racist activism, this volume is essential reading for students, scholars, and general readers interested in the areas of social movements, politics, race studies, and American history.

White supremacist groups are highly secretive, so their public propaganda tells us little about their operations or the people they attract. To understand the world of organized racism it is necessary to study it from the inside by talking to their members and observing their groups. Doing so reveals a disturbing picture of how fairly ordinary white people learn to embrace the vicious ideas and dangerous agendas of white supremacism. This book takes the reader inside organized racism, revealing the kind of women and men who join groups, such as the Ku Klux Klan or neo-Nazi skinheads, and what they do in those groups. The volume collects significant published works from renowned scholar Kathleen M. Blee's work on racist activism, alongside new essays on the theories, methods, and approaches of studying racist activism. Discussing topics such as emotional issues in research, the place of violence and hate in white supremacism, and how women are involved in racial terrorism, Blee makes use of a range of sources, including oral histories, ethnographic observations, and interviews, to shape her findings. Written by the pioneer and leading scholar of women in racist activism, this volume is essential reading for students, scholars, and general readers interested in the areas of social movements, politics, race studies, and American history.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.22

" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation . Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.

Unread book in perfect condition.

" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation . Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.