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In his brilliant and witty dialogue, Denis Diderot invents a chance encounter in a Paris café between two acquaintances. Their talk ranges broadly across art, music, education, and the contemporary scene, as the nephew of composer Rameau, amoral and bohemian, alternately shocks and amuses the moral, bourgeois figure of his interlocutor. Exuberant and highly entertaining, the dialogue exposes the corruption of society in Diderot's characteristic philosophical exploration. The debates of the French Enlightenment speak to us vividly in this sparkling new translation, which also includes the only English translation of First Satire, a related work that provides the context for Rameau's Nephew, Diderot's 'second satire.' Edited by distinguished translator Margaret Mauldon, with lively introduction and notes by Nicholas Cronk, the edition includes, for the first time in English, extracts from Goethe's commentary on this seminal Enlightenment work. It will prove a valuable addition to the library to any lover of French literature.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This pendant from the Buds and Beans Collection features a unique oval design, crafted from 925 Silver with a dark-black coating that ensures durability, prevents tarnishing, and offers hypoallergenic properties. The fixture is elegantly plated with 18K Gold. With its modern and contemporary style, this piece stands out, embodying more than just decoration—it's a bold statement of self-expression. Adorned with Imperial Diopside and natural white Micro Pearls scattered artfully across it, this design presents a pioneering approach to jewelry, reflecting the unique vision of our creative designer. Please Note: Natural gemstones can vary in shape and color depending on lighting. For an accurate representation, refer to model photos. Metal: 925 Silver Stones: Chrome Diopside, Pearl Plating: Black Anthracite PLEASE NOTE: This piece is handmade and may have slight variations from the displayed image. Natural gemstones can differ in shape and color depending on lighting. For an accurate representation, refer to model photos

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information. GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

Rameau: Les Indes galantes Rameau - CD 889853382927

Book is in NEW condition. 0.86

This is the first intellectual biography of the French composer and theorist Jean-Philippe Rameau. Rameau synthesised the vocabulary and grammar of musical practice into a concise scientific system, earning himself the popular title of 'Newton of the Arts'. Ranging widely over the musical and intellectual thought of the eighteenth century, Thomas Christensen is able to orient Rameau's accomplishments in the light of speculative and practical considerations of music theory as well as many of the scientific ideas current in the French Enlightenment. He shows how Rameau incorporates ideas ranging from neoplatonic thought and Cartesian mechanistic metaphysics to Locke's empirical psychology and Newtonian experimental science. Additional primary documents help clarify Rameau's fascinating and stormy relationship with the Encyclopedists, Diderot, Rousseau and d'Alembert.

This anthology features unabridged translations of Diderot's best work as a literary artist, including those writings that embody his most original and influential ideas.

This anthology features unabridged translations of Diderot's best work as a literary artist, including those writings that embody his most original and influential ideas.

This is the first intellectual biography of the French composer and theorist Jean-Philippe Rameau. Rameau synthesised the vocabulary and grammar of musical practice into a concise scientific system, earning himself the popular title of 'Newton of the Arts'. Ranging widely over the musical and intellectual thought of the eighteenth century, Thomas Christensen is able to orient Rameau's accomplishments in the light of speculative and practical considerations of music theory as well as many of the scientific ideas current in the French Enlightenment. He shows how Rameau incorporates ideas ranging from neoplatonic thought and Cartesian mechanistic metaphysics to Locke's empirical psychology and Newtonian experimental science. Additional primary documents help clarify Rameau's fascinating and stormy relationship with the Encyclopedists, Diderot, Rousseau and d'Alembert.

This book is the most authoritative and up-to-date source of quick reference on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments, and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information. GRAHAM SADLER is Professor Emeritus at the University of Hull and Research Professor at Birmingham Conservatoire. He is known internationally as an authority on French music of the seventeenth and eighteenth centuries.

This anthology features unabridged translations of Diderot's best work as a literary artist, including those writings that embody his most original and influential ideas.

215 [1]p., colored and b/w illus., music, original stiff printed wrappers.

Cries of 'Vive KI'empereur' rang out in the Kroll Opera House after Kemplerer's first appointment as it's director, conducting a concert of Bach and Mozart. This collection provides a wealth of the celebrated conductor's Baroque and Classical repertoire, showcasing - at the forefront of the selection - Kemplerer's characteristically 'unadorned' Bach as well as his fiery interpretations of Haydn's late symphonies. The set also includes Rameau's Gavotte with Six Variations, Handel's A minor Concer

Complete Harpsichord of Rameau Jory Vinikour - CD 053479215420

The definitive biography and critical study of Jean-Philippe Rameau (1683–1764), this volume deals at length not only with the composer's musical achievements but also with aspects of his life and work that made him one of the most important cultural figures in eighteenth-century France. Fascinating incidents include his central position in a musical controversy that excited the enmity of Rousseau, Diderot, and the Encyclopedists; his friendship and collaboration with Voltaire; and his position as the author of a treatise on harmony that endured for two centuries.This critical evaluation focuses chiefly on Rameau's musical works, devoting entire chapters to his operas and ballets as well as his chamber music, cantatas and motets, and minor works. Additional topics include his links to Lully, his influence on Gluck, and the nature and importance of his acoustic and harmonic theories. Supplements include more than 300 musical examples, numerous useful appendices, indexes, an extensive bibliography, and a new Introduction by the distinguished musicologist and historian Philip Gossett.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The definitive biography and critical study of Jean-Philippe Rameau (1683–1764), this volume deals at length not only with the composer's musical achievements but also with aspects of his life and work that made him one of the most important cultural figures in eighteenth-century France. Fascinating incidents include his central position in a musical controversy that excited the enmity of Rousseau, Diderot, and the Encyclopedists; his friendship and collaboration with Voltaire; and his position as the author of a treatise on harmony that endured for two centuries.This critical evaluation focuses chiefly on Rameau's musical works, devoting entire chapters to his operas and ballets as well as his chamber music, cantatas and motets, and minor works. Additional topics include his links to Lully, his influence on Gluck, and the nature and importance of his acoustic and harmonic theories. Supplements include more than 300 musical examples, numerous useful appendices, indexes, an extensive bibliography, and a new Introduction by the distinguished musicologist and historian Philip Gossett.

Definitive full-scale biography and critical study of great 18th-century composer. Full treatment of great operas and ballets as well as Rameau’s life and musical times, acoustic and harmonic theories, link to Lully, influence on Gluck, other topics. Numerous useful appendixes, indexes and an extensive bibliography. Over 300 musical examples.

This is a very good introduction to the most famous French baroque composers: Lully, Charpentier, Lalande, Couperin and Rameau. The book gives an account of each of the composers' lives, lists all their works and comments on their style and major achievements. It is easy to read and one quickly gets a basic overview.

First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1 300 works.