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Relié-Jaquette éditeur., 282 pages. Bon état. In fine catalogue raisonné des photographies. 219 numéros illustrés.

Modern glam design is all about bringing a dramatic feeling into your home. To some people this means a large statement piece that takes up a lot of space however, smart designers understand that it's all in the design and not necessarily the size of the item. The Novogratz paired with Globe Electric to bring you the glamorous Raoul Wall Sconce - an ideal statement piece for your home. With a delicate matte brass finish that accents a stunning opal glass shade, the design is finished with a tapered torchiere style arm that oozes glamour and looks great in a bedroom, living room, or dining room. Decorate with the Novogratz and Globe Electric - lighting made easy.

Never worry about a warm glass of wine again. Easily keep your favorite bottles cold with this slanted wine and champagne chiller. The sleek design will add style to your kitchen without scratching surfaces due to the foam bottom for slip resistance. Material: Stainless Steel.

Add a touch of Art Deco opulence to your walls with this geometric wallpaper. Light blue and navy hues alternate between intricately lined triangular and diamond shapes, the occasional gold linework adding a pop of metallic sheen to this sophisticated design. Raoul is an unpasted, non woven wallpaper.

A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.

In the 1920s no one could have foreseen that Raoul Hausemann, a founder of the Berlin Dada movement, would one day become interested in the traditional habitat of Ibiza, in architecture, ethnography and documentary photography. This book traces the remarkable transition of an artist who retreated from the avante-garde paths he had marked out in order to look at man and his primordial activities: song, poetry and the construction of his house. It describes the exacting research work that the Dadaist-artist pursued on the island.

238 Seiten ; 27 cm NEUBUCH ! 9783960984566 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 550

In the summer of 2012, the acclaimed Belgian painter Raoul De Keyser (1930-2012) was preparing a show with David Zwirner, planned for March 2013. His friend, the photographer Jef Van Eynde, visited him that summer. "We were allowed to take a look at a new series of small paintings in his studio," Van Eynde recalls in his postscript to this volume. "In their startling simplicity, these had been reduced right down to the essential. Some of them just had an oversized hook for a hanger, with the canvas simply wrapped around a wooden board." De Keyser died in October 2012, and Van Eynde's photographs of the paintings and the titular wall upon which they were arranged are the only documentation of his intentions for the Zwirner show. This intimate volume gathers these alongside portraits of De Keyser at home and in his studio.

Double vinyl LP pressing. The sound of Joe Morris' electric guitar, with distortion pedal set on stun and wah-wah pedal fully engaged, colliding with Jamie Saft's droning, microtonal organ and Mike Pride's thunderous free drumming approach to the kit creates a mind-numbing maelstrom on The Spanish Donkey's Raoul, the improvising trio's 2015 release. Raoul is the follow-up to their 2011 album XYX. Raoul consists of three throbbing tracks - the brutal 32-minute title track, the 22-minute "Behavior

Raoul Hausmann (1886–1971) is remembered primarily for the central role he played in Berlin Dada with his assemblages, photomontages and optophonetic poems. Raoul Hausmann: Photographs 1927–1936 presents a comprehensive study of Hausmann as a photographer during the interwar years.Beginning in 1927, while living in Germany, Hausmann became an avid, restless photographer―picking up the camera particularly during his stays at the North Sea and Baltic coasts. Forced into exile in Ibiza by the rise of the Nazi Party, Hausmann's photos focused on the local populace and vernacular architecture in his temporary home until he was forced to emigrate again in 1936. It was in this intense ten-year period, surveyed in this volume, that Hausmann would develop an individualized photographic style, simultaneously documentary and lyrical, and reflect extensively on the medium.

Hardcover without dustjacket as issued, 88 pages, in English and German, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paris 2008. 1 volume/1. -- NEUF -- Broché cousu. Format in-4°( 28,8 x 23,7 cm )( 1290 gr ). ------ 323 pages . ********** "" Le Musée d'Art moderne de la Ville de Paris a présenté une importante rétrospective de l'oeuvre de Raoul Dufy. Cet artiste, largement représenté dans les collections du musée, notamment par la monumentale " Fée Électricité " (réalisée pour l'Exposition Internationale des Arts et Techniques à Paris en 1937), n'avait pas été montré dans une institution publique parisienne depuis la mort de l'artiste en 1953. La trajectoire artistique de Dufy, qui accompagne les avant-gardes parisiennes du début du siècle, en fait un peintre très original. Très tôt, ses recherches mettent l'accent sur la couleur/lumière, sur son goût pour l'arabesque ainsi que sur de nouveaux procédés (procédé Maroger) et la redécouverte de certaines techniques (la xylographie). L'exposition a mis particulièrement en évidence ses remarquables séries (bords de mer, rues pavoisées, ateliers, cargos noirs, etc.) qui définissent un processus de création original. L'accent est mis aussi sur les rapports de son oeuvre décorative avec sa peinture. Cette rétrospective se propose ainsi de renouveler le regard sur une oeuvre qui a non seulement beaucoup séduit ses contemporains, mais qui reste aussi synonyme dans l'esprit du public d'aujourd'hui, de lumière, de couleur et d'une certaine "légèreté ". Le catalogue de l'exposition, très richement illustré, rassemble 120 peintures, 90 oeuvres graphiques (dessins, gravures, livres illustrés), 25 céramiques, 30 tissus et quelques vêtements. "" ********** REF XXI

Raoul Walsh (1887–1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors―along with John Ford and Howard Hawks―who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself.In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.

A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.01

In the summer of 2012, the acclaimed Belgian painter Raoul De Keyser (1930-2012) was preparing a show with David Zwirner, planned for March 2013. His friend, the photographer Jef Van Eynde, visited him that summer. "We were allowed to take a look at a new series of small paintings in his studio," Van Eynde recalls in his postscript to this volume. "In their startling simplicity, these had been reduced right down to the essential. Some of them just had an oversized hook for a hanger, with the canvas simply wrapped around a wooden board." De Keyser died in October 2012, and Van Eynde's photographs of the paintings and the titular wall upon which they were arranged are the only documentation of his intentions for the Zwirner show. This intimate volume gathers these alongside portraits of De Keyser at home and in his studio.

Traces the life of the Swedish diplomat who saved Hungarian Jews during World War II and mysteriously disappeared after the Russians occupied Budapest.

Recounts how the Swedish diplomat went to Budapest to help save Jews from the Nazi death camps and discusses the history of Hungarian anti-Semitism

AS NEW, fist edition, blue and white tweed cloth over boards w gilt font on cover and spine, 167 numbered pps, + 48 color paste in reproductions + biographical outline. Former owner's name on title page, otherwise without writing, marks,clean, bright and tight, appears unread.This Fauvist painter merits a re-examination. Many of the works illustrated look as if they influenced Matisse, well before Matisse was dealing with similar concepts and colors. Wonderful, joyful work.

Traces the life of the diplomat who saved Hungarian Jews during World War II and then disappeared after the Russian occupation