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More than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves.            Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since meeting in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer non-referential architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images and their historical connotations. For more than a decade, Olgiati and Breitschmid’s thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic.  

More than ever, architecture is in need of provocation, a new path beyond the traditional notion that buildings must serve as vessels, or symbols of something outside themselves.            Non-Referential Architecture is nothing less than a manifesto for a new architecture. It brings together two leading thinkers, architect Valerio Olgiati and theorist Markus Breitschmid, who have grappled with this problem since meeting in 2005. In a world that itself increasingly rejects ideologies of any kind, Olgiati and Breitschmid offer non-referential architecture as a radical, new approach free from rigid ideologies. Non-referential buildings, they argue, are entities that are themselves meaningful outside a vocabulary of fixed symbols and images and their historical connotations. For more than a decade, Olgiati and Breitschmid’s thinking has placed them at the forefront of architectural theory. Indispensable for understanding what the future might hold for architecture, Non-Referential Architecture will become a new classic.  

Jordi Fernndez here offers a philosophical investigation of memory, one which engages with memory's philosophically puzzling characteristics in order to clarify what memory is. Memories interact with mental states of other types in a particular way, and they also have associated feelings that these other mental states lack. They are special in terms of their representational capacity too, since one can have memories of objective events as well as memories of one's own past experiences. Finally, memories are epistemically unique, in that beliefs formed on the basis of memories are protected from certain errors of misidentification, and are justified in a way which does not rely on any cognitive capacity other than memory. To explain these unique features, Fernndez proposes that memories have a particular functional role which involves past perceptual experiences and beliefs about the past. He suggests that memories have a particular content as well, namely that they represent themselves as having a certain causal origin. Fernndez then explains the feelings associated with our memories as the experience of some of the things that our memories represent, things such as our own past experiences, or the fact that memories originate in those experiences. He also accounts for the special justification for belief afforded by our memories in terms of the content that memories have. The resulting picture is a unified account of several philosophically interesting aspects of memory, one that will appeal to philosophers of mind, metaphysicians, and epistemologists alike.

Jordi Fernndez here offers a philosophical investigation of memory, one which engages with memory's philosophically puzzling characteristics in order to clarify what memory is. Memories interact with mental states of other types in a particular way, and they also have associated feelings that these other mental states lack. They are special in terms of their representational capacity too, since one can have memories of objective events as well as memories of one's own past experiences. Finally, memories are epistemically unique, in that beliefs formed on the basis of memories are protected from certain errors of misidentification, and are justified in a way which does not rely on any cognitive capacity other than memory. To explain these unique features, Fernndez proposes that memories have a particular functional role which involves past perceptual experiences and beliefs about the past. He suggests that memories have a particular content as well, namely that they represent themselves as having a certain causal origin. Fernndez then explains the feelings associated with our memories as the experience of some of the things that our memories represent, things such as our own past experiences, or the fact that memories originate in those experiences. He also accounts for the special justification for belief afforded by our memories in terms of the content that memories have. The resulting picture is a unified account of several philosophically interesting aspects of memory, one that will appeal to philosophers of mind, metaphysicians, and epistemologists alike.

Alexander Berne and his Abandoned Orchestra have returned with their third multi-CD set. Berne's latest finds him further refining and deepening a tonal vocabulary that has garnered him spots on critics' Best of lists and found him compared to striking artists from across multiple genres including Kubrick Cage Schoenberg and Joyce.

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pants in Black, Size Small

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pant in Off-White, Size X-Large

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pant in Off-White, Size Large

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these sweat pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, Side Pockets, Made in Japan. Needles Men's Zipped Sweat Pant in Black, Size X-Small

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pant in Off-White, Size Small

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pants in Black, Size Large

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pant in Off-White, Size Medium

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pants in Black, Size X-Large

Originally Tokyo’s best-kept-secret, Needles connotes a highly referential yet ultimately singular vision. Off duty inspired, these Sweat Pants are cut from a cosy cotton blend for all day comfort. With secure zip pockets, the label’s signature butterfly emblem undergoes a monochrome treatment on the leg. 57% Polyester, 43% Cotton, Elasticated Waist, 2 Side Pockets, Elasticated Cuffs, Embroidered Logo, Made in Japan, Needles. Needles Men's Zipped Sweat Pants in Black, Size Medium

Double vinyl LP pressing. Echos, the Portland duo, fall into a genreless mist of both cinematic post-rock style instrumentation and left-of-center pop writing; paving a new path, and style along the way. Often self-referential and coated in bitter-romance lyricism, Echos brings the angst of 2006s emo days and reinvents it with 2018s anti-pop pop-music. Echos has seen the fortune of millions of streams, impressions, and eyes on their music. Finding importance in the physical, Echos has not only

This book includes basic color theories that help readers gain a better understanding of color. It also delves into the psychology of color, along with color associations and applications in commercial designs. Featuring referential color schemes and creative projects with color codes as well as color talk, this is an essential manual of great practicality and inspiration.

Third album for Portuguese RAVENSIRE, a band that in a short time has become a referential name for fans of Epic / Traditional Metal. From the cover artwork to each one of the eight songs, The Cycle Never Ends shows the band's reaching maturity through an astonishing intense performance, leaving no place for weakness. Definitely recommended for fans of OMEN and old MANOWAR

Abbas Kiarostami first came to international attention for this wondrous, slyly self-referential series of films set in the rural northern-Iranian town of Koker. Poised delicately between fiction and documentary, comedy and tragedy, the lyrical fables in The Koker Trilogy exemplify both the gentle humanism and playful sleight of hand that define the director's sensibility. With each successive film, Kiarostami takes us deeper into the behind-the-scenes reality of the film that preceded it, heigh

It has become commonplace these days to speak of “unpacking” texts. Voice and Vision is a book about packing that prose in the first place. While history is scholarship, it is also art—that is, literature. And while it has no need to emulate fiction, slump into memoir, or become self-referential text, its composition does need to be conscious and informed. Voice and Vision is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. At issue is not whether writing is scholarly or popular, narrative or analytical, but whether it is good. Fiction has guidebooks galore; journalism has shelves stocked with manuals; certain hybrids such as creative nonfiction and the new journalism have evolved standards, esthetics, and justifications for how to transfer the dominant modes of fiction to topics in nonfiction. But history and other serious or scholarly nonfiction have nothing comparable. Now this curious omission is addressed by Stephen Pyne as he analyzes and teaches the craft that undergirds whole realms of nonfiction and book-based academic disciplines. With eminent good sense concerning the unique problems posed by research-based writing and with a wealth of examples from accomplished writers, Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.

Beautifully translated from the Dutch by David Colmer, the IMPAC Award-winning translator of Gerbrand Bakker’s The Twin, Hugo Claus’s poems are remarkable for their dexterity, intensity of feeling, and acute intelligence. From the richly associative and referential “Oostakker Poems” to the emotional and erotic outpouring of the “mad dog stanzas” in “Morning, You,” from his interpretations of Shakespeare’s sonnets to a modern adaptation of a Sanskrit masterpiece, this volume reveals the breadth and depth of Claus’s stunning output. Perhaps Belgium’s leading figure of postwar Dutch literature, Claus has long been associated with the avant-garde: these poems challenge conventional bourgeois mores, religious bigotry, and authoritarianism with visceral passion.