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Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices. Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths. Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.

Blenheim are considered the richest, best flavored apricots for fresh eating and cooking by top chefs all over the world. They're known for having the perfect balance of sugar, tartness and acidity, which combine for a classic and savory apricot flavor. The Blenheim tree is quite versatile because it blossoms later than other apricots, allowing for a wider growing range. Another noteworthy characteristic is that the Blenheim tree is self-pollinating. This and its versatile growing range make Blenheim an excellent choice for home orchards across the country. At 1 point in history, Blenheim apricots were almost entirely grown in the courtyards of European royalty. This was the apricot of choice among the wealthiest individuals in that time. The Blenheim tree was imported, where its fame and demand spread like wildfire. Unfortunately, production of this former #1 apricot has almost entirely come to a halt due to cheaper, lesser quality fruit being imported to take its place. Blenheim apricots are arguably the most flavorful and the homegrown fruit is quite incomparable to the lesser quality apricots available in grocery stores today. Blenheim is the most desirable apricot tree for home orchards today due to its amazing flavor, adaptability, rich history and self-pollination.

Introducing the Dion Lee Bib Shirt, a timeless piece from a brand known for its innovative designs and impeccable craftsmanship. This classic collar shirt features long sleeves and intricate cut-out detailing, adding a touch of modernity to the traditional tailoring. The bib detail and front button fastening complete the sophisticated look. Made in Italy from 100% cotton, this white shirt is a versatile addition to any wardrobe.

Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices. Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths. Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.

He outwitted the Vindhya mountain when, in its pride, it tried to obstruct the natural path of the sun. He drank all the waters of the ocean to expose the wicked Kalkeyas, who hid there after challenging the Gods to battle. Agastya is the most well-known among the Saptarshi. His stories are found not just in the Vedas but are scattered through the Brahmanas and the Puranas as well. These stories are known not only in India but are also a part of S.E. Asian mythology.

Excerpt from World's Renowned Authors and Their Grand Masterpieces of Poetry and Prose: Comprising the Lives of Famous Poets, Historians and Novelists; Celebrated Orators and Statesmen; Noted Humorists; Brilliant Journalists and Essayists; Women Distinguished in Literature, Etc;, EtcThe Biographies of the Authors are especially interesting to all readers. Their parentage, education, personal traits, titles of their works incidents connected with their brilliant careers, and the dazzling successes that have made their fame immortal, are all fully stated in this work, and the reader is made acquainted with the personality of each.The department of Poetry is enriched by the choicest productions of Longfellow, Bryant, Whittier, Lowell, Holmes, Sigourney, Whitcomb Riley, Aldrich, Carleton, Eugene Field, Stoddard, Emerson, Poe, Whit man, Willis, Buchanan Read, Saxe, Cary sisters, Stedman, and many others, comprising fascinating Ballads, Tales in Verse, Songs that are household treasures, and Delightful Poems on a great variety of subjects.These bright Jewels of Thought and Sentiment awaken the deepest emotions and entrance all readers. There are many Poems that have become universal favorites; they have been gathered from many sources and are included in this volume.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Fine Violin Made by World-Renowned Violin Dealer Jacques FrancaisMaker: Jacques Fancais (born 1923)Year: 1944Origin: Paris, FranceThis is the only ...

This authoritative textual edition presents Tobias Smollett's translation of Cervantes's Don Quixote in the form most faithful to Smollett's own intentions. It includes Francis Hayman's twenty-eight illustrations engraved for the original edition, Smollett's explanatory notes, and his prefatory "Life of Cervantes."Smollett's Don Quixote first appeared in 1755 and was for many years the most popular English-language version of Cervantes's masterpiece. However, soon after the start of the nineteenth century, its reputation began to suffer. Rival translators, literary hucksters, and careless scholars initiated or fed a variety of charges against Smollett―even plagiarism. For almost 130 years no publisher risked reprinting it.Redemption began in 1986, when the distinguished Mexican novelist Carlos Fuentes, in his foreword to a new (albeit flawed) edition of Smollett's translation, declared it to be "the authentic vernacular version" of Don Quixote in English. Fuentes's opinion was in accord with that of the preeminent Cervantist, Francisco Rodríguez Marín, who decades earlier had declared Smollett's Don Quixote to be his preferred English version.Martin C. Battestin's introduction discusses the composition, publication, and controversial reception of Smollett's Don Quixote. Battestin's notes identify Smollett's sources in his "Life of Cervantes" and in his commentary, provide cross-references to his other works, and illustrate Smollett's originality or dependence on previous translations. Also included is a complete textual apparatus, a glossary of unfamiliar terms, and an appendix comparing a selection of Francis Hayman's original illustrations with the engraved renderings used in the book.

"A twentieth-century classic, uncannily smart, incredibly learned."--from the foreword by Bart EhrmanThis book challenges traditional Christian teaching about Jesus. While his followers may have seen him as a man from heaven, preaching the good news and working miracles, Smith asserts that the truth about Jesus is more interesting and rather unsettling.The real Jesus, only barely glimpsed because of a campaign of disinformation, obfuscation, and censorship by religious authorities, was not Jesus the Son of God. In actuality he was Jesus the Magician. Smith marshals all the available evidence including, but not limited to, the Gospels. He succeeds in describing just what was said of Jesus by "outsiders," those who did not believe him.He deals in fascinating detail with the inevitable questions. What was the nature of magic? What did people at that time mean by the term "magician"? Who were the other magicians, and how did their magic compare with Jesus' works? What facts led to the general assumption that Jesus practiced magic? And, most important, was that assumption correct?The ramifications of Jesus the Magician give new meaning to the word controversial. This book recovers a vision of Jesus that two thousand years of suppression and polemic could not erase. And--what may be the central point of the debate--Jesus the Magician strips away the myths and legends that have obscured Jesus, the man who lived.

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A Californian, Jane Bergin, spent a sabbatical year writing and exploring her roots in the charming, historical town of Kinsale, also known as the gourmet center of Ireland. An avid cook herself, this unique collection of recipes and illustrations was inspired as a result of her memorable year.

Book is in NEW condition. 2.01

This volume, through its fresh, informative text and striking color photography, is a definitive portrait of Pauillac -- a region or commune of Bordeaux widely regarded as the standard bearer for the red wines, not only of Bordeaux, but of the entire world.

Book of the Year, 2018 Saltire Literary AwardsA CrimeReads Best True Crime Book of the MonthFor fans of Caitlin Doughty, Mary Roach, Kathy Reichs, and CSI shows, a renowned forensic scientist on death and mortality.Dame Sue Black is an internationally renowned forensic anthropologist and human anatomist. She has lived her life eye to eye with the Grim Reaper, and she writes vividly about it in this book, which is part primer on the basics of identifying human remains, part frank memoir of a woman whose first paying job as a schoolgirl was to apprentice in a butcher shop, and part no-nonsense but deeply humane introduction to the reality of death in our lives. It is a treat for CSI junkies, murder mystery and thriller readers, and anyone seeking a clear-eyed guide to a subject that touches us all.Cutting through hype, romanticism, and cliché, she recounts her first dissection; her own first acquaintance with a loved one’s death; the mortal remains in her lab and at burial sites as well as scenes of violence, murder, and criminal dismemberment; and about investigating mass fatalities due to war, accident, or natural disaster, such as the 2004 Indian Ocean tsunami. She uses key cases to reveal how forensic science has developed and what her work has taught her about human nature.Acclaimed by bestselling crime writers and fellow scientists alike, All That Remains is neither sad nor macabre. While Professor Black tells of tragedy, she also infuses her stories with a wicked sense of humor and much common sense.

Text: English, French (translation)

Describes the life and accomplishments of the Muslim surgeon who perfected surgical techniques for bladder, kidney, and gallstone procedures, and developed several surgical instruments that are used today, including the tongue depressor.

Most Civil War historians now agree that the guerrilla conflict shaped the entire war in significant ways. Some of these “bushwhackers”―Nathan Bedford Forrest, William Clarke Quantrill, John Singleton Mosby―have become quite infamous. Illiterate Sam Hildebrand, one of Missouri’s most notorious guerrillas―often compared to “Rob Roy,” and the subject of dime novels―was one of the few to survive the war and have his story taken down and published. Shortly after this he was killed in a barroom brawl. “I make no apology to mankind for my acts of retaliation; I make no whining appeal to the world for sympathy. I sought revenge and I found it; the key of hell was not suffered to rust in the lock while I was on the war path.” ―Sam Hildebrand Hildebrand’s reign of terror gave the Union army fits and kept much of the Trans-Mississippi, especially Missouri, roiling in the 1860s. Over seven years of fighting he and his men killed dozens of soldiers and civilians, whites and blacks; he claimed to have killed nearly one hundred himself. He was accused of many heinous acts. The historical significance of Hildebrand’s story is substantial, but his bloody tale is eminently readable and stands quite well on its own as a cold-blooded portrait of a violent time in American history. Like the nightmarish and depraved world of the Kid in Cormac McCarthy’s novel Blood Meridian, Hildebrand’s world is truly ruthless and his story is brutally descriptive in its coolly detached rendering of one man’s personal war. Published in 1870, Hildebrand’s autobiography has long been out of print and has been a rare and highly prized acquisition among Civil War

"Tell the doctor where it hurts." It sounds simple enough, unless the problem affects the very organ that produces awareness and generates speech. What is it like to try to heal the body when the mind is under attack? In this book, Dr. Allan Ropper and Brian Burrell take the reader behind the scenes at Harvard Medical School's neurology unit to show how a seasoned diagnostician faces down bizarre, life-altering afflictions. Like Alice in Wonderland, Dr. Ropper inhabits a world where absurdities abound:· A figure skater whose body has become a ticking time-bomb · A salesman who drives around and around a traffic rotary, unable to get off · A college quarterback who can't stop calling the same play · A child molester who, after falling on the ice, is left with a brain that is very much dead inside a body that is very much alive · A mother of two young girls, diagnosed with ALS, who has to decide whether a life locked inside her own head is worth livingHow does one begin to treat such cases, to counsel people whose lives may be changed forever? How does one train the next generation of clinicians to deal with the moral and medical aspects of brain disease? Dr. Ropper and his colleague answer these questions by taking the reader into a rarified world where lives and minds hang in the balance.

Most Civil War historians now agree that the guerrilla conflict shaped the entire war in significant ways. Some of these “bushwhackers”―Nathan Bedford Forrest, William Clarke Quantrill, John Singleton Mosby―have become quite infamous. Illiterate Sam Hildebrand, one of Missouri’s most notorious guerrillas―often compared to “Rob Roy,” and the subject of dime novels―was one of the few to survive the war and have his story taken down and published. Shortly after this he was killed in a barroom brawl. “I make no apology to mankind for my acts of retaliation; I make no whining appeal to the world for sympathy. I sought revenge and I found it; the key of hell was not suffered to rust in the lock while I was on the war path.” ―Sam Hildebrand Hildebrand’s reign of terror gave the Union army fits and kept much of the Trans-Mississippi, especially Missouri, roiling in the 1860s. Over seven years of fighting he and his men killed dozens of soldiers and civilians, whites and blacks; he claimed to have killed nearly one hundred himself. He was accused of many heinous acts. The historical significance of Hildebrand’s story is substantial, but his bloody tale is eminently readable and stands quite well on its own as a cold-blooded portrait of a violent time in American history. Like the nightmarish and depraved world of the Kid in Cormac McCarthy’s novel Blood Meridian, Hildebrand’s world is truly ruthless and his story is brutally descriptive in its coolly detached rendering of one man’s personal war. Published in 1870, Hildebrand’s autobiography has long been out of print and has been a rare and highly prized acquisition among Civil War

This authoritative textual edition presents Tobias Smollett's translation of Cervantes's Don Quixote in the form most faithful to Smollett's own intentions. It includes Francis Hayman's twenty-eight illustrations engraved for the original edition, Smollett's explanatory notes, and his prefatory "Life of Cervantes."Smollett's Don Quixote first appeared in 1755 and was for many years the most popular English-language version of Cervantes's masterpiece. However, soon after the start of the nineteenth century, its reputation began to suffer. Rival translators, literary hucksters, and careless scholars initiated or fed a variety of charges against Smollett―even plagiarism. For almost 130 years no publisher risked reprinting it.Redemption began in 1986, when the distinguished Mexican novelist Carlos Fuentes, in his foreword to a new (albeit flawed) edition of Smollett's translation, declared it to be "the authentic vernacular version" of Don Quixote in English. Fuentes's opinion was in accord with that of the preeminent Cervantist, Francisco Rodríguez Marín, who decades earlier had declared Smollett's Don Quixote to be his preferred English version.Martin C. Battestin's introduction discusses the composition, publication, and controversial reception of Smollett's Don Quixote. Battestin's notes identify Smollett's sources in his "Life of Cervantes" and in his commentary, provide cross-references to his other works, and illustrate Smollett's originality or dependence on previous translations. Also included is a complete textual apparatus, a glossary of unfamiliar terms, and an appendix comparing a selection of Francis Hayman's original illustrations with the engraved renderings used in the book.