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In 1948, Moss Kendrix, a former New Deal public relations officer, founded a highly successful, Washington, D.C.-based public relations firm, the flagship client of which was the Coca-Cola Company. As the first black pitchman for Coca-Cola, Kendrix found his way into the rarefied world of white corporate America. His personal phone book also included the names of countless black celebrities, such as bandleader Duke Ellington, singer-actress Pearl Bailey, and boxer Joe Louis, with whom he had built relationships in the course of developing marketing campaigns for his numerous federal and corporate clients. Kendrix, along with Ebony publisher John H. Johnson and Life photographer Gordon Parks, recognized that, in the image-saturated world of postwar America, media in all its forms held greater significance for defining American citizenship than ever before. For these imagemakers, the visual representation of African Americans as good citizens was good business.In Represented, Brenna Wynn Greer explores how black entrepreneurs produced magazines, photographs, and advertising that forged a close association between blackness and Americanness. In particular, they popularized conceptions of African Americans as enthusiastic consumers, a status essential to postwar citizenship claims. But their media creations were complicated: subject to marketplace dictates, they often relied on gender, class, and family stereotypes. Demand for such representations came not only from corporate and government clients to fuel mass consumerism and attract support for national efforts, such as the fight against fascism, but also from African Americans who sought depictions of blackness to counter racist ideas that undermined their rights and their national belonging as citizens.The story of how black capitalists made the market work for racial progress on their way to making money reminds us that the path to civil rights involved commercial endeavors as well as social and political activism.

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Apple Airpod Max case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your AirPods safe!

The Tracy Dining Side Chair features a mid-century design. It is represented by the slightly curved back made of wood. This chair features a foam padded seat upholstered in black leatherette.

Cartier Juste Un Clou Bracelet (Rose Gold) Primary Detailssku: 138776Listing Title: Cartier Juste Un Clou Bracelet (Rose Gold) Condition Description: Translating to 'just a nail', the Juste Un Clou collection from Cartier is one of the Maison's most celebrated styles. The collection was born in the '70s and represented the brand's edgier side and flair for unique design. excellent condition and recently polished. 15 cm in length. Comes with Box;Pouch;Certificate of Authenticity;Brand: Cartier Collection/Series: Juste Un Clou Metal Type: Rose Gold Metal Purity: 18k Chain or Bracelet Length (in): 15Pre-Owned Jewelry Condition: Excellent Side Stone INFORMATIONOriginal Box?: Yes Original Papers?: Yes Condition: Excellent. An excellent item will have been worn a couple of times and will be in almost pristine condition as it has been extremely well maintained. May show slight wear such as scratches or wear on the edges from being used but will have no defects.

The crown chakra, or Sahasrara in sanskrit, is the seventh major chakra. Much like a halo, it hovers just over the head of the physical body. Represented by a lotus flower with a thousand petals, this gold crown chakra ring allows us to open up to spiritual insight and connect to our unique higher power. The healing purple amethyst stone in the Sahasrara gold chakra ring will help to balance the crown chakra, enveloping the wearer with protection and enhancing a connection to the spiritual self. Gold vermeil on sterling silver and faceted Amethyst (0. 3cm stones) Handmade Also available in sterling silver February birthstone All of our stones are real so colours may vary Handmade jewellery made from sterling silver, brass, bronze, and mixed metals requires regular cleaning and care to keep it looking its best. Everyday pollutants, wear and tear, and body lotions can tarnish silver, gold-plated, and gemstone jewellery and make it lose its shine. Always store handmade jewellery in the original box, a soft pouch, or wrapped individually in non-abrasive fabric Remove sterling silver, gold-plated, and brass jewellery before exercising, showering and swimming Allow body lotions and fragrances to dry on the skin before wearing your Charlotte’s Web jewellery Get dressed before putting on jewellery to avoid snagging or catching any gemstones Remove jewellery before going to bed Clean handmade jewellery regularly

Limited vinyl LP pressing including digital download. Here and There, released in 1976, is a live album by British singer-songwriter Elton John; it is his 14th official album release. The title refers to the two concerts represented on the album: Here is a concert recorded at the Royal Festival Hall in London during the summer of 1974; There is a concert recorded at New York City's Madison Square Garden on 28 November 1974. The album was at the time issued in part to fulfill a final contractual

In 1983 Benedict Anderson's Imagined Communities revolutionized the anthropology of nationalism. Anderson argued that "print capitalism" fostered nations as imagined communities in a modular form that became the culture of modernity.Now, in Represented Communities, John D. Kelly and Martha Kaplan offer an extensive and devastating critique of Anderson's depictions of colonial history, his comparative method, and his political anthropology. The authors build a forceful argument around events in Fiji from World War II to the 2000 coups, showing how focus on "imagined communities" underestimates colonial history and obscures the struggle over legal rights and political representation in postcolonial nation-states. They show that the "self-determining" nation-state actually emerged with the postwar construction of the United Nations, fundamentally changing the politics of representation.Sophisticated and impassioned, this book will further anthropology's contribution to the understanding of contemporary nationalisms.

In 1948, Moss Kendrix, a former New Deal public relations officer, founded a highly successful, Washington, D.C.-based public relations firm, the flagship client of which was the Coca-Cola Company. As the first black pitchman for Coca-Cola, Kendrix found his way into the rarefied world of white corporate America. His personal phone book also included the names of countless black celebrities, such as bandleader Duke Ellington, singer-actress Pearl Bailey, and boxer Joe Louis, with whom he had built relationships in the course of developing marketing campaigns for his numerous federal and corporate clients. Kendrix, along with Ebony publisher John H. Johnson and Life photographer Gordon Parks, recognized that, in the image-saturated world of postwar America, media in all its forms held greater significance for defining American citizenship than ever before. For these imagemakers, the visual representation of African Americans as good citizens was good business.In Represented, Brenna Wynn Greer explores how black entrepreneurs produced magazines, photographs, and advertising that forged a close association between blackness and Americanness. In particular, they popularized conceptions of African Americans as enthusiastic consumers, a status essential to postwar citizenship claims. But their media creations were complicated: subject to marketplace dictates, they often relied on gender, class, and family stereotypes. Demand for such representations came not only from corporate and government clients to fuel mass consumerism and attract support for national efforts, such as the fight against fascism, but also from African Americans who sought depictions of blackness to counter racist ideas that undermined their rights and their national belonging as citizens.The story of how black capitalists made the market work for racial progress on their way to making money reminds us that the path to civil rights involved commercial endeavors as well as social and political activism.

(Under)Represented Latin@s in STEM: Increasing Participation Throughout Education and the Workplace presents a critical investigation into Latin@ underrepresentation in STEM throughout the education pipeline and workforce. (Under)Represented Latin@s in STEM highlights nationally relevant research related to the creation of opportunities for Latin@ students in STEM and the ways in which these opportunities increase Latin@ participation in STEM. Of particular interest across the chapters is the notion of building and sustaining a strong STEM identity within Latin@ students. As such, the authors present ideas through various lenses including teacher preparation and transformative teaching strategies, family and community involvement, and innovative programs for minority students. A broad range of STEM fields (including mathematics, robotics, and computer science), grade levels, and learning environments (including informal and formal, rural and urban) are represented throughout the chapters. Thus, (Under)Represented Latin@s in STEM presents research-based practices that increase Latin@ participation in STEM as a single collection for educators, administrators, and policymakers. In addition to learning about the great efforts that scholars are doing in broadening diversity in STEM, readers will be able to take away ideas for designing and implementing similar educational programs and teaching strategies for their own students.

They Must Be Represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s, about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema.A great deal of documentary expression has been influenced by developments in cultural anthropology, as committed artists brought their cameras and typewriters into the field not only to report, but also to change the world. Yet recently the projects of both anthropology and documentary have come under scrutiny. Rabinowitz argues that the gendering of vision that occurs when narratives confirm to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectator in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history.

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This book offers a novel approach to thinking about public policy and a new, distinctive methodology for analysing policy. It introduces a set of six questions that probe how ‘problems’ are represented in policies, followed by an injunction to apply the questions to one’s own policy proposals. This form of analysis, it suggests, is crucial to understanding how policy works, how we are governed, and how the practice of policy-making implicitly constitutes us as subjects. The book mounts a challenge to the problem-solving paradigm currently dominating the intellectual and policy landscape, a paradigm manifest in ‘evidence-based policy’. Arguing that such a paradigm denies the shaping that goes on in the process of problematisation, it offers a ‘what’s the problem represented to be’ approach to policy analysis as a counter-discourse. In this view critical thinking involves putting ‘problems’ into question rather than learning how to ‘solve’ them.Bacchi’s new approach to policy analysis offers exciting insights in a wide array of policy areas, including welfare, drugs/alcohol and gambling, criminal justice, health, education, immigration and population, media and research policy. Invaluable to those involved in policy studies and public administration, it will also appeal to students and academics in sociology, social work, anthropology, cultural studies and human geography.

“James McCourt is an ecstatic fabulist, robustly funny and inventive, and touchingly in love with his subject.”—Newsweek“James McCourt's Now Voyagers is a sustained fugue of inspiration. Scathing wit, gentle ironies, comic pratfalls hurtle by at express speed. Reading it is like holding your breath for several hours. . . . The language that delivers this extraordinary novel shimmers and crackles. Even the longest sentences dance their surefooted way through thickets of references that call up every detail of 1950s New York. . . . Through the book runs a passion for opera, its iconic performances, its grand gestures and green jealousies. Now Voyagers is itself a grand opera, a Brobdingnanian masterpiece. . . . This is a big novel—big in size, big in ambition, big in its emotions, big in its capacious reach. There has been nothing like it for many a year.”—Brian O'Doherty Now Voyagers is the long-awaited sequel to James McCourt's first novel, the comic masterpiece Mawrdew Czgowchwz (pronounced mardu gorgeous). About James McCourt and his earlier work, Susan Sontag wrote, “Bravo, James McCourt, a literary countertenor in the exacting tradition of Firbank and Nabakov, who makes his daringly self-assured debut with this intelligent and very funny book.” James McCourt is the author of Queer Street, a Publishers Weekly Best Book of 2003. He is the author of three novels and two short story collections and has contributed to The Yale Review, The New Yorker, and The Paris Review.

An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Samsung Galaxy Buds Plus case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your Samsung Galaxy Buds safe!

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Samsung Galaxy Buds Plus case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your Samsung Galaxy Buds safe!

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Apple Airpods Pro case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your AirPods safe!

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Apple Airpods 3 case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your AirPods safe!

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Apple Airpod Max case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your AirPods safe!

Gemini is a sign that is represented by duality. The balance between good and bad, the ability to be good at finding the right amount of everything. Our Gemini Apple Airpod Max case cover depicts the duality while showing a little wildness, reminding you how unique you truly are! Also, it will keep your AirPods safe!