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OKCUOGLU, TARKAN Hayal ve gercek arasinda Osmanli resminde Istanbul imgesi. 18. ve 19. yuzyillar. Istanbul: Istanbul Arastirmalari Enstitusu, 2020. 4to., ix, 241 p., color ills. Paperback. New ISBN: 9786054642939 CATALOG: Painting & Sculpture KEYWORDS: History of art Painting Miniature Istanbul - Constantinople Ottoman culture

Uryan, ciplak , Nu : Turk Resminde Bir Modernlesme oykusu sanatta portre, manzara, naturmort gibi belli basli tulerden biri olan nu resmin modern Turk sanatindaki gelisim surecine odaklaniyor. Sergide bir araya gelen resimlerin sundugu zengin uslup cesitliligi, ciplak insan bedeninin Turk ressamlar icin bir konu olmaktan ote, bicimsel bir arayisin temeli oldugunu, basli basina sanatsal bir ifade araci olarak gundeme geldigini gozler onune seriyor. Ogrencilik doneminde sanatcilarin onundeki en cetin sinav olan insan bedeni, uretim surecinde bir yandan Bati sanatinin modernist egilimlerini izlerken ote yandan ozgun bir dil gelistirmeye calisan pek cok sanatci icin yeni arayislarin ana esin kaynagi olarak karsimiza cikiyor. Sergi katalogu, kurator Ahu Antmenin makalesi uzerinden Osmanli'dan Cumhuriyet'e uzanan surecte sanaci kimliginin olusumunu, mahremle ozdeslestirilmis kadin bedenine yonelik cinsellikten arinmis bir algi gelistirmenin gucluklerini , modern kimlik algisinda sanat ve nu arasinda kurulan baglantilari usunduren bu resimler araciligiyla , Turkiye'nin modernlesme oykusunun ardindaki gorsel seruveni hayal etmemize olanak taniyor. Bare, Naked, Nude: A Story of Modernization in Turkish Painting focuses on the evolution of nude painting as one of the foremost genres alongside portraiture, landscape, and still life in Turkish modern art. The rich diversity of styles represented in the paintings that come together in this exhibition reveal that the nude, far from being a subject for Turkish artists constitutes a means of expression fundamental in the search for form. The most challenging trial for artists in their student years, the human body emerges as a central source of inspiration in both the pursuit for modernist tendencies in Western art and in the efforts to articulate an individual artistic language. The exhibition catalogue, through the essay of the curator, Ahu Antmen and the selected paintings offer us the possibility to envisage the visual

Uryan, ciplak , Nu : Turk Resminde Bir Modernlesme oykusu sanatta portre, manzara, naturmort gibi belli basli tulerden biri olan nu resmin modern Turk sanatindaki gelisim surecine odaklaniyor. Sergide bir araya gelen resimlerin sundugu zengin uslup cesitliligi, ciplak insan bedeninin Turk ressamlar icin bir konu olmaktan ote, bicimsel bir arayisin temeli oldugunu, basli basina sanatsal bir ifade araci olarak gundeme geldigini gozler onune seriyor. Ogrencilik doneminde sanatcilarin onundeki en cetin sinav olan insan bedeni, uretim surecinde bir yandan Bati sanatinin modernist egilimlerini izlerken ote yandan ozgun bir dil gelistirmeye calisan pek cok sanatci icin yeni arayislarin ana esin kaynagi olarak karsimiza cikiyor. Sergi katalogu, kurator Ahu Antmenin makalesi uzerinden Osmanli'dan Cumhuriyet'e uzanan surecte sanaci kimliginin olusumunu, mahremle ozdeslestirilmis kadin bedenine yonelik cinsellikten arinmis bir algi gelistirmenin gucluklerini , modern kimlik algisinda sanat ve nu arasinda kurulan baglantilari usunduren bu resimler araciligiyla , Turkiye'nin modernlesme oykusunun ardindaki gorsel seruveni hayal etmemize olanak taniyor. Bare, Naked, Nude: A Story of Modernization in Turkish Painting focuses on the evolution of nude painting as one of the foremost genres alongside portraiture, landscape, and still life in Turkish modern art. The rich diversity of styles represented in the paintings that come together in this exhibition reveal that the nude, far from being a subject for Turkish artists constitutes a means of expression fundamental in the search for form. The most challenging trial for artists in their student years, the human body emerges as a central source of inspiration in both the pursuit for modernist tendencies in Western art and in the efforts to articulate an individual artistic language. The exhibition catalogue, through the essay of the curator, Ahu Antmen and the selected paintings offer us the possibility to envisage the visual