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Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Scarce 1973 first edition. First printing. Harper and Row. No dust jacket. Clean, tight, bright, crisp and unread. Dark blue cloth with silver letters on spine. 145 pages. Satisfaction guaranteed.

"Superb...the single best work to read about this haunting and haunted poet."―Richard Howard, New York Times Book Review Unknown beyond the avant-garde at the time of his death, Arthur Rimbaud (1854-1891) has been one of the most destructive and liberating influences on twentieth-century culture. During his lifetime he was a bourgeois-baiting visionary, and the list of his known crimes is longer than the list of his published poems. But his posthumous career is even more astonishing: saint to symbolists and surrealists; poster child for anarchy and drug use; gay pioneer; a major influence on artists from Picasso to Bob Dylan. 16 pages of b/w illustrations.

Pierre Petitfils, the leading French authority on Arthur Rimbaud, eschews all parti pris to give us an unvarnished account of everything that is known of the enigmatic existence of the poet. This is the first biography of Rimbaud to be written since the late 1930s and the first ever to be based on such exhaustive research.

Pierre Petitfils, the leading French authority on Arthur Rimbaud, eschews all parti pris to give us an unvarnished account of everything that is known of the enigmatic existence of the poet. This is the first biography of Rimbaud to be written since the late 1930s and the first ever to be based on such exhaustive research.

Graham Robb's brilliant biography moves Rimbaud on from his perpetual adolescence where our imaginations have held him to show the extent of his transformations. From phenomenally precocious schoolboy he became Europe's most shocking and exhilarating poet, author of poems that range from the exquisite to the obscene. But this brief, five-year period as the enfant-terrible of French literature is only one small side of Rimbaud's story. Robb takes us on a biographical journey through three continents and many different identities. Rimbaud emerges from this stunning work of biographical scholarship and historical imagination as an even more complex, ambiguous and fascinating figure than ever before.

Wallace Fowlie's prose translations accompany the original French texts in this, the first complete bilingual edition of Rimbaud's work in prose and poetry."This handsome edition, which makes France's most remarkable poet readily available in the U.S., may well be a literary landmark comparable to Baudelaire's introduction of Edgar Allan Poe in France a century earlier."—Anna Balakian, New York Times Book Review

168 p.: Ill. Einband leicht berieben, sonst ein gutes und sauberes Exemplar ohne Anstreichungen, beiliegend ein Zeitungsartikel / Couverture légèrement frottée, sinon un bon exemplaire propre, sans ratures, joint un article de journal. - Quand Rimbaud toucha à Aden, un jour d'août 1880,il avait 26 ans. Cette ville coloniale et brûlante de ce qu'on appelait alors l'Arabie, esquissée au fond du cratère d'un volcan éteint, allait devenir son port d'attache pour les onze années suivantes, presque le dernier tiers de sa vie, jusqu'aux mois précédant sa mort en 1891. La mise à jour récente d'une collection de photographies d'époque montrant les lieux d'Aden que l'"ancien" poète a fréquentés, et sur l'une desquelles il apparaît lui-même, a été un appel et un guide pour retourner sur ses traces. Photos anciennes et photos d'aujourd'hui se confrontent ou se complètent, permettant au voyage "géographique" de nous procurer aussi une émouvante mesure du travail d'effacement ou de transformation opéré par le temps. / SOMMAIRE INTRODUCTION PLAN DE LA PRESQU'ÎLE D'ADEN STEAMER POINT MAALAH CRATER MAISON BARDEY, CRATER LES CITERNES, CRATER LA MAISON DE CÉSAR TIAN, CRATER SHEICK-OTHMAN ANNEXE LÉGENDES Remerciements. ISBN 9782213608532 Sprache: Französisch Gewicht in Gramm: 450

The poetic genius of Arthur Rimbaud (1854-1891) blossomed early and burned briefly. Since his death at age thirty-seven, Rimbaud's life and work have influenced generations of readers and writers. Radical in its day, his writing took some of the first and most fundamental steps toward the liberation of poetry from the formal constraints of its history, and now represents one of the most powerful and enduring bodies of poetic expression in human history. In this new translation, Mason draws on a century of Rimbaud scholarship to choreograph a superbly clear presentation of the poet's works. He arranges Rimbaud's writing chronologically, based on the latest manuscript evidence, so readers can experience the poet's rapid evolution from the lyricism of 'Sensation' to the groundbreaking early modernism of 'A Season in Hell'. In fifty pages of previously untranslated material, including award-winning early verses, RIMBAUD COMPLETE reveals facets of the poet previously unknown to UK readers.

Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Enduring icon of creativity, authenticity, and rebellion, and the subject of numerous new biographies, Arthur Rimbaud is one of the most repeatedly scrutinized literary figures of the last half-century. Yet almost thirty years have elapsed without a major new translation of his writings. Remedying this state of affairs is Rimbaud Complete, the first and only truly complete edition of Rimbaud’s work in English, translated, edited, and introduced by Wyatt Mason.Mason draws on a century of Rimbaud scholarship to choreograph a superbly clear-eyed presentation of the poet’s works. He arranges Rimbaud’s writing chronologically, based on the latest manuscript evidence, so readers can experience the famously teenaged poet’s rapid evolution, from the lyricism of “Sensation” to the groundbreaking early modernism of A Season in Hell. In fifty pages of previously untranslated material, including award-winning early verses, all the fragmentary poems, a fascinating early draft of A Season in Hell, a school notebook, and multiple manuscript versions of the important poem “O saisons, ô chateaux,” Rimbaud Complete displays facets of the poet unknown to American readers. And in his Introduction, Mason revisits the Rimbaud myth, addresses the state of disarray in which the poet left his work, and illuminates the intricacies of the translator’s art.Mason has harnessed the precision and power of the poet’s rapidly changing voice: from the delicate music of a poem such as “Crows” to the mature dissonance of the Illuminations, Rimbaud Complete unveils this essential poet for a new generation of readers.

In shrink wrap. Looks like an interesting title!

The distinguished biographer, novelist, and memoirist Edmund White brings his literary mastery to a new biography of Arthur Rimbaud.Poet and prodigy Arthur Rimbaud led a life that was startlingly short, but just as dramatically eventful and accomplished. Even today, over a century after his death in 1891, his visionary poetry has continued to influence everyone from Jim Morrison and Bob Dylan to Patti Smith. His long poem A Season in Hell (1873) and his collection Illuminations (1886) are essential to the modern canon, marked by a hallucinatory and hypnotic style that defined the Symbolist movement in poetry. Having sworn off writing at the age of twenty-one, Rimbaud drifted around the world from scheme to scheme, ultimately dying from an infection contracted while running guns in Africa. He was thirty-seven. Edmund White writes with a historian's eye for detail, driven by a genuine personal investment in his subject. White delves deep into the young poet's relationships with his family, his teachers, and his notorious affair with the more established poet Paul Verlaine. He follows the often elusive (sometimes blatant) threads of sexual taboo that haunt Rimbaud's poems (in those days, sodomy was a crime) and offers incisive interpretations of the poems, using his own artful translations to bring us closer to the mercurial poet.

"The poet makes himself into a visionary by a long derangement of all the senses."—RimbaudIn 1968 Jim Morrison, founder and lead singer of the rock band the Doors, wrote to Wallace Fowlie, a scholar of French literature and a professor at Duke University. Morrison thanked Fowlie for producing an English translation of the complete poems of Rimbaud. He needed the translation, he said, because, "I don’t read French that easily. . . . I am a rock singer and your book travels around with me." Fourteen years later, when Fowlie first heard the music of the Doors, he recognized the influence of Rimbaud in Morrison’s lyrics. In Rimbaud and Jim Morrison Fowlie, a master of the form of the memoir, reconstructs the lives of the two youthful poets from a personal perspective. In their twinned stories he discovers an uncanny symmetry, a pattern far richer than the simple truth that both led lives full of adventure and both made poetry of their thirst for the liberation of the self. The result is an engaging account of the connections between an exceptional French symbolist who gave up writing poetry at the age of twenty, died young, and whose poems are still avidly read to this day, and an American rock musician whose brief career ignited an entire generation and has continued to fascinate millions around the world in the twenty years since his death in Paris. In this dual portrait, Fowlie gives us a glimpse of the affinities and resemblances between European literary traditions and American rock music and youth culture in the late twentieth century. A personal meditation on two unusual, yet emblematic, cultural figures, this book also stands as a summary of a noted scholar’s lifelong reflections on creative artists.

Holiday Records presents the vinyl reissue of Ghedalia Tazartes' 5 Rimbaud 1 Verlaine (2006). This is a great tribute to the poetry of Rimbaud and Verlaine made by a favorite French sorcerer, who exceptionally abandoned his typical imaginary language to reinterpret six small poems in his own way, jumping from one musical genre to the other and happily letting them crunch together in a childish, enthusiastic play. Recorded in Paris in his flat around the same time he recorded the wonderful Hystr

The 1870s in France - Rimbaud’s moment, and the subject of this book - is a decade virtually ignored in most standard histories of France. Yet it was the moment of two significant spatial events: France’s expansion on a global scale, and, in the spring of 1871, the brief existence of the Paris Commune - the construction of revolutionary urban space. Arguing that space, as a social fact, is always political and strategic, Kristen Ross has written a book that is at once history and geography of the Commune’s anarchist culture - its political language and social relations, its values, strategies, and stances.Central to her analysis of the Commune as social space and oppositional culture is a close textual reading of Arthur Rimbaud’s poetry. His poems - a common thread running through the book - are one set of documents among many in Ross’s recreation of the Communard experience. Rimbaud, Paul Lafargue, and the social geographer Elisee Reclus serve as emblematic figures moving within and on the periphery of the Commune; in their resistance to the logic and economy of a capitalist conception of work, in their challenge to work itself as a term of identity, all three posed a threat to the existing order. Ross looks at these and other emancipator notions as aspects of Communard life, each with an analogous strategy in Rimbaud’s poetry. Applying contemporary theory to a wealth of little-known archival material, she has written a fresh, persuasive, and original book.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

The author reads Rimbaud, Mallarme. Holderlin, and Trakl in relation to philosophy, and in particular to Heidegger.~ Is the age of poets past, or are we just on the verge of its coming in a farewell to poetry? When Rimbaud claims: "One must be absolutely modern!" what does he ask for? Is modernity really already finished, before it has even fully arrived?~ Is this the paradox of our present time? What if, as Mallarme said, a present does not exist?~ Is there any place for what Heidegger called "building, dwelling, thinking?" Why did Heidegger himself in the end need an ultimate God, after the failure of his political expectations?~ To keep questioning is already a way of responding. Perhaps the traditional philosophical gesture is not sufficient. If language, culture, and the history of the West have come to the point of no return as shown by Auschwitz, everything has to be rethought-- without a "turn" or a return.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.