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Richard Rolle (1305×10-1349) was an English hermit, mystic, and religious writer. He is also known as Richard Rolle of Hampole or de Hampole. In the words of Nicholas Watson, scholarly research has shown that "[d]uring the fifteenth century he was one of the most widely read of English writers, whose works survive in nearly four hundred English...and at least seventy Continental manuscripts, almost all written between 1390 and 1500." In one of his best-known works, Incendium Amoris (The Fire of Love), Rolle provides an account of his mystical experiences, which he describes as being of three kinds: a physical warmth in his body, a sense of wonderful sweetness, and a heavenly music that accompanied him as he chanted the Psalms. The book was widely read in the Middle Ages, and described the four purgative stages that one had to go through to become closer to God: described as open door, heat, song, and sweetness.

This important volume is a modern English translation of Richard Rolle's English writings. Much of the translation is based on Hope Emily Allen's Middle English edition of 1931. It is supplemented by more complete versions of the English Psalter and the Meditations on the Passion. It aims at a presentation of Rolle in today's language, and for readers with a modern approach to spirituality who are interested in the religious aims and idioms of the past. The book also seeks to convey some of Rolle's religious fervor, and above all the measured cadence of his prose style, placing him within the context of the ideas and language of his own age.

Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

The Melos amoris stands as the most daring literary achievement of medieval England's most influential mystic, Richard Rolle. Full of autobiographical glimpses and spiritual rhapsodies, this sustained etude in alliterative, rhythmic Latin prose contains Rolle's first public account of his profoundly sensory mystical experience. As Rolle defends himself against controversy, he offers detailed descriptions of the spiritual fire, sweetness, and song that characterize his mysticism, amid a labyrinthine weave of scriptural exegesis, personal narrative, and inspired utterance. Among his longest and most literary works, the Melos amoris has long been derogated as a frivolous gaud of the hermit's youth. Read more generously, it offers a key to the corpus of Rolle's Latin writings and opens crucial insight into his mystical discipline and the spiritual practices and experiences that stemmed from that discipline in the later Middle Ages. Richard Rolle's Melody of Love offers manifold pathways into the Melos amoris and its world, along with the first full translation of this unstudied masterpiece into English, in alliterative prose that mirrors the original. A quintet of appendices offers an edition of a spurious chapter, marginalia and music found in one key manuscript, reconstructions of early fourteenth-century Anglo-Latin songs and recitations, and guidance through Rolle's unusual Latin vocabulary. These materials are supported by a companion website offering audio recordings by Sine Nomine, the early music ensemble-in-residence at the Pontifical Institute of Mediaeval Studies, and a range of additional contextual matter. Conceived with student and scholar alike in mind, this multidisciplinary, multimedia project holds rewards for researchers not only of medieval literature, but also of medieval music, embodiment, theology, popular spirituality, and cultural history.

Richard Rolle - the Yorkshire hermit, visionary and transmitter of religious counsel - was widely recognised in the later English Middle Ages as a major spiritual author. However, this influential figure poses difficulties for scholars and remains a largely untapped literary resource. Encompassing over one hundred and twenty books, Rolle's work is central to the largely uninvestigated sacred culture of that period and provides scholars with a rich source of insight. Ralph Hanna has collected and catalogued this important body of work following detailed research of the manuscript evidence over two decades. Rolle's status makes it appropriate that he will be the only Middle English author other than Chaucer to have an author-based bibliography. The catalogue describes each of Rolle's books and includes full details of contents and codicology. The book also includes an introduction to Rolle's work explaining its significance, examining the transmission of his writings, and providing a guide to the conventions of presentation used in the catalogue. A series of indexes provides useful additional resources.

Bound in Green Illustrated Wraps, Showing Parkland and Grand House, This 1977 Softcover First Edition Is Vg. X1v/178pp with Preface and 17 Chapters, Notes Bibliography and Index. Minimal Anotation to Margins Only. Otherwise Vg

Language, Self and Love offers a unique insight into the development of the language of interiority in the medieval literature inspired by the Song of Songs and its commentaries. It traces the evolution of a medieval identity in the process of self-fashioning and, in showing the importance of mystical writing for understanding medieval subjectivity, suggests that the 'self' is not the early modern invention it is often claimed to be. Denis Renevey discusses the correspondences between the discourse of love in the Song of Songs and the language of mysticism in the writings of William of St Thierry and Richard Rolle, where the self is described in its attempts at establishing a direct relationship with God. He also shows how the textual strategies offered in mystical writing for the use of female recipients engage with questions of misogyny and the relationship between Latin and vernacular cultures.

Vehement widerspricht Andreas von Bülow der offiziellen Version der Anschläge vom 11. September: Ohne geheimdienstliche Unterstützung war eine solche Operation nicht durchzuführen. Seine brisanten Thesen sind ein Angriff auf die Verlogenheit der CIA. Nur Stunden nach dem Terroranschlag vom 11. September hatte die US-Regierung Fotos und Steckbriefe aller Attentäter, wusste sie Bescheid über alle Drahtzieher und Hintermänner. Und blitzartig war auch Präsident Bushs Strategie gegen die Mächte des Bösen fertig. Zufall? Andreas von Bülow, früherer Bundesminister, zweifelt die offizielle Version vehement an.

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